{"id":126,"date":"2024-11-15T18:03:12","date_gmt":"2024-11-15T18:03:12","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-11-15-staff-pix-1115-new-releases\/"},"modified":"2024-11-15T18:03:12","modified_gmt":"2024-11-15T18:03:12","slug":"2024-11-15-staff-pix-1115-new-releases","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-11-15-staff-pix-1115-new-releases\/","title":{"rendered":"Staff Pix 11\/15: New Releases"},"content":{"rendered":"
\n

Here\u2019s what we\u2019ve been buzzing about these past few weeks. <\/p>\n

\u201cpatty hearst\u201d by The Crying Nudes <\/h2>\n

The Crying Nudes have been releasing an array of progressively sweeter singles over the past couple of months, and I am so here for it. The Dean Blunt and Fine collaboration\u2019s initial releases were dark, playing into the metallic and, at times, pitchy sound present in a lot of Dean\u2019s work. Yet the duo seemed to wrap this up with the release of their first album a couple months ago and since then, have leaned into a much more charming sound. Fine\u2019s vocals in \u201cpatty hearst\u201d stick to her lazy, echoey roots, but offer up something much more hopeful and dreamy. In combination with the very minimal guitar and drums from Dean, the song is simple, but intriguing nonetheless. Both Dean and Fine are experts at making simplicity impactful, so it only makes sense that this is ever-present in their collaboration. \u2014Adelaide Russell<\/strong> <\/p>\n<\/div>\n

\n

\u201cTake Your Mask Off (feat. Daniel Caesar & Latoiya Williams)\u201d by Tyler, the Creator<\/h2>\n

I love an authenticity anthem, and Tyler delivers all that and a couple of laughs with \u201cTake Your Mask Off.\u201d He raps out a couple character sketches. First, a tough-guy gangster facing \u201cfive to ten,\u201d who was actually raised middle-class and loved \u201cdrama club.\u201d Next, Tyler calls out a gay God-fearing preacher who\u2019s \u201cgot a wife, got a kid, but [who] be fuckin\u2019 them boys.\u201d Then Tyler tells us of a woman with postpartum who feels so stifled and purposeless by her housewife responsibilities that she \u201cCan\u2019t even get alone time to think of killin\u2019 [herself].\u201d But Tyler makes sure to turn the knife on himself too: for scapegoating his fame-related stress on exes, for his irrational business investments in overly expensive brand ventures (GOLF WANG and GOLF LE FLEUR*), for his involvement in someone\u2019s marriage, for his hubris, his selfishness, his self-evasion. After that litany of vulnerable confessions, we see Tyler is practicing what he preaches: \u201cNow go and stand in the sun, and use them fake tears to water your roots \/ Take that mask off and tell \u2018em the truth, let\u2019s talk about it, *****.\u201d With that, Tyler has taken his mask off. And even if that catchy, cathartic chorus\u2014\u201cAnd I hope you find yourself \/ And I hope you find yourself \/ And I hope you take that mask off.\u201d\u2014isn\u2019t enough to make you bare your scars too, at least you\u2019ll walk away with more empathy for those struggling to do the same. \u2014Christian Jones<\/strong><\/p>\n<\/div>\n

\n

\u201cPunish\u201d by Ethel Cain <\/h2>\n

At the anticipation of her soon-to-be-released album, Perverts<\/em>, Ethel Cain\u2019s new single \u201cPunish\u201d gives listeners a peek into the new world of shame, pain, and of course punishment that she intends to explore. According to several posts by the artist on Tumblr, \u201cpunish is about a pedophile who was shot by the child\u2019s father and now lives in exile where he physically maims himself to simulate the bullet wound in order to punish himself. At least that\u2019s what I had in mind when I wrote it. The song can be whatever you want it to be.\u201d In traditional Ethel Cain fashion, the track is meant to be a trip into a different world, one where the listener is put into the uncomfortable perspective of a pedophile who continuously imagines himself being shot. It\u2019s heavy and intimate, beginning with the sounds of a creaking swing-set and ending with the eerie reverb of piano. The vocals are distinct, they\u2019re simultaneously delicate yet feel like a tense whisper right in your ear. \u201cPunish\u201d is a masterpiece of the power of uncomfortability. And after all, it\u2019s happening to every-body. \u2014Sophie Parrish<\/strong> <\/p>\n<\/div>\n

\n

\u201cImage – Grimes Special\u201d by Magdalena Bay and Grimes <\/h2>\n

\u201cOoohhh m-m-my-my-my G-G-G-odddddd\u2026It\u2019s a Christmas miracle!\u201d Yeah, yeah, we all know Imaginal Disk<\/em> may just be the undisputed AOTY, and \u201cImage\u201d is its most popular single. Not that Magdalena Bay needed any more sauce, but adding Grimes to anything is never a bad choice. This Canadian spaghetti-aficionado turns this already brilliant track into a dark, decrepit piece of awe. I miss \u201cWe Appreciate Power\u201d Grimes as much as the next annoying pop head, and this is one of the closest tastes we\u2019ve gotten of it in far too long. I rue Elon Musk for many reasons, but stripping us of Grimes and her beep-bop-boops really tops it all off. Anyways, fuck that guy, Magdalena Bay and Grimes shred, don\u2019t do drugs, keep rockin\u2019 on, PLUR. \u2014Sofia Giarrusso<\/strong> <\/p>\n<\/div>\n

\n

\u201cthe Gleam pt. 3\u201d by Mount Eerie <\/h2>\n

Pt.1, Milk Crate Staff Pix<\/p>\n

Things Phil Elverum loves: Songs as questions, parentheses, multiple parts over spanning periods of time, instrumentals, referencing a symbol and letting it fester for years before bringing it up again, obsessing over symbols and never shutting up about them, contradictions, having a death grip on indie men that can\u2019t be described with mere language, trying to describe things with silence or static or pause, being in nature, acoustic\/instrumental versions that will make you cry, a think piece<\/p>\n

Pt.2, Milk Crate Staff Pix <\/p>\n

Things Phil Elverum has a complex relationship with: The moon, most animals, the ending of things, light, the beginning of things, the ending of things, the ending of things, the ending of things <\/p>\n

Pt.3, Milk Crate Staff Pix<\/p>\n

Night Palace <\/em>is yet another triumphant and emotionally devastating release from the king of emotional devastation. \u2014Monika Krueger<\/strong><\/p>\n<\/div>\n

\n

\u201cBetter\u201d by Alice Phoebe Lou<\/h2>\n

I was finally introduced to Alice Phoebe Lou beyond her hit \u201cWitches\u201d when I saw her open for Clairo a few weeks ago. Lou has beautiful music and the way her voice blends with her chill instrumentals is perfect. She makes me sway, as I and many others did while she shared her music with the crowd at Roadrunner. Her new song \u201cBetter\u201d feels like a gentle breeze, the lingering joy after spending time with friends, and warm soup. She continues to harness that gentle yet rich tone. Her lyrics are a thoughtful exploration of a complicated feeling: the beauty of perseverance after you have to let someone go. It can be hard to find optimism when someone walks away from what seemed to be a passionate connection. But, Lou tells us \u201cthings can only get better and better.\u201d \u2014Izzie Claudio<\/strong> <\/p>\n<\/div>\n

\n

\u201cFashion\u201d by Heidi Montag <\/h2>\n

I have deeply fond memories of being six and parading around my living room wrapped in a blanket, giving the performance of a lifetime to an absolutely fantastic Lady Gaga demo called \u201cFashion\u201d that was unfairly relegated to the Confessions of a Shopaholic <\/em>soundtrack. Fifteen years later, the song is seeing an official, on-streaming-and-everything release not by Lady Gaga, but by former reality TV star Heidi Montag. If you know anything about Montag, you know that she is potentially the only person qualified to sing this song. When Gaga sang the absolutely genius hook, \u201cOooh, la la la la, we love designer,\u201d she sounded somewhat self-serious. Montag can\u2019t sing, but she makes up for it with the deeply strange way she wraps her voice around the syllables, making the word \u201cstilettos\u201d sound like it\u2019s not even a part of the English language. The song even opens with a smooth-brained howl of \u201cHeidi!<\/em>\u201d \u201cFashion\u201d is a deeply indulgent piece of greasy, deep-fried dance pop, and it\u2019s the comfort food we all need right now. \u2014Bennett Himmel<\/strong> <\/p>\n<\/div>\n

\n

\u201cDrone:Nodrone\u201d by The Cure <\/h2>\n

In yet another electrifying rock tune that certainly does not cure my November slump, The Cure reassures me that we are on the same boat: we are both concerned with the state of ourselves and the world. Their new album, Songs of a Lost World<\/em>, takes on a distressed take on the modern world with a new spin to their classic sound \u2013 an almost indie-electric twist seen in groups like Jamiroquai and Duran Duran. However, this new sound is ultra-fitting to perfectly capture their anxiety. It\u2019s almost a lighthearted solution and a disco-rock-pop soundtrack to dance worries away. While The Cure is \u201cpretty much done,\u201d I don\u2019t think I\u2019ll get enough of this album for a while. \u2014Ari Mei-Dan<\/strong> <\/p>\n<\/div>\n

\n

\u201clEgs In tHe aIr\u201d by TisaKorean<\/h2>\n

All the strangest aspects of mumble rap are swirled into one on this highlight from TisaKorean\u2019s latest album, In Silly We Trust<\/em>. Pulsing cloudy synths; a mellow, bumping bass; and the most explicit lyrics to pass through my ears in a long while, all of it comes together to make the comical, adolescent, and plain awesome \u201clEgs In tHe aIr.\u201d It\u2019s bouncy and light just as it\u2019s disgusting and absurd. TisaKorean flips all the coolness of rap on its head. He\u2019s given us tracks of laughable danceability, just as deserving of an \u201cAYYY\u201d as they are of an \u201cAHAHA\u201d and maybe even an \u201cEWWW!\u201d \u2014Nathan Hilyard<\/strong> <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Here\u2019s what we\u2019ve been buzzing about these past few weeks. \u201cpatty hearst\u201d by The Crying Nudes The Crying Nudes have been releasing an array of progressively sweeter singles over the past couple of months, and I am so here for it. The Dean Blunt and Fine collaboration\u2019s initial releases were dark, playing into the metallic…<\/p>\n","protected":false},"author":1,"featured_media":127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 11\/15: New Releases - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 11\/15: New Releases - wecb\" \/>\n<meta property=\"og:description\" content=\"Here\u2019s what we\u2019ve been buzzing about these past few weeks. \u201cpatty hearst\u201d by The Crying Nudes The Crying Nudes have been releasing an array of progressively sweeter singles over the past couple of months, and I am so here for it. 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