{"id":1514,"date":"2018-12-23T07:26:55","date_gmt":"2018-12-23T07:26:55","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/thenewfaceofpunktheregrettes\/"},"modified":"2018-12-23T07:26:55","modified_gmt":"2018-12-23T07:26:55","slug":"thenewfaceofpunktheregrettes","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/thenewfaceofpunktheregrettes\/","title":{"rendered":"The New Face of Punk: The Regrettes"},"content":{"rendered":"
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Photography by Erin Christie<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by Erin Christie<\/p>\n

I was first introduced to The Regrettes sometime last year upon hearing that they would be touring with one of my favorite bands, SWMRS. After experiencing their charismatic charm accompanied by riot grrrl-esque lyrics and blaring guitar, I was immediately hooked.<\/p>\n

This past Tuesday, Cambridge\u2019s Sonia was packed to the brim to see the Los Angeles quartet in action on Alt Nation\u2019s Advanced Placement Tour with Micky James and The Welles.<\/p>\n<\/div>\n

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The Regrettes is Lydia Night (vocals and guitar), Genessa Gariano (guitar), Brooke Dickson (bass), and Drew Thomsen (drums). Their debut record, Feel Your Feelings Fool!<\/em>, kick-started their stint on the scene in early 2017 and following, they have continued to redefine what \u201cpunk\u201d means ever since.<\/p>\n

Since their debut (when Night was a mere 15-years-old!) The Regrettes have been noted for their unapologetically outspoken nature and daringness to be bold. In other words, they seem not to give a fuck about negative criticism. Women in the music industry are constantly pushed down and shoved onto the back burner simply because of their gender\u2014as if that somehow makes them lesser than their male counterparts\u2014 and the same can be said for younger artists as well. Being primarily comprised of women, and considering that each of the members being barely in their 20s, The Regrettes have clearly expressed this type of backlash isn\u2019t something they\u2019re okay with.<\/p>\n

Young people are made to believe that their voices don\u2019t matter, that they aren\u2019t as worldly as their older competition and hence, that they don\u2019t have enough credibility to be considered as equals. \u201cWe\u2019re cast off as ignorant, arrogant, full of ourselves and plain old stupid. We\u2019re told that we can\u2019t change anything. Children are to be seen, not heard,\u201d writes Isabel Song, then a freshman at UC Berkeley for HuffPost<\/em>. Young people are often bashed for \u201cnot caring about world affairs\u201d and for being selfish. This awful misconception fails to recognize that young people are the future, and since we will inherit responsibility for what happens to the world, of course, we care. And so do The Regrettes. <\/p>\n<\/div>\n

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This year, The Regrettes has released their EP, Attention Seeker<\/em>, and two singles, hinting at the upcoming release of their sophomore record. <\/p>\n

\u201cPoor Boy,\u201d their most recent single, speaks directly to the monsters behind the mess of assault accusations and unearthing of abusers occurring throughout multiple industries and facets of the world It\u2019s a reality that\u2019s ultimately terrifying, but, as their song suggests, isn\u2019t something that should be shoved under the rug. \u201cPoor boy, what you gonna do?\/ These girls are coming for you,\u201d Night snarls, inspiring a riotous sway from the crowd, passionate with energy and complete infuriation, expressed by the band themselves and spread throughout the venue.<\/p>\n

Regardless as to whether or not this was their intention, the band has stood out as a beacon of hope for the younger generation, encouraging them to not only stand up to whatever is tearing them down\u2014whether that be societal expectations or pesky boys that just don\u2019t know the meaning of the word \u201cno\u201d\u2014but to also be unafraid to make waves.<\/p>\n

The crowd on the night of the 4th was significantly comprised of young girls, and honestly, it was refreshing to see. During the opening number, a quick snippet of ABBA\u2019s \u201cDancing Queen\u201d introduced the band and a chorus of young voices could be heard, singing along in gleeful fashion. Throughout the entire set, the energy in the air was palpable. As I stood on top of a stool at the bar to shoot the action, I could witness a sea of colliding bodies sprawled out in front of the band, many members of the sea before them grinning from ear to ear.<\/p>\n<\/div>\n

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The punk scene, frankly, has a history of rampant misogyny, and that oftentimes draws girls to abandon their taste for it. Bands such as Bikini Kill, Against Me!, Bratmobile, Hole, Screaming Females, Childbirth, 7 Year Bitch, and so many more have quite literally paved the way for punk as a genre (beginning as early as the 70s). In spite of this, though, as LA punk veteran, Alice Bag, has pointed out, punk– which started as an inclusive and diverse movement– was quickly annexed by white dudes. <\/p>\n

Alongside making girls believe that they don\u2019t have the chops to contribute to such a \u201chardcore\u201d genre, live, many girls cite not feeling safe or accepted at gigs. As Erica West of Athena Talks<\/em> notes, \u201cFans of the genre know that it is heavily dominated by white men, and the literal spaces\u200a\u2014\u200avenues, shows, festivals\u200a\u2014\u200acan be unsafe for women.\u201d Talks about molding concerts in general into a safer place for women and femme individuals have been buzzing about for years, and with acts like The Regrettes, encouraging such, the future looks bright. (In the long run, though, it comes down to men finally understanding that their god complexes are completely uncalled for and that they need to respect personal space!)<\/p>\n

\u201cThere\u2019s nothing better than a Tuesday night wall of death,\u201d Night laughed as she and the band launched into another track. In the same vein, during \u201cA Living Human Girl,\u201d their bluntly realistic anthem depicting the reality that many girls face (including dealing with monthly periods, razor bumps, and unrealistic expectations), Night encouraged an all-girl pit<\/p>\n<\/div>\n

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My heart soared at the sight of so many young girls, passionately singing along and jamming out to their heart\u2019s content, directly defying the trend often exhibited as shows like this. (Note: even during The Welles\u2019 set earlier in the night, there was a clear difference in atmosphere, then comprised of burly men swaying from side to side and sloshing their beers down the backs of the audience members in front of them). Knowing that girls can find a safe haven in The Regrettes\u2019 gigs is an amazing gift.<\/p>\n

As emulated by the band through their music and the way that they conduct themselves, being daring enough to let your mind be heard and to feel your feelings (fool) is the first step to sparking change. Being so close in age to many members of The Regrettes, it\u2019s incredibly inspiring to see my peers making strides toward success in such massive ways. Aside from creating content that is to die for, the band utilizes their platform in a manner that is truly admirable, and they are absolutely worthy of recognition for that.<\/p>\n

Check out their music video for their single \u201cCalifornia Friends\u201d now!<\/a><\/p>\n<\/div>\n

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