{"id":1316,"date":"2019-10-28T02:55:04","date_gmt":"2019-10-28T02:55:04","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/carolinepolachek-pang\/"},"modified":"2019-10-28T02:55:04","modified_gmt":"2019-10-28T02:55:04","slug":"carolinepolachek-pang","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/carolinepolachek-pang\/","title":{"rendered":"Caroline Polachek\u2019s &#8220;Pang&#8221; is an Explosive Solo Debut"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2500px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:33.31999969482422%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/CarolinePolachek.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/CarolinePolachek.jpg\" data-image-dimensions=\"2500x833\" data-image-focal-point=\"0.5,0.5\" alt=\"Caroline Polachek.jpg\" data-load=\"false\" width=\"2500\" height=\"833\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">by Kenny Cox<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Caroline Polachek isn\u2019t afraid to let you know how she feels. Ever since her beginnings working with Aaron Pfenning in the synth-pop duo Chairlift, Polachek\u2019s lyrics have had a sharp emotional core, with songs about desire so strong it leaves bruises, to lyrics about causing scenes on the train in public. Her solo debut album, <em>Pang<\/em> is no different. Over 14 stellar tracks, Polachek channels her emotions into one of 2019\u2019s most exciting records.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Co-produced with PC Music star Danny L Harle, Polachek\u2019s debut takes what made her work in Chairlift so great \u2014 warm synths, deep bass, and Polachek\u2019s wide vocal range \u2014 and refines it, creating a lush, gorgeously arranged album. Rich, opulent synths embrace the tracks while each beat on the album has crisp, crystal-clear rhythms that snap and crackle along. In interviews, Polachek has mentioned that <a href=\"https:\/\/www.thefader.com\/2019\/10\/15\/caroline-polachek-pang-interview\">clarity was the most important thing to her when making the album<\/a>, and that vision is incredibly rendered through her razor-sharp production across the album\u2019s 14 tracks.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">To experience a pang isn\u2019t to just feel something passively, but overwhelmingly, sharply, with every fiber of one\u2019s being. It\u2019s these kinds of emotions that dominate Polachek\u2019s album\u2014 tears so powerful they fill entire oceans, screams of terror as the club closes down for the night, anxiety pushing her to jump from a plane into the unknown, clutching to a parachute for survival.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">But Polachek isn\u2019t intimidated by these intense feelings. Instead, she relishes in them. \u201cSo Hot You\u2019re Hurting My Feelings\u201d is perhaps the album\u2019s best example of this, with Polachek turning her loneliness and need for connection into a slickly produced, irresistible pop anthem. Polachek\u2019s voice reaches the highest ends of her register, wailing throughout the song\u2019s bridge, but all with a sly sense of self-awareness the entire time. \u201cI cry on the dance floor, it\u2019s so embarrassing\u201d sings Polachek, knowing fully how ridiculous she might sound, but remaining utterly sincere all the while Others, like the album\u2019s title track \u201cPang\u201d, bottle up Polachek\u2019s emotion until it can no longer be contained, exploding at the chorus with glistening synths punctuating each drop of the album\u2019s name. It captures the thrill of desire, pushing and pulling against the song\u2019s beat until it cannot be ignored any longer.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Some of <em>Pang<\/em>\u2019s most exciting moments come from when the electronic core of the album gives way to organic instrumentation. Take for example \u201cLook At Me Now,\u201d a ballad built around a vibrant acoustic guitar arrangement that beautifully compliments Polachek\u2019s soaring vocals. \u201cYou can\u2019t look at me now\/a hand grenade to throw away\u201d sings Polachek, and the song quickly becomes the emotional apex of the album. The combination of electronic and acoustic also results in more playful tracks like \u201cNew Normal\u201d, an electro-country combination filled with pedal steel guitar and thumping beats. It\u2019s these kinds of ingenious choices that make <em>Pang<\/em> stand out as a truly unique record.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">As the album nears its end, all of Polacheck\u2019s brilliant songwriting, production, and vocal talents combine together in what is <em>Pang<\/em>\u2019s finest track, \u201cDoor.\u201d Released as her debut single, \u201cDoor\u201d is a sweeping, five-minute track that starts off relatively minimalistic before blossoming into a hypnotic, intoxicating ballad. As layers of electronic flourishes, shimmering synth lines, and even mandolin riffs build on top of each other, the song begins to feel as expansive as the infinite series of doors Polachek sings about running through. The song\u2019s fantastic video shows Polachek strumming her mandolin in a surreal, utopian landscape seemingly of her own making, and \u201cDoor\u201d is proof of her ability to make a musical world unlike any other.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>Pang<\/em> ends with the track \u201cParachute.\u201d Polachek sings about leaping into uncertainty, tethered to a parachute to soften whatever blow might lay beneath her. But rest assured, Polachek has incredibly executed the landing of her debut record, making an album that takes her talents to a new dimension, creating some of the most forward-thinking pop that 2019 has to offer.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">Caroline Polachek isn\u2019t afraid to let you know how she feels\u2026<\/p>\n","protected":false},"author":1,"featured_media":1317,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-1316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Caroline Polachek\u2019s &quot;Pang&quot; 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