{"id":1496,"date":"2019-02-02T20:00:38","date_gmt":"2019-02-02T20:00:38","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/deerhunterwhyhasnteverythingalreadydisappearedreview\/"},"modified":"2019-02-02T20:00:38","modified_gmt":"2019-02-02T20:00:38","slug":"deerhunterwhyhasnteverythingalreadydisappearedreview","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/deerhunterwhyhasnteverythingalreadydisappearedreview\/","title":{"rendered":"Deerhunter Abandons Nostalgia and Turn Towards a Daunting Future on their Poppiest Album Yet"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2500px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:33.31999969482422%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/WHEAD.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/WHEAD.jpg\" data-image-dimensions=\"2500x833\" data-image-focal-point=\"0.5,0.5\" alt=\"WHEAD.jpg\" data-load=\"false\" width=\"2500\" height=\"833\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p style=\"white-space:pre-wrap\">by Owen Murray<\/p>\n<p style=\"white-space:pre-wrap\">In 2010, Deerhunter released their psychedelic indie rock masterpiece <em>Halcyon Digest. <\/em>The album remains their most successful and critically acclaimed to date. Ironically, in a recent interview with Noisey, Deerhunter frontman Bradford Cox revealed that he doesn\u2019t consider his music indie rock, nor does he consider <em>Halcyon Digest <\/em>to be among the band\u2019s best work. Not only did Cox rank the band\u2019s early breakthrough record <em>Microcastle <\/em>higher than <em>Halcyon Digest, <\/em>but he also preferred Deerhunter\u2019s more recent efforts, including 2013\u2019s <em>Monomania <\/em>and 2015\u2019s <em>Fading Frontier. <\/em>While fans and critics may have different preferences, it is refreshing to know that Cox is continuing to make music that he believes is his best work. &nbsp;<\/p>\n<p style=\"white-space:pre-wrap\">On their latest project <em>Why Hasn\u2019t Everything Already Disappeared? <\/em>Deerhunter moves confidently in a new direction. The band first gained recognition for songs riddled with anxious nostalgia\u2014one of the most potent examples being <em>Halcyon Digest\u2019s <\/em><a href=\"https:\/\/www.youtube.com\/watch?v=1mBSOtdOjoc\">\u201cDesire Lines,\u201d<\/a> which was written and sung entirely by the band\u2019s guitarist Lockett Pundt\u2014but for the first time, they are looking towards the future. Anxiety remains just as prevalent, as shown by the dystopian scene Cox depicts on \u201cNo One\u2019s Sleeping.\u201d \u201cNo one\u2019s sleeping \/ Great unrest \/ in the country there\u2019s much duress \/ violence has taken hold,\u201d he sings. As soon as the opening track \u201cDeath in Midsummer,\u201d Cox yelps in an assertive crescendo \u201cThere is no time to go back,\u201d a surprising phrase from someone who sang nearly an entire discography about going back to better times. It is important to note that this is the first album since the untimely death of Deerhunter\u2019s former bassist Josh Fauver, who left the band after <em>Halcyon Digest<\/em>. Such<em> <\/em>an event that would surely make the type of nostalgia featured on <em>Halcyon Digest <\/em>incredibly difficult to continue. <\/p>\n<p style=\"white-space:pre-wrap\">Though Bradford Cox hates the label of indie rock\u2014he once called it \u201crock, but lazy\u201d\u2014<em>Why Hasn\u2019t Everything Already Disappeared? <\/em>has Deerhunter fitting more solidly into indie rock than they ever have. To the band\u2019s credit, this doesn\u2019t mean they sound lazy. In fact, they sound tighter than ever with a polished, clean sound that compliments the albums relatively concise songwriting. The psychedelia of <em>Halcyon Digest <\/em>and the harsh noisiness of <em>Monomania <\/em>placed Deerhunter a little more left field than their indie rock contemporaries like Grizzly Bear and closer to indie experimentalists like Animal Collective. Now, <em>Why Hasn\u2019t Everything Already Disappeared? <\/em>has the band further embracing their pop sensibilities. Despite lyrics depicting environmental degradation and disintegration of modern life, Deerhunter expands on the serene sound of their last album <em>Fading Frontier. <\/em>Many of the songs featuring an instrumental pallet of crisp drums, sweet synths, and slightly distorted electric guitar and bass. Aside from a few disjointed, eerie detours such as \u201cDetournement\u201d and \u201cTarnung\u201d and some subtle psychedelia sprinkled into tracks like \u201cElement,\u201d the experimental elements of Deerhunter\u2019s music have been largely left behind. <\/p>\n<p style=\"white-space:pre-wrap\">Though Cox has often expressed his bitterness and exasperation that his later albums have not received the same recognition as <em>Halcyon Digest, <\/em>it\u2019s clear that he\u2019s not trying to relive the band\u2019s heyday. Instead, he\u2019d rather make the music that he believes is the best he can make, even if the reception is infuriatingly underwhelming.&nbsp;Knowing how much Deerhunter each new album means to Cox and the band makes each development in the band\u2019s sound and attitude worth following. <em>Why Hasn\u2019t Everything Already Disappeared? <\/em>shows that Deerhunter\u2019s progression is just as intentional and direct as ever, even as their most popular work ages into memory.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In 2010, Deerhunter released their psychedelic indie rock masterpiece <em>Halcyon Digest\u2026<\/em><\/p>\n","protected":false},"author":1,"featured_media":1497,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Deerhunter Abandons Nostalgia and Turn Towards a Daunting Future on their Poppiest Album Yet 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