{"id":13110,"date":"2025-10-10T17:33:34","date_gmt":"2025-10-10T21:33:34","guid":{"rendered":"https:\/\/wecb.live\/?p=13110"},"modified":"2025-10-10T17:33:34","modified_gmt":"2025-10-10T21:33:34","slug":"staff-pix-10-10-2010s-folk","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/","title":{"rendered":"STAFF PIX 10\/10: 2010S FOLK"},"content":{"rendered":"\n<p>Happy fall y&#8217;all! It&#8217;s a folk fall (and winter, and spring, and summer&#8230;) and we&#8217;re here to celebrate it!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>&#8220;SIZE OF THE MOON&#8221; BY PINEGROVE<\/strong><\/h2>\n\n\n\n<p>Pinegrove has a knack of singing about every feeling that I can\u2019t seem to put to paper, feelings that linger in the space of my cluttered notes app and never see the light of day. Their 2015 track, \u201cSize of the moon,\u201d is exactly that, a heartbreakingly honest declaration of the untraceable anxiety that seems to transcend space and time. The song is indecisive, constantly switching between optimism for the future and the struggle to get past the present. This is reflective in the construction of the song itself as each verse and chorus builds to a belt before crumbling back into shaky confessions. Evan, Pinegrove\u2019s singer songwriter, balances this with his optimistic wishes for the future and recognition of the past. He writes about the present like an out-of-body space that he can\u2019t seem to navigate. Its composition is simple; the verses include just Evan and an acoustic guitar while the choruses include minimal drums, a banjo, and a bass guitar. \u201cSize of the moon\u201d is beautifully stripped back, featuring Evan\u2019s vocals alone as he steers himself towards a future of finally \u201cfeelin\u2019 alright.\u201d In its swelling close, the track features one of my favorite verses of recent time, \u201cI wanna visit the future and dance in a field of light\/ I don\u2019t know what I\u2019m afraid of\/ But I\u2019m afraid\/ One day it will all fall away.\u201d &#8212; <strong>Sophie Parrish<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Size of the Moon\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/5AAuKBElZ0nDCeGrO4OhMq?si=c8f614d10e3442cf&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cFestus, I Am Not Out of My Mind\u201d by Half-Handed Cloud<\/strong><\/h2>\n\n\n\n<p>This is an ode to my childhood \u2013 Half-Handed Cloud is the the project of John Ringhofer, an American musician who is currently based in Finland. My dad has a talent for finding cool and interesting friends, and he managed to snag John Ringhofer at a summer camp when they were in their teens. My dad says they used to record R.E.M. covers together when they were young. \u201cFestus, I Am Not Out of My Mind\u201d comes from the album <em>Flying Scroll Flight Control, <\/em>a spacey, mysterious body of music. This particular track is only forty six seconds long, and comes from the book of Acts in the Bible. In this certain chapter, the Apostle Paul is being tried for insanity by the Roman Governor Festus for his testimony about the resurrection of Christ. John Ringhofer does a beautiful job of turning Biblical stories into songs that match the mysticism that they are sometimes associated with, and giving the cast of characters a new medium to reside in. Though I have only recently been reminded of the joys of Half-Handed Cloud, each and every song carries fuzzy memories of visiting Berkeley, California with my family to visit John and other friends in the early 2010s. I have him to thank for my introduction to Harry Nilsson at the ripe age of six. &#8212; <strong>Ana Achata<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Festus, I Am Not Out of My Mind\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/0XssKBCbmkwHQkCBWnfZzj?si=97f6e8681f3e43c4&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cSleeping Ute\u201d BY Grizzly Bear<\/strong><\/h2>\n\n\n\n<p>I found God through Grizzly Bear. There is a sort of tangible divine spirit ingrained within Grizzly Bear\u2019s \u201cSleeping Ute.\u201d It\u2019s so tactile, I feel like I can grab it with my hands and mold it like play-dough. The band has a tendency to elegantly pull you inside of their gnarled, wooden dreamscapes, with (a lot of) help from Daniel Rossen\u2019s punchy electric guitar, one that permeates each song on their fifth album, <em>Shields<\/em>, The band\u2019s most vibrant and dynamic work. \u201cSleeping Ute\u201d feels like some sort of insane religious absurdist daydream, one that simulates an endless sprint towards something higher, penetrated sonically by light and dirt, surrounded by apparitions that compel you forward. I\u2019m not sure if this is the vibe Grizzly Bear intended for, but there is a sense of holiness on this record, as if compelled by some formless force that surrounds us. It\u2019s like the feeling of strong wind across your body on a crispy day, wind that blasts your body so hard you feel yourself lifting up for half a second. Half a second, where your body is out of your control and the divine force of nature controls your fate for just a moment. That moment lasts for the entire four minutes and thirty five seconds of \u201cSleeping Ute.\u201d At first it\u2019s terrifying and the gust of wind throws you and violates you and you are confused and scared. But eventually you realize you can\u2019t control anything, and over you a wave of simple, elegant calm rolls over, contemplating this uncontrollable sacred force, and you now \u201cknow no other way, than straight on out the door\u201d . \u201cSleeping Ute\u201d is powerful and rough, but ends with simplicity and grace, as if entering some sort of serene final expanse, where you are able to release all of the knots that have been tied to you for as long as you\u2019ve lived. &#8212; <strong>Wyatt Sardy<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Sleeping Ute\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/2PoqnzWrZku3y90o50wVNi?si=c94277ce09d640f7&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">&#8220;<strong>Late Dawn&#8221; by Lomelda<\/strong><\/h2>\n\n\n\n<p>The Sun is still nowhere to be seen. Lomelda waits in the pitch dark of the world thinking \u201cIf I lose my breath by the morning, please carry the tune\/ Of the dying song I used to sing in the throes of June.\u201d Or perhaps she\u2019s with a friend or lover who tries to ease her nerves. She won\u2019t have it: \u201cDon\u2019t tell me that I\u2019m being morbid. I know it will be soon.\u201d It\u2019s death more than sunrise that she\u2019s anticipating. But death might be real to her, not just some abstraction \u2014 \u201c\u2018Cause I could feel my lungs\u2014\/ They were failing at that beautiful view.\u201d Breathtaking awe and last breath in one fell swoop. \u201cThe sun disappeared behind that tree line\/ and you promised it would rise,\u201d she pleads. \u201cNow I\u2019m not saying you were lying\/ But I don\u2019t think you were right,\u201d says the cynicist to her partner\u2019s optimism\u2014maybe hope is false. She releases her fear in delicate \u201cawhooo\u201ds like an owl cooing for a response in the unlit forest. But maybe death is a kind of peace: \u201cIf I never really become anybody\/ At least when you see that I\u2019m just a lifeless body\/ Maybe eternity will mean something new.\u201d She asks herself if she can go on living four times: \u201cCan we wait for the sun? For the sun?\u201d Then she lets out an \u201cawhoo\u201d with all of the weight of her delicate existence. The peremptory elegy is over and the last note of her guitar feels like a bit of light on the horizon. Lomelda and James Baldwin expressed the same truth: \u201cLife is tragic simply because the earth turns, and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time.\u201d &#8212; <strong>Christian Jones<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Late Dawn\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/72ThGnLdvMpHsmZvWbW0AC?si=6c53d525daaa498c&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cMountain\u2019r Lower\u201d by Jessica Pratt<\/strong><\/h2>\n\n\n\n<p>It\u2019s a crisp autumn afternoon, a bit overcast, and I am walking through Appalachian trails in my Ugg boots when I hear the distant echo of a dissonant harmony. I am not alone. I listen for the folklore scored by the hum of Jessica Pratt\u2019s \u201cMountain\u2019r Lower.\u201d Her mystical voice over fuzzy plucking guitar, floats through the trees. It&#8217;s the feeling of the river flowing between your fingers while the wind rustles the leaves. A divine brush with nature. \u201cHeavy heart flame from the bed that rains for the raiders coming down when the game spun round. \/ Keep me darling in your darkest hours like a mother made of stone \/ He sings low for the long pour there\u2019s a hundred mighty men or more.\u201d A woman awaits her lover, with a myth-like reverence, while images of light and darkness float across her mind, fielding her worries of the mysterious man that never comes home. \u201cAnd his eyes were so fixed on light, so fixed on the light \/ That right hand guided him too low, guided him down home.\u201d He also wanders through these woods, where there&#8217;s \u201cnowhere to hide\u201d while she is left wondering \u201cIf he comes home, home, home and does wrong, wrong wrong.\u201d The leaves rustle, the river runs, the air is crisp, he wanders, she waits and I listen. &#8212; <strong>Avery Piazza<\/strong><br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Mountain&amp;apos;r Lower\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4ZDELXBKcpXlCIPs6ssOVG?si=2b58a0b0d57a433b&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Happy fall y&#8217;all! It&#8217;s a folk fall (and winter, and spring, and summer&#8230;) and we&#8217;re here to celebrate it! &#8220;SIZE OF THE MOON&#8221; BY PINEGROVE Pinegrove has a knack of singing about every feeling that I can\u2019t seem to put to paper, feelings that linger in the space of my cluttered notes app and never&#8230;<\/p>\n","protected":false},"author":3669,"featured_media":13118,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-13110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>STAFF PIX 10\/10: 2010S FOLK - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"STAFF PIX 10\/10: 2010S FOLK - wecb\" \/>\n<meta property=\"og:description\" content=\"Happy fall y&#8217;all! It&#8217;s a folk fall (and winter, and spring, and summer&#8230;) and we&#8217;re here to celebrate it! &#8220;SIZE OF THE MOON&#8221; BY PINEGROVE Pinegrove has a knack of singing about every feeling that I can\u2019t seem to put to paper, feelings that linger in the space of my cluttered notes app and never...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/\" \/>\n<meta property=\"og:site_name\" content=\"wecb\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-10T21:33:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/10\/1-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"ellieabbey\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"ellieabbey\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/\"},\"author\":{\"name\":\"ellieabbey\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/#\/schema\/person\/736f3c02ed5a6f8b874489bf47cae5ce\"},\"headline\":\"STAFF PIX 10\/10: 2010S FOLK\",\"datePublished\":\"2025-10-10T21:33:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/\"},\"wordCount\":1460,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/#organization\"},\"image\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/10\/1-1.png\",\"keywords\":[\"Staff Pix\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/\",\"url\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/staff-pix-10-10-2010s-folk\/\",\"name\":\"STAFF PIX 10\/10: 2010S FOLK - 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