{"id":13204,"date":"2025-10-26T21:39:39","date_gmt":"2025-10-27T01:39:39","guid":{"rendered":"https:\/\/wecb.live\/?p=13204"},"modified":"2026-03-19T12:05:50","modified_gmt":"2026-03-19T16:05:50","slug":"pinkpantheress-fancies-some-club-influence-on-new-remix-album","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/pinkpantheress-fancies-some-club-influence-on-new-remix-album\/","title":{"rendered":"Pinkpantheress Fancies Some Club Influence on New Remix Album"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/10\/bannerfancysomemore_00000-1024x410-scaled-1-scaled-1.jpg\" alt=\"\" class=\"wp-image-13205\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>By Diego Gonzalez<\/strong><\/h2>\n\n\n\n<p>With new releases from FKA Twigs, Amaarae, Rochelle Jordan, Oklou and more, 2025 has been a monumental year for dance music, and Pinkpantheress is clearly eager to establish herself as one of the trailblazers of the increasingly popular electro-recession pop zeitgeist. Earlier this summer, Pinkpantheress released her mixtape <em>Fancy That<\/em> to widespread acclaim, a record that saw the \u2018Y2K\u2019 British pop princess forging her own substantial sound, heavy with UK Garage influence and samplings from dance legends like Underworld and Basement Jaxx. Five months later, Pantheress offers us <em>Fancy Some More,<\/em> teaming up with iconic names including Kylie Minogue, Zara Larsson, Sega Bodega and many more for an hour and ten minutes-long record of remixes of <em>Fancy That<\/em>\u2019s original nine tracks. Split into two discs, (not including the third, which is simply the original album), the first disc consists of standard pop remixes featuring various big names like Oklou, Bladee, Ravyn Lenae, Yves, SEVENTEEN and more, each feature providing their own unique sonic interpolation on the original tracks with a dance-heavy focus. Bladee\u2019s rework of \u2018Stateside\u2019 transforms the song from a euro-dance bop about yearning for an \u201cAmerican hot boy\u201d into a synth-heavy and melancholic, vaguely dubstep track with shrill autotuned vocals singing from the perspective of Stateside\u2019s American love interest. Zara Larsson\u2019s interpretation of \u2018Stateside\u2019 swaps out the original track\u2019s breakbeats and electronic bass for punchier, almost <em>Ray of Light<\/em>-esque synths and bass, with strong, belting vocals that complement the track\u2019s hard-hitting production. Oklou\u2019s subdued rendering of \u2018Girl Like Me\u2019 utilizes her signature electronic minimalism and cool, modulated vocals to produce a spacey trip-hop sound reminiscent of Tricky\u2019s <em>Maxinquaye<\/em>. Ravyn Lenae brings the romantic and cheeky \u2018Romeo\u2019 into a sultry R&amp;B context.&nbsp;<\/p>\n\n\n\n<p>While many of the songs on disc one attempt to take each original track to a new level sonically, some tracks hardly change up the original compositions at all, notably Kylie Minogue\u2019s version of \u2018Stateside\u2019, simply including a verse or two of her vocals mixed on top of the original track. Anitta\u2019s feature on \u2018Illegal,\u2019 the opening to the album, is a similar story; the artist opens the track, singing the first verse and sharing the chorus with Pantheress, while keeping the production largely the same as the original. Overall, I would say the first disc is a satisfactory extension of <em>Fancy That<\/em>\u2019s strongest elements; it transforms the record from UK garage into an electro-pop, dance club framework with some of the most consequential artists in the genre. However, despite many of the remixes adequately subverting their original tracks\u2019 production to some degree, the repetition of the same remixed songs over and over, alongside the barely remixed Kylie Minogue and Anitta tracks, makes the first disc feel a bit redundant and tedious. It also begs the question of why Pantheress couldn\u2019t instead have focused on creating new songs for a deluxe release, rather than a somewhat bloated remix album that is coming out months after the 20-minute mixtape released in May. Because of how intricate the production is on the original album, and how much it exemplifies the best of Pantheress\u2019 signature touches, it is a bit of a shame that this disc primarily focuses on outside artists to rework existing songs that are already substantial, rather than working on new songs to extend the length and experimentation of <em>Fancy That<\/em>. To sum up disc one, it consists primarily of standard pop remixes with some added dance and club influences.<\/p>\n\n\n\n<p>On disc 2, Pantheress switches up the energy and sound significantly, still only reworking the original nine songs but dialing up the energy and club influence to a much more noticeable degree. This disc has a much bigger focus on transforming the original songs\u2019 production, and features less of the added verses by outside artists that disc one did. Opening the track, Nia Archives\u2019 rework of \u2018Illegal\u2019 sets the stage nicely for an energetic club experience, heightening the energy of the song with a rapid jungle beat. KAYTRANADA\u2019s \u2018Girl Like Me\u2019 remix slows the original song\u2019s tempo down and is mixed over one of KAYTRANADA\u2019s signature alternative R&amp;B funk beats, resulting in a subdued yet satisfactory reimagining of the song, and evoking something reminiscent of Solange\u2019s sound. Basement Jaxx\u2019s remix of \u2018Tonight\u2019 incorporates an intricate house beat, truly feeling like something that would be heard in the depths of a sweaty dance club at 1 am. In contrast, Joe Goddard\u2019s remix of \u2018Tonight\u2019 pulls back the song\u2019s punchier elements for a more understated indietronica sound, bringing to mind Baths or Caribou. Mochakk\u2019s \u2018Noises\u2019 turns the short, atmospheric breakbeat song into a 6-minute-long hypnagogic funk dance experience. Sega Bodega gives \u2018Nice to Know You\u2019 glittery and airy synth melodies, and KILIMANJARO closes the remix album with yet another house remix of \u2018Romeo.\u2019 In comparing disc one and two, both sides certainly demonstrate a range of sounds and genres, keeping a focus on danceability and elevating the original album\u2019s production in various ways. Pinkpantheress undoubtedly succeeded in producing a substantial remix album, and I can see many of these tracks growing on me in the near future. However, it must be noted that these same melodies and compositions being used over and over ultimately leads to a feeling of tedium, making the experience of listening all the way through not super musically compelling, despite the various genres incorporated into these remixes. Though this is, of course, a remix album, so frequent repetition is to be expected. While this new release from Pantheress demonstrates her aptitude for energetic club music and elevates <em>Fancy That<\/em> to some degree musically, nothing will top the original album\u2019s cohesion and uniqueness. <em>Fancy Some More<\/em> is an acceptable extension of <em>Fancy That, <\/em>sacrificing some of the original album\u2019s unrelenting experimentation for a more easily accessible, crowd-pleasing dance experience.<\/p>\n\n\n\n<p>Overall Score: 75\/100<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Diego Gonzalez With new releases from FKA Twigs, Amaarae, Rochelle Jordan, Oklou and more, 2025 has been a monumental year for dance music, and Pinkpantheress is clearly eager to establish herself as one of the trailblazers of the increasingly popular electro-recession pop zeitgeist. Earlier this summer, Pinkpantheress released her mixtape Fancy That to widespread&#8230;<\/p>\n","protected":false},"author":3669,"featured_media":13206,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-13204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pinkpantheress Fancies Some Club Influence on New Remix Album - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pinkpantheress Fancies Some Club Influence on New Remix Album - wecb\" \/>\n<meta property=\"og:description\" content=\"By Diego Gonzalez With new releases from FKA Twigs, Amaarae, Rochelle Jordan, Oklou and more, 2025 has been a monumental year for dance music, and Pinkpantheress is clearly eager to establish herself as one of the trailblazers of the increasingly popular electro-recession pop zeitgeist. 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