{"id":1386,"date":"2019-05-16T19:16:37","date_gmt":"2019-05-16T19:16:37","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/fontainesdc\/"},"modified":"2019-05-16T19:16:37","modified_gmt":"2019-05-16T19:16:37","slug":"fontainesdc","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/fontainesdc\/","title":{"rendered":"Fontaines D.C. Are Gonna be Big: Dogrel Review"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2500px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:33.31999969482422%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/FontainesDC.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/FontainesDC.jpg\" data-image-dimensions=\"2500x833\" data-image-focal-point=\"0.5,0.5\" alt=\"Fontaines DC.jpg\" data-load=\"false\" width=\"2500\" height=\"833\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">by Erin Christie<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Irish post-punk group, Fontaines D.C. could easily take any other band in their category by the collar. The five-piece- comprised of members Grian Chatten (vox), Conor Deegan III (bass), Carlos O\u2019Connell (guitar), Conor Curley, (guitar) and Ton Coll (drums)- is notably one of the biggest acts to come out of Dublin since Hozier. With their new record, <em>Dogrel<\/em>, released on April 12 via Partisan Records, they absolutely do the Emerald Isle justice. Noted by <em>The Guardian<\/em> as a \u201c<a href=\"https:\/\/www.theguardian.com\/music\/2019\/apr\/12\/fontaines-dc-dogrel-album-review-irish-punks-debut\">perfect debut<\/a>,\u201d writer Ben Beaumont-Thomas hits the nail on the head. <\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>Dogrel<\/em> approaches post-punk in a manner similar to bands such as Shame, Idles, Fat White Family, and others from the EU. Despite their similarities to other bands in the genre, they somehow set themselves apart: they\u2019re hardly as aggressive, yet just as (if not more) expressive and brutally blunt. The record, marked with legendary singles such as guitar-heavy \u201cHurricane Laughter\u201d and violently charming \u201cLiberty Belle,\u201d is entirely eclectic but flows seamlessly. They combine post-punk hallmarks with reverb-drenched garage and surf rock calling cards, creating a unique concoction that manages not to taste sour. The track \u201cTelevision Screens,\u201d for example, is a chill-inducing call-out to early 80s punk riffing, and with that considered, it sticks out as one of my personal favorites on the record (despite its bleak commentary on the state of ruin our world is in). There\u2019s a harshness to how raw their material is, and that just draws listeners like me even closer to them, like moths to a flame.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Combining snappy lyrics with booming bass and shrill cymbals, Fontaines D.C. presents an emotion-packed addition to this year\u2019s Irish musical exports. \u201cIt feels nice to wear our Irishness on our sleeves because it\u2019s a voice that\u2019s been shouted over for hundreds and hundreds of years,\u201d lead singer Grian Chatten said in an interview with <a href=\"https:\/\/www.pastemagazine.com\/articles\/2019\/04\/irish-rockers-fontaines-dc-want-to-bring-romance-b.html\"><em>PASTE<\/em><\/a>. Throughout the entire record, Fontaines D.C. calls upon specifics associated with the Irish punk scene that their English counterparts haven\u2019t touched. \u201cDublin City Sky,\u201d for example, is a letter to the place where they gather their namesake (the D.C. in their band name being an acronym for Dublin City)\u2014 but it\u2019d be a falsity not to also mention their criticisms of the city they love present throughout the LP.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">This record is brutally realistic, creating world commentary especially in track, \u201cChequeless Reckless\u201d\u2014 \u201cA sell-out is someone who becomes a hypocrite in the name of money,\u201d Chatten states, and he continues to dish out more bold-faced judgments toward idiots, phonies, and dilettantes. \u201cMoney is the sandpit of the soul,\u201d he continues, a statement that would make Marx smile from across the grave. They turn a critical mirror on their homeland, \u201ca pregnant city with a Catholic mind,\u201d noting the absolute worst of the worst first-hand accounts that they\u2019ve had. After all, who can claim to ascribe to a \u201cpunk\u201d lifestyle and <em>not<\/em> hate their hometown at least a little bit?<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The lyricism is only part of what makes this record so brilliant; Chatten\u2019s speak-sing style of delivery sticks out like a sore thumb (but hardly in a negative way). His preacher-esque manner of tone sits somewhere in the mid-ground between a howl and a monotonous recitation and this somehow makes the words he sings pack an even harder punch. He is like a Shakespearean actor, clutching Yorick\u2019s skull and reciting an extensive soliloquy, backed by a power-packed band to boot. Needless to say, Chatten shouting \u201cIs it too real for ya?,\u201d the refrain for the track \u201cToo Real,\u201d plays on a constant loop in my mind at a concerning frequency.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Despite being little-known at the moment, with the power behind <em>Dogrel<\/em> and a few tricks up their sleeves, Fontaines D.C. is sure to ascend to new heights within the next few months. Lead single, \u201cBig,\u201d is a foretelling prophecy: \u201cMy childhood was small\/ but I\u2019m gonna be big,\u201d Chatten boasts, and with a record as fantastic as this, it\u2019d be criminal if they didn\u2019t become a world-class sensation.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Fontaines D.C. is heading out on their first U.S. headliner this fall (with a stop in Boston on September 8 at Great Scott): keep an eye out for when they\u2019ll be somewhere near you!<\/p>\n<\/div>\n<div class=\"sqs-block-button-container sqs-block-button-container--center\" data-animation-role=\"button\" data-alignment=\"center\" data-button-size=\"small\" data-button-type=\"tertiary\">\n  <a href=\"https:\/\/www.instagram.com\/fontainesband\/\" class=\"sqs-block-button-element--small sqs-button-element--tertiary sqs-block-button-element\" target=\"_blank\"><br \/>\n    Instagram<br \/>\n  <\/a>\n<\/div>\n<div class=\"sqs-block-button-container sqs-block-button-container--center\" data-animation-role=\"button\" data-alignment=\"center\" data-button-size=\"small\" data-button-type=\"tertiary\">\n  <a href=\"https:\/\/fontainesband.com\/tour\" class=\"sqs-block-button-element--small sqs-button-element--tertiary sqs-block-button-element\" target=\"_blank\"><br \/>\n    Tour<br \/>\n  <\/a>\n<\/div>\n<div class=\"sqs-block-button-container sqs-block-button-container--center\" data-animation-role=\"button\" data-alignment=\"center\" data-button-size=\"small\" data-button-type=\"tertiary\">\n  <a href=\"https:\/\/youtu.be\/CIbaqtcU0uI\" class=\"sqs-block-button-element--small sqs-button-element--tertiary sqs-block-button-element\" target=\"_blank\"><br \/>\n    Too Real Video<br \/>\n  <\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">Irish post-punk group, Fontaines D.C. could easily take any other band in their category by the collar\u2026<\/p>\n","protected":false},"author":1,"featured_media":1387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Fontaines D.C. 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