{"id":13333,"date":"2025-11-15T14:52:46","date_gmt":"2025-11-15T19:52:46","guid":{"rendered":"https:\/\/wecb.live\/?p=13333"},"modified":"2025-11-15T14:52:46","modified_gmt":"2025-11-15T19:52:46","slug":"staff-pix-11-14-calm","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-11-14-calm\/","title":{"rendered":"STAFF PIX 11\/14: Calm"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>\u201cIf Not For You\u201d by George Harrison<\/strong><\/h2>\n\n\n\n<p>Off of George Harrison\u2019s triple-album <em>All Things Must Pass <\/em>(1970) is Harrison\u2019s version of Bob Dylan\u2019s \u201cIf Not For You,\u201d a cover that\u2019s smooth as it slides\u2014literally, thanks to Harrison\u2019s Dobro slide guitar\u2014into a love song sweet enough to swoon over. Keyboardist Billy Preston on the organ, Alan White (drummer of the band Yes) on drums, and Ringo Starr playing the tambourine\u2026 Harrison\u2019s arrangement slows down Dylan\u2019s original song into a moment of serenity with lyrics such as \u201cIf not for you \/ The winter would hold no spring \/ Couldn&#8217;t hear a robin sing \/ I just wouldn&#8217;t have a clue \/ If not for you.\u201d \u201cIf Not For You\u201d begs you to sit still for a moment and look at all life has to offer with a gentler eye. And you might just fall in love with George Harrison, too. <strong>&#8212;<\/strong> <strong>Heather Thorn<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: If Not for You - 2014 Remaster\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/04meQOdHsGUMmlgLHmq0Is?si=6a09ef092df64aaa&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cFaced With Fire\u201d by Margaux<\/strong><\/h2>\n\n\n\n<p>Off of Margaux\u2019s 2019 EP <em>More Brilliant Is the Hand That Throws the Coin, <\/em>\u201cFaced With Fire\u201d is a silky smooth ode to the intensity of new love. It\u2019s beautifully arranged with a sliding guitar, brassy horns, and a warm layer of strings. It\u2019s an intricate poetic dedication that compliments the relaxing intonation of Margaux\u2019s voice. Featured on almost all of my playlists from 2021 to now, the track has always been a staple for me and remains as one of my favorite songs of all time. <strong>&#8212; Sophie Parrish<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Faced with Fire\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/2jw32cf6X99Q1cvmdzP5oK?si=aea11f9c234c43c7&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cVapor Trails\u201d by Grouper<\/strong><\/h2>\n\n\n\n<p>Less \u201cchill out\u201d music and more like an all-subsuming quicksand of sound that sucks you in and refuses to let go. It\u2019s ambient music, sure, but once you\u2019re truly in the thick of it, \u201cVapor Trails\u201d becomes something far stranger and more emotive than just background music. Over the course of an all-too-brief nine minutes, Grouper\u2019s nurturing hand guides the music onwards and upwards, latching onto fleeting wisps of reverb and gently guiding them heavenbound towards the song\u2019s opaque tonal center, like a great stormcloud gathering droplets. Her voice resonates on a purely emotional level, at times melting into the music as just another drone, and at others piercing a hole clean through the haze, as if calling out directly to the listener. It\u2019s like looking through stained glass and seeing distant memories whirl by on the other side in silhouettes, of people, of places, of days gone by. It\u2019s all there, faintly, but you know at some point, it was more real than the present day.         <strong>&#8212; Lucca Swain<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Vapor Trails\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/47JKSnbM992KC8rZ2wph0e?si=e1507fdff20d40c9&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cCarry Me Ohio\u201d by Sun Kil Moon<\/strong><\/h2>\n\n\n\n<p>Released in 2004, on Sun Kil Moon\u2019s album, <em>Ghost\u2019s of the Great Highway, <\/em>Mark Kozelek reflects on the death of his ex-girlfriend in the 6 minute hypnotic ballad, \u201cCarry Me Ohio.\u201d Introduced to me a few years ago by a close friend, it has consistently been a song I can put on over and over again without ever getting tired of it. Kozelek asks for the subjects\u2019 soul to be healed after her death, and carried on through the Ohio River, from which he is from, reckoning with the death of someone once so close to him. In a simple chorus he sings, \u201cHeal her soul\/ Carry her, my angel, Ohio.\u201d The lyrics uncover raw and honest emotions as he sings over a repeating acoustic guitar, giving the song both a depth, and a drone-like quality to it that keeps me coming back to it. <strong>&#8212; Hanlon Lowther<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Carry Me Ohio\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6sNT5PF1SjTYgMiAIQGYMd?si=df119ac0f0914085&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cThirteen\u201d by Elliott Smith<\/strong><\/h2>\n\n\n\n<p>To me all Elliott Smith songs sound like one of two things: watching <em>The Royal Tenenbaums<\/em> and drinking a cup of tea on a wonderful October afternoon, or having an emotional breakdown of biblical proportions in your childhood bedroom. Thankfully \u201cThirteen\u201d is the former\u2014probably because it\u2019s a cover of a folk-pop song from the \u201870s, so its lyrics lack the knife-to-the-heart quality of the rest of Smith\u2019s music. It\u2019s an ode to adolescent innocence set to simple acoustic guitar, with just the right amount of melancholy to feel like a three minute long warm hug. If you\u2019re in the mood for Elliott but don\u2019t particularly want to relive your most painful breakups or feel the need to call your therapist, \u201cThirteen\u201d is a pretty safe bet. <strong>&#8212;<\/strong> <strong>Mimi Newman<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Thirteen\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/5iU2CYMavJ66Gg1XuzloLU?si=cb3b0a6d9e3640fe&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cWild Deer at Dawn\u201d by Diane Cluck<\/strong><\/h2>\n\n\n\n<p>This song starts with the fragile riff of a new dawn breaking over a field covered in dew. \u201cLook at the wild deer\/ Tumbling out from the woods\u201d Diane Cluck says with a nearly childlike sense of hushed awe \u2014 \u201cI count twenty-seven or so.\u201d Cluck\u2019s delivery feels restrained almost as if hiding from the deer, or herself. She lets out her lines in a great cyclical sigh: \u201cNow that I\u2019ve calmed down my heart beat unsteady but it isn\u2019t.\u201d The spools of guitar become agitated, tripping over themselves as Cluck slows down to listen to her heart go \u201cbeat\u2026beat.\u201d She refocuses on the deer, and her grounding technique becomes a clear plea. In the refrain, while the \u201cSun rises up from our oars,\u201d Cluck has finally calmed down. She\u2019s gotten enough control that \u201cyou could set your watch by my beat\u2026beat\u2026beat.\u201d It is a short, trembling song with an emotional rawness suffused into its very structure, such that you unconsciously start heaving and breathing with Cluck. Like an ayahuasca shaman, she guides your breathing and pulls out whatever unease was wedged in you without you even noticing until it\u2019s over.             <strong>&#8212; Christian Jones<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Wild Deer At Dawn\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/09ToXD5qFA1f6K9XlbAIFi?si=b6a09586a6614dfa&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cIf Not For You\u201d by George Harrison Off of George Harrison\u2019s triple-album All Things Must Pass (1970) is Harrison\u2019s version of Bob Dylan\u2019s \u201cIf Not For You,\u201d a cover that\u2019s smooth as it slides\u2014literally, thanks to Harrison\u2019s Dobro slide guitar\u2014into a love song sweet enough to swoon over. Keyboardist Billy Preston on the organ, Alan&#8230;<\/p>\n","protected":false},"author":3669,"featured_media":13335,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-13333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>STAFF PIX 11\/14: Calm - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"STAFF PIX 11\/14: Calm - wecb\" \/>\n<meta property=\"og:description\" content=\"\u201cIf Not For You\u201d by George Harrison Off of George Harrison\u2019s triple-album All Things Must Pass (1970) is Harrison\u2019s version of Bob Dylan\u2019s \u201cIf Not For You,\u201d a cover that\u2019s smooth as it slides\u2014literally, thanks to Harrison\u2019s Dobro slide guitar\u2014into a love song sweet enough to swoon over. 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