{"id":14,"date":"2025-04-14T23:34:23","date_gmt":"2025-04-14T23:34:23","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-4-14-having-chest-pain-so-is-malcolm-todd\/"},"modified":"2025-04-14T23:34:23","modified_gmt":"2025-04-14T23:34:23","slug":"2025-4-14-having-chest-pain-so-is-malcolm-todd","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-4-14-having-chest-pain-so-is-malcolm-todd\/","title":{"rendered":"Having Chest Pain? So is Malcolm Todd"},"content":{"rendered":"
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Graphic by Maddie Cohen<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by delaney roberts <\/h1>\n<\/div>\n
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Last April, I sat in the Boston Public Garden with a friend, listening to a shuffle of indie favorites from her pocket-sized JBL speaker as it soundtracked our afternoon. As songs passed in and out of focus, one particular track caught my attention with its electric guitar riffs and synth-heavy beats. <\/p>\n

 \u201cWhat song is this?\u201d I asked. <\/p>\n

\u201c\u2018Roommates\u2019 by Malcolm Todd,\u201d she said. <\/p>\n

That was my entry point. Later that week, I dove into Todd\u2019s mixtape Sweet Boy <\/em>and became hooked. Todd\u2019s blend of infectious hooks and genre-blurring production has had a hold on me ever since. He exudes emerging rockstar energy on the mixtape with songs like \u201cThailand,\u201d \u201cAccutane,\u201d and \u201cEarrings.\u201d Fans have been itching for new music from Todd since the release of Sweet Boy. <\/em>He eventually sprinkled three singles\u2014\u201cComfort Me,\u201d \u201cYou Owe Me,\u201d and \u201cCute Shirt Interlude\u201d\u2014while he assembled his debut self-titled album, Malcolm Todd<\/em>. With this new album, Todd refines his sound and introduces a layer of vulnerability across its fourteen tracks. <\/p>\n

Malcolm Todd<\/em> opens on a slow, reflective note with \u201cHarry Styles,\u201d in which Todd addresses the music industry\u2019s fickleness and the insecurities that accompany newfound fame. In this one-verse track, he sings, \u201cI wasn’t picked for Flog Gnaw \/ Now I’m waking up at 10 \/ I should have been there,\u201d before reminding himself that patience and persistence will ultimately pay off. The song concludes with a wash of graceful strings, representing new territory for Todd and marking a subtle but striking shift in his discography. Like other tracks on the album, this song includes an audio snippet that gives listeners a deeper glimpse into his life. <\/p>\n

Some audio snippets on the album provide Todd with comfort, while others disclose his deepest fears. In \u201cGood Job Malcolm,\u201d a voice simply says, \u201cGood job, Malcolm,\u201d followed by fifty-four seconds of empowering strings that smoothly transition into electric guitar riffs. This moment offers a rare feeling of affirmation. In contrast, \u201cConcrete\u201d begins with a much harsher voice stating, \u201cI\u2019m sorry, are you crying? \/ I can\u2019t believe it \/ God, that\u2019s pathetic \/ Man, you gotta pick yourself up.\u201d Being in love can make you feel like the king of the world, but heartbreak can make that same world feel like it\u2019s collapsing. The scattered audio clips throughout the album echo both extremes, capturing the tension between fear, heartbreak, and the fragile hope of love.<\/p>\n

We can\u2019t discuss Malcolm Todd and love without mentioning his hit single \u201cChest Pain (I Love).\u201d The song explores the emotions of a hopeless romantic as Todd grapples with his bittersweet desire for connection while suffering from the pain and struggles of love. When the song dropped on December 4, 2024, it quickly became the most popular release in Todd\u2019s discography, resonating across streaming platforms and social media. Its unforgettable chorus took over TikTok, with creators using the song as a soundtrack for everything from relationship montages to heartbreak confessionals. <\/p>\n

One might assume that a song as captivating as \u201cChest Pain (I Love)\u201d would take weeks to engineer and refine, but that assumption would be wrong. In an interview with Travis Mills<\/span><\/a>, Todd revealed that \u201cChest Pain (I Love)\u201d was born from a melody he hummed and was completed within two days. What makes the song linger in our hearts is its vulnerability. Lines like \u201cPlease, I wanna see what we would be if you were by my side \/ Make me feel lonely, soon \/ You might not know me \/ I wish I could lie \/ But I can’t deny\u201d encapsulate the emotional push-and-pull that defines much of the album. These lyrics express Todd\u2019s idealistic delusion of his partner, which isn\u2019t reciprocated, a theme that resonates throughout other songs on the album.<\/p>\n

While \u201cChest Pain (I Love)\u201d showcases the hopeless romantic side of Malcolm Todd, other tracks on the album explore his insecurities surrounding love. In \u201cWalk to Class,\u201d he questions the authenticity of his partner\u2019s feelings, singing, \u201cYou\u2019ve got more of my own heart than I got \/ Will you walk to class alone on Tuesday? \/ Are you choosin\u2019 someone better?\u201d Todd\u2019s vulnerability in these lyrics only makes him more human as he voices the heavy questions many of us often keep to ourselves. Then, \u201cConcrete\u201d hits listeners hard as Todd wrestles with conflicting emotions toward a former partner. Lyrics such as \u201cI never wanna hear you say goodbye \/ I don\u2019t want to hate you but I\u2019ll try,\u201d illustrate his internal conflict between holding on and letting go. <\/p>\n

The cover art for Malcolm Todd strikingly symbolizes the album\u2019s themes. It depicts Todd mid-air, atop another figure, as they tumble toward the grass in what appears to be a playful yet chaotic wrestling move. This moment, suspended in time, is filled with energy and tension. I interpret the cover as Todd grappling with his fears, doubts, and inner turmoil, yet he wears it with a smile. The image captures the emotional undercurrent of the album: confronting your struggles with vulnerability and confidence and perhaps even finding some joy amidst the chaos.<\/p>\n

Malcolm Todd\u2019s self-titled debut is more than a collection of catchy tracks; it tells a coming-of-age story that embodies heartbreak, self-doubt, fame, and aspiration. Each song builds on the genre-building foundation that Todd established with Sweet Boy, <\/em>as he reveals more of himself than ever before. Whether he\u2019s yearning for connection, questioning love, or striving to build self-confidence, Todd never shies away from the messiness of life. In the second to last track of the album, he sings, \u201cI live for you to cheer me on.\u201d It\u2019s about time we started doing just that.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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