{"id":13586,"date":"2026-02-20T16:00:52","date_gmt":"2026-02-20T21:00:52","guid":{"rendered":"https:\/\/wecb.live\/?p=13586"},"modified":"2026-03-09T12:31:21","modified_gmt":"2026-03-09T16:31:21","slug":"fantasy-fear-on-simpleton-by-kerrin-connolly","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/fantasy-fear-on-simpleton-by-kerrin-connolly\/","title":{"rendered":"Fantasy &amp; Fear on Simpleton by Kerrin Connolly"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"410\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2026\/02\/milk-crate-graphics-4-1024x410.png\" alt=\"\" class=\"wp-image-13587\" srcset=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2026\/02\/milk-crate-graphics-4-1024x410.png 1024w, https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2026\/02\/milk-crate-graphics-4-300x120.png 300w, https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2026\/02\/milk-crate-graphics-4-768x307.png 768w, https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2026\/02\/milk-crate-graphics-4-1536x614.png 1536w, https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2026\/02\/milk-crate-graphics-4.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Design by Katie Lew<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">By Katie Lew<\/h2>\n\n\n\n<p>Kerrin Connolly is Boston-based artist who self-produced her third album <em>Simpleton<\/em>, which was released February 20, 2026. Each of her previous albums follows a whimsical outlook on life and mundane struggles in a distinct bedroom pop style, but this new album delves completely into the fantasy world through an alternative pop rock lens. Connolly\u2019s most popular single \u201cFly in My Room\u201d reached over 2 million streams after it was released in 2020, and was a personal favorite of mine throughout middle school. Since then, she has widely expanded her discography by experimenting with various genres and instrumentals.&nbsp;<\/p>\n\n\n\n<p>\u201cTry\u201d and \u201cBig Amygdala\u201d set the tone for <em>Simpleton <\/em>with a fun 2000s pop rock style feeling heavily reminiscent of Paramore. Connolly\u2019s vocals are comparable to a softer cross of Hayley Williams and early Lizzy McAlpine. Connolly structures the album to follow the \u201cclassic themes of a hero\u2019s journey\u201d where a call to adventure can be seen through the opening track \u201cTry\u201d with \u201cThere\u2019s more to this, there\u2019s gotta be\/Am I someone I was meant to be\u201d followed by \u201cMind the Gap\u201d with \u201cThe greatest love of all\/I\u2019ll be the answer to your call\/With every reason not to fall.\u201d The lyrics on \u201cTry\u201d&nbsp; narrate a feeling of isolation under a traditional constricting power and ostracizing of peers saying \u201cWhen the kids in the academy\/ they sang my favorite song\/ \u2018There goes Simpleton\u2019\/ Why do I still sing along\/ It feels like all I ever do is try, try, try.\u201d They articulate constantly feeling behind, excluded, or estranged from the norm. Through \u201cQuiet,\u201d playful electronic elements are introduced, feeling like a blend of the spirited lyricism of a more mature Audrey Hobert with the production and melodies of Ricky Montgomery. \u201cFunny\u201d shifts into the tone of a&nbsp; taunting lullaby, as Connolly reflects on being exploited for her artistry throughout her music career saying, \u201cMetaphors will make all your money\/ I fit the form, so play me for a dummy.\u201d&nbsp;<\/p>\n\n\n\n<p>Connolly builds on the album\u2019s&nbsp; emotional weight on the&nbsp; slow rock of \u201cAvalanche.\u201d The strong sustained and distorted guitar instrumental quickly stands out. Throughout the album, there is recurring natural symbolism in relation to their mental health struggles and restrictions. In \u201cAvalanche\u201d she says, \u201cThe seeds you\u2019ve sewn here will never know new life,\u201d then in \u201cFlowers Pt. 2\u201d sings \u201cOh, lay down all your flowers for the mouse\/ Not the first to be punished for finding out\/ Pity the baby\u2019s out of breath.\u201d These lyrics echo the album cover art of a rat eating its own tail\u2014reminiscent of the ancient Ouroboros symbol representing the cycle of constant rebirth and death leading into one another. \u201cHow Easy It Is\u201d returns to a slower sway before being struck by the heavy rock of \u201cHe Doesn\u2019t Die in the End\u201d and \u201cThe End.\u201d Both tracks lean heavily into the fantasy narrative and recount a hero\u2019s loyalty and perseverance through hardship. \u201cSimple\u201d concludes the album like the feeling of coming down from a battle with its strong guitar riffs balanced atop soft piano melodies. Throughout each verse on <em>Simpleton<\/em>, Connolly\u2019s grief and isolation shifts and evolves as it does on \u201cSimple\u201d, where she sings \u201cI grieve in circles\/ I dream in circles\/ I believe in circles\u201d which again relates back to the beautiful album cover done by John Green showing the nonlinear emotional patterns that cycle and evolve.&nbsp;<\/p>\n\n\n\n<p><em>Simpleton <\/em>blends various alternative genres and displays Connolly\u2019s musical progress, while still maintaining her personal flair for lighthearted melodies that rests gracefully upon heavier instrumentals. \u201cQuiet\u201d and \u201cAvalanche\u201d greatly stand out for their unique composition, on top of dynamic backing tracks. Connolly&#8217;s self-produced <em>Simpleton<\/em> is full of beautifully complimentary harmonies and lyrical turns, creating a deeply layered, but fun album that tackles grief, mental health, and heroic conquests with ease.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kerrin Connolly is Boston-based artist who self-produced her third album Simpleton, which was released February 20, 2026. Each of her previous albums follows a whimsical outlook on life and mundane struggles in a distinct bedroom pop style, but this new album delves completely into the fantasy world through an alternative pop rock lens.<\/p>\n","protected":false},"author":3669,"featured_media":14117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[10,14],"tags":[21,30],"class_list":["post-13586","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-review","category-local","tag-album-review","tag-local"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Fantasy &amp; Fear on Simpleton by Kerrin Connolly - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fantasy &amp; Fear on Simpleton by Kerrin Connolly - wecb\" \/>\n<meta property=\"og:description\" content=\"Kerrin Connolly is Boston-based artist who self-produced her third album Simpleton, which was released February 20, 2026. 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