{"id":1418,"date":"2019-04-05T15:47:12","date_gmt":"2019-04-05T15:47:12","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/mikaeladavisinterview\/"},"modified":"2019-04-05T15:47:12","modified_gmt":"2019-04-05T15:47:12","slug":"mikaeladavisinterview","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/mikaeladavisinterview\/","title":{"rendered":"An Interview With Mikaela Davis"},"content":{"rendered":"
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Photo Retrieved from https:\/\/mikaeladavis.bandcamp.com<\/a><\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by Karigan Wright<\/p>\n

Mikaela Davis is not like other pop artists. Mikaela Davis is a deviation from those in her genre, and at 26, she is already standing out against her counterparts. Her deeply personal and soulful lyrics are also incredibly catchy, Davis creating music you can both relate to and sing along to. I was lucky enough to chat with Davis about her album released in 2018, Delivery, <\/em>and the journey that got her to this point. <\/p>\n

What inspired you to pursue music? <\/strong><\/p>\n

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I guess I\u2019ve been singing since I can remember and as a kid I loved being in school chorus and when I was in third grade I decided to play the harp. They offered it at my public school which is pretty awesome, pretty rare that a public school has harp. So I think when I saw the instrument I immediately fell in love with it and I guess as I got older I realized like oh, I think I\u2019m good at this and I started writing songs when I was in sixth grade…I think I was twelve. I don\u2019t remember ever wanting to do anything else, I think I always just knew growing up that I wanted to be a musician. I decided to go to school for harp performance and ended up graduating from the Crane School of Music but instead of going on to grad school or going to an orchestra I decided to just tour. <\/p>\n<\/blockquote>\n

Was there a moment in your childhood or teen years where you thought \u2018this is it, i want to make music\u2019? <\/strong><\/p>\n

\n

I don\u2019t know, I guess I don\u2019t really remember thinking any other way. Maybe when I started writing songs. I started writing songs because I was trying to figure out some of my favorite songs on piano and then I would end up playing a chord that\u2019s not the same chord as in the song but I liked it and then I started realizing, oh I can do this too, I can write a song that\u2019s my own. Maybe that moment when I wrote my first song I thought, Wow, this is really cool, I want to do this. <\/p>\n<\/blockquote>\n

When you were on tour with Lake Street Dive I was in the front row in Baltimore. It seemed like you gained so many fans that night, people were drawn to you. What kind of experiences have you had with the audiences on tour? <\/strong><\/p>\n

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Lake Street Dive was probably one of the best tours I\u2019ve ever been on. Their audience is so cool and I feel like they embraced us. It can be tough as an opening band because you kind of have to win over the audience in a half hour and they also don\u2019t know who you are and most of them have never heard your music so it can be a little daunting. Especially since I\u2019ve had times I\u2019ve gone out and played solo and no one\u2019s really listening and everyone\u2019s talking but you have to look at the five people who are watching you and say okay I just have to play for them because they\u2019ll remember this, it doesn\u2019t matter if other people don\u2019t. Lake Street Dive was awesome and I did a big tour with Bon Iver in Europe a few years ago, and that was solo. That was pretty amazing too but I think Lake Street Dive\u2019s fanbase has embraced me a little more, which I\u2019m okay with. I guess it\u2019s different every time, we\u2019re about to go on tour with Rubblebucket. They\u2019re cool, and it\u2019ll again be a different thing so I can we\u2019re not sure what to expect but every crowd is different but it\u2019s always fun. <\/p>\n<\/blockquote>\n

\u201cDelivery\u201d is one of my favorite songs off the album. I interpreted it as being about being frustrated with yourself and struggling doing what you want to do. One of the lyrics is \u201cSo I take it back to New York, and cried to my mom\u201d. Since returning to Rochester, do you feel like you\u2019ve found your musical identity? <\/strong><\/p>\n

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Yeah, definitely. I think when I moved home and was able to be near my band and my band is now in Rochester, we’re all in the same place which was never the case before that; and being in a smaller community of artists, a lot of people support each other in Rochester, the music scene is pretty awesome here, there\u2019s a lot of great bands. I definitely felt more comfortable once I was here and even now my writing is…I feel better about it everyday. I feel like I\u2019ve found how I want to sound. <\/p>\n<\/blockquote>\n

I recently wrote an article about the lack of gender diversity in the music industry. According to Billboard Magazine only 16.8% of artists in 2017 were women. What\u2019s your experience been like being a successful woman artist? <\/strong><\/p>\n

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There\u2019s definitely times where I feel like people aren\u2019t taking me seriously or people think I don\u2019t know what the \u2018good\u2019 decision is, but I\u2019ve also come across people who are super supportive and I just try to surround myself with likeminded people and my band is really awesome, and they\u2019re always supportive of women artists and I like to work with other women as much as possible even though I\u2019ve come across more men sound engineers and producers than women, but it always makes me smile when we go to a venue and the sound engineer is a woman. There\u2019s never a difference, it\u2019s never like someone\u2019s gonna be better than the other. I think people are embracing it more but it is still…I guess I\u2019m not too surprised in that statistic. But, I don\u2019t even know if that\u2019s true because 16%, maybe it\u2019s 16% of women musicians are getting credit or being noticed. In Rochester, there\u2019s tons of women as the front of the band. But the whole world only hears about three of them. There\u2019s an Instagram account called \u201cBook More Women\u201d that posts all the music festivals and it\u2019ll tell you the percentage of women that are playing the festival and then they\u2019ll edit out all the bands that are fronted by men and just show the festival with only the women. Sometimes it\u2019s pretty alarming. <\/p>\n<\/blockquote>\n

What\u2019s your non musical life like? What are your other hobbies, favorite places, favorite people to be with? What do you do to destress from your busy life?<\/strong><\/p>\n

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Hmm…this is a hard question because I don\u2019t do much else. I wake up in the morning and answer emails and then I usually just play music for the rest of the day. But I really like to ski, although I haven\u2019t gone skiing this winter. But growing up I was in ski club and went skiing all the time. I don\u2019t know if it\u2019s really a hobby but I have a juicer and I get really obsessed with juicing things and making really yummy and healthy juices, trying to find the best combination. I hang out with my friends and we play music and I don\u2019t really do much else. I really like to cook too, I wouldn\u2019t say I\u2019m an amazing cook but when you\u2019re on the road so much and you have to eat shitty food…we\u2019ve been pretty good at making sure we go to Wegmans or Whole Foods to get some healthy things. But it makes me want to cook a lot more when I\u2019m home so I like to cook. And I\u2019m just starting to learn jazz harp. I really want to learn, I wanna start transcribing solos maybe like John Coltrane solos or, there\u2019s this harpist Dorothy Ashby who is incredible who basically invented jazz harp, so I\u2019ve been listening to a lot of Dorothy Ashby and trying to start to learn jazz on the harp. <\/p>\n<\/blockquote>\n

What was your process in writing your album, Delivery<\/em>? <\/strong><\/p>\n

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I didn\u2019t really go by any set of rules, some of the songs I co-write so I think for the songs I co-wrote with my drummer and we would just find days where we were free and he\u2019d come over and I\u2019d have an idea that I hadn\u2019t finished yet and then he\u2019d just help me finish the song. I have a lot of melodies that pop into my head but sometimes I have trouble crafting the lyrics I want with them so Alex will help me figure out what I want to say and put it on paper. Sometimes I\u2019ll just be sitting down and a song will just come to me and some of the songs on the record are songs that I just wrote, and usually those were written pretty fast — like in a day. I\u2019d just be sitting with the piano or harp and I don\u2019t even know how it would happen. All of a sudden I\u2019d just have a song written down in my notebook. A few of them were written with friends in L.A. or Nashville. It really was songs that were written after a few years that were put together and I had over twenty songs I think, and we chose ten. <\/p>\n<\/blockquote>\n

Which songs did you write in one day? <\/strong><\/p>\n

\n

\u201cDelivery\u201d was one of those, and I wrote \u201cDelivery\u201d when I was really frustrated and I was not having as much fun writing as I used to. It was starting to feel more like a job than a passion. It was just one of those days where I wasn\u2019t even trying to write a song, it just happened. \u201cDelivery\u201d and \u201cIn My Groove,\u201d and \u201cAll I Do Is Disappear,\u201d those songs came to me pretty fast. <\/em><\/p>\n<\/blockquote>\n

Delivery<\/em> seems to be influenced by folk, rock, funk, psychedelic, and pop. Are there specific artists or bands who have inspired your album? <\/strong><\/p>\n

\n

I was listening to a lot of Carole King…I guess Neil Young for sure. I really like Cass McCombs, he\u2019s awesome. Carole King and Neil Young were the big ones I was listening to a lot around that time. <\/p>\n<\/blockquote>\n

Your songs are very personal and tend to resonate with listeners. What does it feel like knowing your music triggers an emotional response in your fans? <\/strong><\/p>\n

\n

I mean that\u2019s really all I want. I don\u2019t really like to talk about what my songs are exactly about all the time because it is better when people can relate the songs to their life. So it almost feels like \u2018oh this song makes me feel a certain way about something I\u2019m going through and if people can relate it to their lives personally then I\u2019m doing what I want to be doing. I want my songs to be helping other people too. <\/p>\n<\/blockquote>\n

What\u2019s your biggest dream when it comes to music, and have you achieved it yet? <\/strong><\/p>\n

\n

I\u2019d say I\u2019ve done a lot of touring, which is what I wanted to do and my biggest dream is to just live comfortably and play music for a living and be able to do that comfortably. Not quite there yet, not quite comfortable yet but that\u2019s the dream. To just be able to be a working musician and just live off that and just have a house with a studio in it and just play music with my friends all the time. That\u2019s the dream. <\/p>\n<\/blockquote>\n

You can listen to Delivery <\/em>on several platforms, including, mikaeladavis.com<\/a>, Amazon Music, iTunes, Apple Music, Spotify, and Google Play. Though a relatively new artist, Davis is taking audiences by storm, gaining new fans every night, while coming closer to achieving her biggest dream. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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