{"id":1338,"date":"2019-10-13T16:49:59","date_gmt":"2019-10-13T16:49:59","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/sidneygish\/"},"modified":"2026-03-18T15:02:16","modified_gmt":"2026-03-18T19:02:16","slug":"sidneygish","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/sidneygish\/","title":{"rendered":"Sidney Gish: A True Individual"},"content":{"rendered":"
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Photography by Omari Spears<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by James Ammirato<\/p>\n

Boston-based singer\/songwriter Sidney Gish sits at a table in Pavement coffeehouse, locked into her laptop. She wears an oversized jean jacket and black pants. It takes me getting within about 5 feet of the table for her to even notice I\u2019m there, but once she does, she greets me with a smile. Pavement is a hectic environment, but Gish is hardly fazed by the cacophony of students, and David Bowie\u2019s \u201cHeroes\u201d that blares over our heads. Her methodical approach to work shines through when I ask if she\u2019s a regular. \u201cI get out of class at 3 and then I usually just come here and do work for the rest of the afternoon,\u201d she replies. <\/p>\n<\/div>\n

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Originally from New Jersey, Gish, 22, is currently a fifth-year student at Northeastern University. Her Bandcamp discography goes back to November, 2015, and she\u2019s had a steady output since then, with three Bandcamp exclusives and two studio albums. The latter of which, No Dogs Allowed<\/em>, served as her breakout album, and was reviewed by such publications as The Fader, Stereogum, Pitchfork, and The Guardian. Since then, she\u2019s appeared at festivals such as South by Southwest and Boston Calling, won album of the year at the 2018 Boston Music Awards, and was listed as one of Stereogum\u2019s best new artists of 2018. She\u2019s also been on multiple headlining tours across the U.S. and Europe, and has opened for such acts as Mitski, Hop Along, and Vundabar.<\/p>\n

Though already a fairly established performer in the indie scene, Gish is still able to stick close to her roots. \u201cI listened to Daughtry all summer,\u201d she tells me, \u201cI started watching a lot of the old American Idol episodes on YouTube, and I didn\u2019t realize how much the dramatic music industry narrative in that show has shaped how much I love the music industry and the idea of it, as well as the drama of someone like Daughtry or Daniel Powter.\u201d Though the music she speaks of isn\u2019t very reminiscent of her own, one could see how this \u201cmelodramatic\u201d music, as she calls it, has influenced her musical persona.<\/p>\n

Despite this, Gish\u2019s approach to music is much more meticulous than it is dramatic. \u201cWhat inspires me a lot is the idea of somebody who goes into a little cave by themselves and just makes an album by themselves like they\u2019re writing a novel, and it\u2019s just a fun little thing that you wrote\u2026 Like Plantasia, one guy made plant music in his little house, that\u2019s a great life\u2026 I like that idea, and that\u2019s what everything I\u2019ve made is like.\u201d<\/p>\n<\/div>\n

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Keeping this in mind, it\u2019s easy to see why her entire career has been a true blue solo act, touring the country equipped with nothing but a guitar and a looping pedal. Though an impressive feat, one wonders the possibilities of taking on a band. But Gish has clearly thought this through. \u201cI\u2019m interested in getting a band, but it\u2019s not something I want to hyper-focus on, because I feel like the core of everything has been writing and recording, and I haven\u2019t really done that since No Dogs Allowed<\/em>.\u201d She says that playing solo was just an idea after the album came out, saying \u201cit became a panic response as time went on.\u201d She remarks on playing full-band songs as one person, saying \u201cTouring and trying to do all the foot pedal stuff to replicate all the stuff I\u2019ve multitracked in my house is like taping a broken pair of glasses together, it\u2019s a solution but it\u2019s kind of stupid.\u201d Though one might think this panic would steer her toward a backing band, Gish has an individual mentality. \u201cI want to deal with this on my own and take the fall for whatever my choices are,\u201d she says, \u201cI\u2019ll just keep on doing it by my damn self and if people don\u2019t like it who gives a fuck?\u201d As cavalier as it sounds, she\u2019s not entirely alone. \u201cI\u2019ve hired a team that I feel is really good, and it took a lot of meetings to get there, and I\u2019m still learning a lot.\u201d <\/p>\n

Talking to Gish, I was let in on the mindset of a person with extensive knowledge of the music industry. Because of her focus while in school, Gish is hyper-aware of how the industry operates, and lacks the naivete of so many young people who might be enraptured with the idea of popularity, instead of skeptical of what might come because of it. \u201cI don\u2019t feel like I\u2019ve made it,\u201d she divulges, \u201cI feel like I\u2019ve made an album I can capitalize off of as long as I\u2019m in the age group that the album allows me to be while I perform it, and that has an end, that\u2019s finite. This could be gone in 5 or so years.\u201d <\/p>\n<\/div>\n

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Achieving this so-called indie fame isn\u2019t without its drawbacks. \u201cI didn\u2019t anticipate the response that No Dogs Allowed<\/em> got at all before I put it out\u2026 It\u2019s really been a response to a response to something I made. Last year I did poorly in a lot of my classes because I was trying to travel while being in school. I agreed to do too many things and by the time it was falling apart, it was too late\u2026 So this year I\u2019m not going to travel all the time and I\u2019m just going to rethink a bunch of stuff.\u201d When asked what\u2019s next for her career, Gish understandably tells me she\u2019s taking things a bit slower now that her foot is in the door. \u201cI\u2019m trying to focus on the near future instead of the distant future, and I\u2019m super glad that No Dogs Allowed<\/em> was able to do what it did,\u201d she says, \u201cbut really I\u2019m just trying to finish school, and hopefully get a handle on recording more.\u201d In the same vein, Gish is interested in the art of engineering, even though her music might suggest that she takes a more relaxed approach to production. When I ask her about her interest in synths, she says, \u201cWhat I\u2019ve been trying to think about is the art of composition and panning and mixing. Things can be really intensely mixed but not computerized, high level mixing doesn\u2019t have to be like Skrillex just because it\u2019s electronic, it can be like three Beatles guitars that are crisp. Synths can make any noise ever which is why they’re so great.\u201d <\/p>\n

This may be some indication of what\u2019s next for Gish\u2019s music, but for now, fans will just have to be content with her current discography. She\u2019s already made a splash, and we can only assume that her future projects will build on her sturdy foundation. \u201cI\u2019m definitely excited to put a lot more thought into whatever comes next,\u201d she tells me, something I found surprising considering that her current work suggests an impressive degree of deliberation. But what she means is a different kind of thought, a patience that can only be attained by the experience that Gish has under her belt. She states simply, \u201cI have a degree of freedom now. I just don\u2019t want to stress about making things perfect anymore.\u201d<\/p>\n<\/div>\n

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