{"id":1334,"date":"2019-10-16T23:35:52","date_gmt":"2019-10-16T23:35:52","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/rubberband\/"},"modified":"2019-10-16T23:35:52","modified_gmt":"2019-10-16T23:35:52","slug":"rubberband","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/rubberband\/","title":{"rendered":"Posthumous Releases in a Postmodern Era: Rubberband Flung into the Future"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2500px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:33.31999969482422%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/Rubberband.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/Rubberband.jpg\" data-image-dimensions=\"2500x833\" data-image-focal-point=\"0.5,0.5\" alt=\"Rubberband.jpg\" data-load=\"false\" width=\"2500\" height=\"833\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">by Faith Malicdem<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Does releasing an edited posthumous musical work diminish its essence?<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Miles Davis\u2019s LP <em>Rubberband,<\/em> released on Sept. 6th, 32 years after it was recorded at the Ameraycan Studios in Los Angeles. Producers Randy Hall, Zane Giles, and Davis\u2019 nephew, Vince Wilburn Jr., all worked to complete the album, adding modern components to the tracks in hopes of doing Davis\u2019s original work some justice.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>Rubberband<\/em> was recorded in the midst of Davis\u2019 transition from Columbia Records to Warner Bros., only to be shelved as his 1986 LP <em>Tutu <\/em>signaled a new era of Davis\u2019s repertoire. <em>Tutu<\/em> championed the synth accents and novel electronic soundscapes that highlighted popular \u201880s music, while the original recordings of <em>Rubberband<\/em>\u2019s tracks honed in on Davis\u2019s incorporation of&nbsp; traditional funk and soul for the first time in his career since the infamous release of <em>On the Corner <\/em>in 1972.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">However, Hall, Giles and Wilburn Jr.\u2019s revived rendition of <em>Rubberband<\/em> seemingly stands alone, apart from Davis\u2019s distinct sound. It exhibits a plethoric melting pot of reggae, funk and jazz with additional elements of updated technological mixing. Modern R&amp;B and soul artists Lalah Hathaway, Medina Johnson and Ledisi were also brought in to contribute their voices to in place of Davis\u2019s intended featured artists: virtuoso jazz performer Al Jarreau and staple disco artist Chaka Khan. Davis may have intended to take risks with the album, but would he have wanted it to be reminiscent of the 1980\u2019s, much like <em>Tutu<\/em>?&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">I like to think <em>Rubberband <\/em>acted as a stepping stone for Davis to prop himself upon before tackling <em>Tutu<\/em>\u2014especially after being under the impression that the unreleased album would be a collection of raw, unedited<em> <\/em><a href=\"https:\/\/open.spotify.com\/album\/32jmVL0Pll9fG3tfY7XxIt?si=gcl8JbHUQkmV3IOjEVE45w\"><em>Beach Boys\/Dorinda Morgan Session<\/em><\/a>-esque tracks. I looked forward to it being a peek into Davis\u2019s experimental musical processes. But the album\u2019s producers delved into the project thinking otherwise.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">In an interview with <em>Rolling Stone<\/em>, Wilburn Jr. spoke for the trio of producers.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cI think he would have been proud of the evolution. We tried to keep it in the vein of the Eighties, sprinkling in spices and rhythms, while keeping Miles\u2019 stamp on it. He was all about evolution. I think he would have dug the progression of the music.\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Perhaps Vince Wilburn Jr. took on the project to honor his uncle\u2019s unfinished work\u2014 to bring life to what could have been. That being said, I think fans of Miles Davis would have appreciated untouched recordings, much like John Coltrane\u2019s <a href=\"https:\/\/open.spotify.com\/album\/0NSRgubfAJoYv2kvVAcRKy?si=iXh4Wd_WRmC1KMHbCIJF7g\"><em>Both Directions at Once<\/em>: <em>The Lost Album<\/em><\/a>, which gained traction amongst proponents of free jazz <em>because<\/em> of its untainted content. The act of releasing Coltrane\u2019s last album in and of itself breathed life back into the late saxophonist\u2019s repertoire and recalled the musical influence Coltrane spearheaded in his time, and in the decades following.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Because <em>Rubberband <\/em>advertises an era of risk and change rather than reprising Davis\u2019s sound, one would expect the release of the original tracks at the very least. This would allow listeners to appreciate both the uncut and modern interpretation of the Davis tunes. Although a <em>Rubberband <\/em>EP was released in 2018, featuring the original \u201cRubberband\u201d track alongside revamped renditions, the other nine tracks\u2019 raw origins are left unheard. <a href=\"https:\/\/open.spotify.com\/track\/5vfSqlXgfTtKLn3OWoAVnn?si=KkxWVvUJQc-HDNoi_1bf9g\"><em>Unforgettable<\/em><\/a><em>,<\/em> Natalie Cole\u2019s virtual duet with Nat King Cole, sold over five million units because it upheld the original song\u2019s novelty. Listeners were reminded of her father\u2019s warm-textured voice, and were able to receive the song\u2019s meaning in a new context. Fans could then refer back to the original recording and appreciate the separate entities for what they are. The father-daughter cover has remained unforgettable in a positive regard ever since.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">As much as I do respect Hall, Giles, and Wilburn Jr.\u2019s execution of the production and release of the album, hearing an uncut, unedited and <em>semi<\/em>-remastered version of <em>Rubberband<\/em>\u2019s tracks would have rounded out the concept of the anticipated lost album. When it comes to putting an unreleased piece of art into the world posthumously, it is vital to accredit and uphold its essence, even if that means leaving the work as is, with loose ends untied and open for audiences\u2019 interpretation.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">Does releasing an edited posthumous musical work diminish its essence?\u2026<\/p>\n","protected":false},"author":1,"featured_media":1335,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21,24,25,26,31],"class_list":["post-1334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review","tag-editors-choice","tag-feature","tag-historical-perspective","tag-opinion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - 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