{"id":1500,"date":"2019-01-31T15:13:41","date_gmt":"2019-01-31T15:13:41","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/beabadoobeeinterview\/"},"modified":"2019-01-31T15:13:41","modified_gmt":"2019-01-31T15:13:41","slug":"beabadoobeeinterview","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/beabadoobeeinterview\/","title":{"rendered":"An Interview with Dirty Hit\u2019s Newest Member: Beabadoobee"},"content":{"rendered":"
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\"Bea.jpg\"<\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n

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by Erin Christie<\/p>\n

In April of last year, Bea Kristi, professional known as Bea (or beabadoobee), signed with independent UK label, Dirty Hit. The eighteen-year-old, now sharing the stage with amazing acts such as (my personal favorite band) Wolf Alice, The 1975, The Japanese House, and more, understandably has a lot of pressure placed on her shoulders. Despite this, she\u2019s handling it beautifully and taking massive strides toward stardom with each strum of her guitar. <\/p>\n

Before the release of her first EP, Patched Up<\/em>, on December 7th, I was able to chat with Bea via e-mail concerning her qualms with stardom and where she sees herself in the future. <\/p>\n

In late 2017, Bea released her first original song, \u201cCoffee,\u201d and soon after\u2014 to her surprise\u2014it started to gain traction, in large part due to social media and music sharing platforms. Spotify curates \u201cDiscover Weekly\u201d playlists for listeners based on artists and songs that they have shown interest in. In my case, Spotify was a key component in my introduction to Bea\u2019s music. \u201cCoffee\u201d was included in one of my weekly playlists sometime last year, in the midst of her debut onto the scene.<\/p>\n

\u201cThe hype towards coffee felt weird,\u201d Bea explained. \u201cI didn\u2019t even know people actually listened to the song till someone commented on one of my Instagram posts, \u2018hey! Ur that coffee girl\u2019 and I was like huh and I checked coffee streams and I was like when tf did that happen.\u201d<\/p>\n

From an outside perspective, it\u2019s easy to see why \u201cCoffee\u201d gained instant traction. Bea\u2019s vocal style is very timid and soft, yet indescribably beautiful and powerful at the same time. \u201cI\u2019ll make a cup of coffee with the right amount of sugar, how you like it,\u201d Bea croons in the chorus.<\/p>\n

In an interview with the Global Inquirer<\/em><\/a>, Bea mentioned that \u201cCoffee\u201d was the first song that she ever wrote via guitar after teaching herself to play. The song was inspired by her relationship with her boyfriend, Soren Harrison, who has created the artwork that has graced the covers of her singles and most recent EP. For Patched Up<\/em>, he and a friend, Amir, spent upwards of twelve hours editing and constructing the cover, a mesh of photo and art.<\/p>\n

Before pursuing music, Bea had different aspirations in mind: \u201cI wanted to be a nursery teacher actually, read some stories to the kids, sing them some tunes, write lil plays for them I thought that would be cool and then this whole music thing happened and I was like woop this is cool too.\u201d<\/p>\n

Her rise to stardom has parallels with other \u201cbedroom pop\u201d artists such as Clairo and Cuco, who began gaining relative status via social media. On Instagram, Bea\u2019s following is at roughly 115k. As the buzz escalates, it\u2019s almost as if everything enters hyperdrive at the push of a button.<\/p>\n

What makes Bea so appealing apart from her peers, though, is her relatability and warm nature. As evident through her typing style alone, Bea is a seemingly regular eighteen-year-old, juggling school and the throes of adolescence whilst also being a \u201cpublic figure\u201d to some degree.<\/p>\n

\u201cJuggling school and music is suPER HARD WOW,\u201d she wrote. \u201cLike sitting in a classroom with information going through one ear to another whilst constantly thinking about a new song I wrote sucks ass.\u201d<\/p>\n

Much of her short, but already well-regarded, discography is composed of soft, ambient tracks that, as she says, \u201cwould probably make you cry or make you really happy, too.\u201d An older track, \u201cHome Alone,\u201d has the ability to make butterflies flit around your stomach, earnestly detailing her desire to have someone keep her company.<\/p>\n

As she explains, her lyrics are often drawn from her own experiences: \u201c[My lyrics come from] pretty much embracing feelings that can be intimidating sometimes. And that its always gonna be okay at the end. I guess song writing helps me reassure myself a bit, helps me get stuff off my chest too.\u201d Aside from her singles, her 2018 short album, Patched Up,<\/em> offers listeners an opportunity to view Bea\u2019s lyrical prowess and musical expertise in greater depth.<\/p>\n

Bea cites artists such as Kimya Dawson, Elliot Smith, Karen O, Mazzy Star, Simon & Garfunkel, and Daniel Johnston as having a \u201ccollective contribution\u201d to her musical path. This much is certainly evident in her past releases, including Patched Up<\/em>.<\/p>\n

When describing her music, it\u2019s difficult to refrain from using the descriptor \u201csweet\u201d too much. Tracks such as \u201cArt Class,\u201d for example, combine a more fast-paced, acoustic melody with themes of blossoming love and insecurity about expressing one\u2019s feelings for another. \u201cIf you don\u2019t take my hand already, I\u2019m afraid I\u2019ll start a riot,\u201d she argues.<\/p>\n

My personal favorite of the album, \u201cIf You Want To,\u201d seems as though it would be amazingly fun live, warranting one to sway back and forth along with the carefree, upbeat melody.<\/p>\n

Another track, \u201cEighteen,\u201d is autobiographical in nature, reminiscent of Sufjan Steven\u2019s oftentimes melancholy attitude. The song details Bea\u2019s personal woes about becoming an adult. \u201cSometimes I get scared and throw it all up,\u201d she admits. At the end of the day, she\u2019s still eighteen, despite how quickly her career is launching, and that can be intimidating.<\/p>\n

When I had the chance to talk to Bea, it was just before the release of her debut EP, Patched Up<\/em>, and on the cusp of her first-ever headlining gig at St Pancras Old Church in London. Despite her initial nerves (and the sore throat that she felt coming on), having been armed with tons of rehearsal time and prep, she managed to take the stage with grace that night. In May, she will be playing Live at Leeds, a festival for up and coming talent, alongside Sundara Karma, Swim Deep, Goat Girl, and Dream Wife (among others).<\/p>\n

With the future in mind, Bea is hopeful: \u201cI don\u2019t know what\u2019s gonna happen in the future with music\u2026well hopefully people like this ep I guess\u2026and I keep writing songs so I guess there [are] more ep\u2019s and albums to come :).\u201d Regardless as to what this coming year has in store for Bea, as young as she is, the future seems bright.<\/p>\n<\/div>\n

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\n “Patched Up”
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In April of last year, Bea Kristi, professional known as Bea (or beabadoobee), signed with independent UK label, Dirty Hit\u2026<\/p>\n","protected":false},"author":1,"featured_media":1501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nAn Interview with Dirty Hit\u2019s Newest Member: Beabadoobee - wecb<\/title>\n<meta name=\"robots\" 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