{"id":1464,"date":"2019-03-03T08:37:55","date_gmt":"2019-03-03T08:37:55","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/shortalbums\/"},"modified":"2019-03-03T08:37:55","modified_gmt":"2019-03-03T08:37:55","slug":"shortalbums","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/shortalbums\/","title":{"rendered":"The Strengths and Shortcomings of the Short LP"},"content":{"rendered":"
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\"Short<\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n

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by Owen Murray<\/p>\n

At this point, we\u2019ve heard enough about Culture II <\/em>and Scorpion. <\/em>They\u2019re ridiculously long, have a lot of filler; really, just a waste of time. It\u2019s no secret the many artists in hip hop have an issue with quantity over quality. Drake and Migos aren\u2019t the only perpetrators. Stand out artists like Young Thug and Future frequently release albums that are over an hour, when their talents could be put to better use if they selectively released their best work. Ironically, the last couple of years have also brought an influx of hip hop albums that are clocking in somewhere between 20 and 30 minutes, with mixed critical responses. Earl Sweatshirt\u2019s avant-garde Some Rap Songs, <\/em>Vince Staples tight FM! <\/em>and of course, the infamous string of G.O.O.D. music releases in 2018 all come to mind. While it\u2019s easy to write off ultra-long albums as an unfortunate by-product of the streaming age, the phenomenon of shorter albums has shown some more potential.<\/p>\n

In 2015, Earl Sweatshirt dropped I Don\u2019t Like Shit, I Don\u2019t Go Outside <\/em>on the same day Kendrick Dropped To Pimp a Butterfly. <\/em>At the time, I was a big Earl fan, but the album\u2019s 36-minute runtime made it seem feeble in comparison to Kendrick\u2019s masterpiece which ran nearly an hour and a half. The albums had entirely different goals: Earl gave us a look into his state of mind and anxious, depressed, anti-social attitude, while Kendrick confronted the world at large and the struggle of being black in America. Nonetheless, I couldn\u2019t help but feel like Earl wasn\u2019t even trying. What was there was good, but I was never satisfied by the end, especially since To Pimp a Butterfly<\/em> has such a clear progression and narrative. <\/p>\n

It took months before I could listen to I Don\u2019t Like Shit <\/em>without unfairly comparing it to the album it just happened to share a birthday with. After a long time\u2014 and a huge change of heart\u2014I came to see the album\u2019s short runtime as complementary to its lyrical content and sound. Earl is aloof and antisocial, and he\u2019s exposing his frame of mind. No chance is he going to let us overstay our welcome. At the same time, the darkness of I Don\u2019t Like Shit <\/em>is so potent, I don\u2019t think I could handle much more than half an hour of it. <\/p>\n

When Earl followed up I Don\u2019t Like Shit <\/em>with Some Rap Songs <\/em>close to 5 years later, <\/em>I wasn\u2019t disappointed that the album was only 25 minutes. Instead, I was excited for another dense, engaging listen. Some Rap Songs <\/em>outdid I Don\u2019t Like Shit <\/em>with its disorienting yet organic instrumentals, and a new level of darkness but also social awareness in its lyrics. <\/p>\n

Earl Sweatshirt releases ideal short albums. Albums that are complete, not despite their length, but due\u2014at least in part\u2014to their brevity. Milo\u2019s wordy 2015 album So the Flies Don\u2019t Come <\/em>and Tierra Whack\u2019s Whack World <\/em>(2018), <\/em>which is comprised of 15 quirky one-minute songs, also fit the bill. <\/p>\n

Unfortunately, albums like these seem to be the outliers. And the majority of short albums suffer because of their length. Vince Staples FM! <\/em>was a super-tight 22-minutes, but for no real reason. The album stays just long enough to establish its theme of sounding like an FM radio program but could have further developed the idea had it taken some more time. <\/p>\n

2018\u2019s G.O.O.D. music releases fall into the category as well. While DAYTONA <\/em>was a strong start to the 5-albums-in-5-weeks streak, it still is hindered by its length. Pusha was on the top of his game lyrically, and Kanye\u2019s production complimented Pusha\u2019s intensity perfectly. But this was the album that was trumpeted as the grand triumph of King Push. I was expecting some Twisted Fantasy <\/em>level rap. It had been teased for years, with Pusha T\u2019s previous album being billed as its prelude. <\/em>Instead of a grand triumph, we got a watertight 20 minutes. While DAYTONA <\/em>will still go down as one of Pusha T\u2019s best works\u2014and maybe even a classic\u2014I can\u2019t help but wonder what it could have been if it had been scaled up. <\/p>\n

Kanye\u2019s own Ye <\/em>suffered even further because of its length. For the first time in his tumultuous career, Kanye\u2019s music played second fiddle to his antics. Ye <\/em>essentially combined musical ideas from The Life of Pablo <\/em>and My Beautiful Dark Twisted Fantasy <\/em>with a loose focus on Kanye\u2019s own mental health, but the 20 minutes of music we received just didn\u2019t carry the same ambition as its predecessors. While \u201cGhost Town\u201d is a standout track that shows Kanye still has the potential to make fantastic records, Ye <\/em>proved what we already knew: there are some statements that just take longer to make. There can be no 20-minute version of My Beautiful Dark Twisted Fantasy. <\/em><\/p>\n

In the end, the shortcomings of short LP\u2019s are mostly forgivable. After all, an album of 7 near-perfect songs wouldn\u2019t be improved by the addition of three mediocre ones. And a bloated album like Scorpion <\/em>will always be more disappointing than a brief, lean album like DAYTONA <\/em>or FM! <\/em><\/p>\n

As music listening gets increasingly invaded by interruptions and notifications, 20-minute albums could easily become the new normal. My daily walk home is precisely the same length as Ye, <\/em>and because of that, I listen to it on routine. Even if it ranks among my least favorite Kanye albums. <\/p>\n

It\u2019s hard to pack a poignant musical statement into 20 minutes, but it\u2019s a challenge that Tierra Whack and Earl Sweatshirt have proven is possible. I hope that more artists will be able to follow their lead. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

At this point, we\u2019ve heard enough about Culture II <\/em>and Scorpion. <\/em>They\u2019re ridiculously long\u2026<\/p>\n","protected":false},"author":1,"featured_media":1465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nThe Strengths and Shortcomings of the Short LP - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Strengths and Shortcomings of the Short LP - wecb\" \/>\n<meta property=\"og:description\" content=\"At this point, we\u2019ve heard enough about Culture II and Scorpion. 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