{"id":13220,"date":"2025-11-01T18:37:17","date_gmt":"2025-11-01T22:37:17","guid":{"rendered":"https:\/\/wecb.live\/?p=13220"},"modified":"2025-11-01T18:37:17","modified_gmt":"2025-11-01T22:37:17","slug":"staff-pix-10-31-chills","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-31-chills\/","title":{"rendered":"STAFF PIX 10\/31: CHILLS!"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>\u201cMy Girlfriend Is a Witch\u201d by October Country<\/strong><\/h2>\n\n\n\n<p>She\u2019s on a broom\u2026 she\u2019s riding high\u2026 she\u2019s leaving trails of smoke across the sky\u2026 she\u2019s my girlfriend, and my girlfriend is a witch! October Country\u2019s 1968 smash hit \u201cMy Girlfriend Is a Witch\u201d spooks with a classic Halloween trope: the witch with spells up her sleeves. She\u2019s magic and maybe even a little weird but the drumming and guitar counterparts are bewitching. By the end of the track, you\u2019ll be obliged to turn into a warlock for her\u2014if only to listen to this song again.&nbsp;<strong>&#8212; Heather Thorn<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: What&amp;apos;s Inside a Girl?\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/1ASVp0nPr499UK44fpdBBd?si=3769558d08cc4d81&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">&#8220;<strong>Willoughby\u2019s Theme&#8221; by Ethel Cain<\/strong><\/h2>\n\n\n\n<p>This track is the second song from Hayden Anhed\u00f6nia, a.k.a. Ethel Cain\u2019s sophomore album, Willoughby Tucker, I\u2019ll Always Love You. The instrumental record begins with a soft piano melody but transforms into something far more visceral. With its swelling synths, this song feels like static in between my ears. Anhed\u00f6nia creates a wall of sound that feels dizzying and inescapable, leaving you in a trance with its beauty. Her EP, Perverts, which is a collection of ambient, droning sounds and spoken word, was inspired by \u201cWilloughby\u2019s Theme.\u201d Fun fact: I play this during my closing shift at the gym so people will leave.&nbsp;<strong>&#8212; Delaney Roberts<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Willoughby&amp;apos;s Theme\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/2mYqtZO8FIqX6JVajPNGql?si=5cb7bc33311c4245&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cSpider in the Snow\u201d by Dismemberment Plan<\/strong><\/h2>\n\n\n\n<p>A seasonal pick, to be sure. Nobody captured the malaise of the city life as successfully or as painfully as The Dismemberment Plan on <em>Emergency &amp; I<\/em>, whose jagged, off-center emo sound was the perfect vessel through which to channel the young adult indignations of lead singer Travis Morrison. From its opening moment, \u201cSpider in the Snow\u201d aims to stab you clean through the soul, a droning synth creeping in like the audial embodiment of pure dread. It\u2019s about loneliness, the crushing limbo of having to struggle through endless cold days and long shifts and being rewarded with fake friends, terrible managers, and the endless ennui of the city. It sounds freezing cold, never progressing beyond a stagnant 7\/4 backbeat and loping guitar riff, and when Morrison opens the song with, \u201cThe only thing worse than bad memories, is no memories at all\/ From the age of 20 to 22 I had five friends\/ None of whose names I can recall,\u201d it\u2019s hard not to immediately get the memo. <strong>&#8212; Lucca Swain<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Spider in the Snow\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/3ZMbYnVZ3MFjkrRzPyrWCB?si=2f3c5ea6fdc84ad3&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cLovefingers\u201d by Silver Apples<\/strong><\/h2>\n\n\n\n<p>There\u2019s something truly sinister about Silver Apples\u2019 \u201cLovefingers.\u201d From its eerily grainy vocals down to its continuous murmuring drone, if one track could encapsulate the feeling of being hypnotized, it would be this one. I first discovered \u201cLovefingers\u201d when watching <em>Civil War <\/em>two summers ago and its rumbling sighs of apocalyptic-esque ritual rehearsal have stayed in the forefront of my mind ever since. With timeless percussion and repetitive synths, \u201cLovefingers\u201d feels like the love-child between the best of Suicide and CAN. It\u2019s fitting for the descent into autumn and a perfect introductory track into the off-putting mystique of Silver Apples discography.&nbsp;<strong>&#8212; Sophie Parrish<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Lovefingers\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/1uXOJMO6bUhTl439u6vtSa?si=c41e548f929e4f6a&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cWitches\u201d by Alice Phoebe Lou<\/strong><\/h2>\n\n\n\n<p>\u201cWitches\u201d by singer-songwriter Alice Phoebe Lou, originally released in 2020 as a single, is an empowering anthem perfect for the fall season. Lou experiments slightly with her sound on this track, utilizing folk, jazz, and DIY elements, but her lyrics remain grounded as she sings \u201cI\u2019m one of those witches, babe \/ Just don\u2019t try to save me \/ Cause I don\u2019t wanna be saved.\u201d The drums, fast paced and rhythmic, provide a strong musical foundation that allows the synths to take the spotlight as they blend with the singer\u2019s distinctive vocals. \u201cWitches\u201d is Lou\u2019s first attempt at recording her music on an analog one inch tape machine, a fact that shines through in the track\u2019s retro and personal feel.&nbsp;<strong>&#8212; Emeline Chopin<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Witches\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/27R1A3WZ5Zv0ywNe0Zunfr?si=96f17f0a490d404e&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cHorse Tears\u201d by Goldfrapp<\/strong><\/h2>\n\n\n\n<p>If Beth Gibbons was cast as the lead in an opera about a horsegirl, it would come close to describing the eerie baroque drama of Goldfrapp\u2019s \u201cHorse Tears.\u201d The track is an enigmatic closer to their otherwise trip-hop infused debut, <em>Felt Mountain<\/em>. Besides the anchor of a mournfully recurring piano, the occasional reverbed guitar strum, and Alison Goldfrapp\u2019s smoky voice, there isn\u2019t any downtempo here. Instead, cheeky \u201cLa la la la la la la\u201ds that sound straight from a doll\u2014or worse, a Labubu. In the last minute of the track, a theremin and violin entwine around one another like a call and response with a spirit beyond the grave\u2026Though nothing like the stellar songs throughout the album like \u201cPilots\u201d and \u201cUtopia,\u201d which rival Portishead\u2019s <em>Dummy<\/em>, \u201cHorse Tears\u201d is a cinematic Mood (with a capital M), full of drama and tragedy. <strong>&#8212; Christian Jones<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Horse Tears\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/2QzT0Ld6RZxdskwGEZNV2D?si=b5e24fb03acf4778&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201c?????A\u201d by Arca<\/strong><\/h2>\n\n\n\n<p>We\u2019re lost. It\u2019s dark, rainy and the road is barely visible through the fog. Rural western mass is deserted. Not a single breath startles the air. We sit at a stop light for what feels like an hour, on a wet road amidst an empty downtown. The remnants of a population lingers. The fog makes the red-light ooze over the entire field of vision. There is an energy that has entrapped us in this volatile nothingness. It reveals itself only through its relentless control of the car radio. The only noise that penetrates the stillness is the nine-minute march of Arca\u2019s \u201c????? A.\u201d Regardless of any attempt to change the song, it persists, piercing through us and into the cold dark night. There is no other choice. We relinquish control and let the synth surround us as we become swallowed by the red glow. <strong>&#8212; Avery Piazza <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: ????? A\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4xg5nMzebRU5HqQxuXf0eJ?si=941c368b1138497d&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cMy Girlfriend Is a Witch\u201d by October Country She\u2019s on a broom\u2026 she\u2019s riding high\u2026 she\u2019s leaving trails of smoke across the sky\u2026 she\u2019s my girlfriend, and my girlfriend is a witch! October Country\u2019s 1968 smash hit \u201cMy Girlfriend Is a Witch\u201d spooks with a classic Halloween trope: the witch with spells up her sleeves&#8230;.<\/p>\n","protected":false},"author":3669,"featured_media":13239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-13220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>STAFF PIX 10\/31: CHILLS! - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"STAFF PIX 10\/31: CHILLS! - wecb\" \/>\n<meta property=\"og:description\" content=\"\u201cMy Girlfriend Is a Witch\u201d by October Country She\u2019s on a broom\u2026 she\u2019s riding high\u2026 she\u2019s leaving trails of smoke across the sky\u2026 she\u2019s my girlfriend, and my girlfriend is a witch! 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