{"id":122,"date":"2024-11-22T16:19:24","date_gmt":"2024-11-22T16:19:24","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-11-21-staff-pix-rap-crate\/"},"modified":"2024-11-22T16:19:24","modified_gmt":"2024-11-22T16:19:24","slug":"2024-11-21-staff-pix-rap-crate","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-11-21-staff-pix-rap-crate\/","title":{"rendered":"Staff Pix 11\/22: Rap Crate!"},"content":{"rendered":"
\n

This week\u2019s Staff Pix celebrates RAP! Tune in form 3-4pm on WECB to hear these pix live!<\/p>\n<\/div>\n

\n

\u201cYeah Right\u201d by Vince Staples <\/h2>\n

Vince Staples\u2019 \u201cYeah Right\u201d is a legendary collaboration between Ku\u010dka, Kendrick Lamar, Flume, aaaand the one, the only SOPHIE. Throughout the track, Staples, Ku\u010dka, and Kendrick address the fabrication of lifestyles and their relation to celebrity culture. Kendrick\u2019s iconic verse names the \u201cmoney and fame\u201d as something that is ultimately temporary. Only because of his genuine dedication and understanding of the industry, Kendrick is able to maintain his powerful status as a rapper and songwriter. Simply put by Ku\u010dka, \u201cYou pretend to get a better idea about the lifestyle\/ You\u2019re chasin\u2019\/ Keep pretendin\u2019, make it real until every cell replaced, erased.\u201d With the accompaniment of Flume and SOPHIE\u2019s iconic individual styles, the pair\u2019s production harmonizes together with the ebb and flow of bass and synth. It\u2019s an unforgettable track that exists beyond just the plane of material existence and comes to life in its transcendental importance. \u2014Sophie Parrish<\/strong> <\/p>\n<\/div>\n

\n

\u201cnamesake\u201d by Noname <\/h2>\n

If you don\u2019t already know Chicago rapper Noname, this song will be a bombastic introduction. Over nothing more than a thin synth line, jazzy drum beat, and deep-funk bass riff, Noname interrogates herself as an artist. She makes political indictments so catchy it\u2019ll give you whiplash with lines like, \u201cSame day the airstrikes strike down Iran \/ I ran into the house with a blunt in my hand, let\u2019s smoke.\u201d Each time she points a finger, she points three back at herself: \u201cThat\u2019s you, that\u2019s me, the whole world is culpable.\u201d She takes a major<\/em> dig at capitalistic Black musicians and American commercial entertainment: \u201cI ain\u2019t fuckin\u2019 with the NFL or JAY-Z \/ Propaganda for the military complex \/ The same gun that shot Lil Terry out west \/ The same gun that shot Samir in the West Bank \/ We all think the Super Bowl is the best thing.\u201d But the best part of the song is her ironic cheerleader-esque delivery when naming names, \u201cGo, Beyonc\u00e9, go!\u201d She concludes her tirade with another dose of self-awareness, acknowledging her performance at Coachella despite her past avowal to never perform for them. The darkly comic delivery perfectly compliments Noname\u2019s political and moral criticism; it exposes the contradictions of our culture and gives us the means to own our complicity. \u2014Christian Jones<\/strong> <\/p>\n<\/div>\n

\n

\u201cDa Art of Storytellin\u2019 (Pt. 1)\u201d by Outkast<\/h2>\n

Classic with a Capital C. Infectious as all hell, \u201cDa Art of Storytellin\u2019 (Pt. 1)\u201d is a standout from 1998\u2019s Aquemini<\/em>\u2013an incredibly strong album that becomes more impressive as the years trudge on. Compared to other Outkast tracks, this one isn\u2019t the most technically abstract, but Andr\u00e9 3000 and Big Boi\u2019s sort of vocal tennis makes way for complicated lyricism and grit to shine through. It\u2019s endlessly playable and nothing but iconic. Peace be to Andr\u00e9 3000 playing his flute in the park, and also to Big Boi who\u2026um\u2026recorded a song with Kate Bush<\/span><\/a>? \u2014Sofia Giarrusso<\/strong><\/p>\n<\/div>\n

\n

\u201cUnited In Grief\u201d by Kendrick Lamar<\/h2>\n

Kendrick Lamar is a legend. His lyric flow is masterful, his instrumentation is incredibly unique, as heard in this song. He begins with an acapella line: \u201cI hope you find some piece of mind in this lifetime.\u201d His angelic vocals mixed with another voice singing, \u201cTell em\u2019 the truth,\u201d instantly create an alluring atmosphere. Blunt and monotone, he says, \u201cI\u2019ve been going through something \/ one-thousand eight-hundred and fifty-five days \/ I\u2019ve been going through something.\u201d 1,855 days prior to this song was the date of his first release. What is this song we\u2019re about to experience? As soon as the beat drops, he dives into a raw reflection of his career. He discusses money, his mental health, and powerful musings on his experiences as an artist. A mix of fast drum beats and gentle piano melodies paint the scene behind Lamar\u2019s emotional release. When rap gets real, it hits hard. Artists like Lama, use the power of lyric flow to lay themselves bare, speaking truth into the rhymes. \u201cI grieve different,\u201d he repeats. \u2014Izzie Claudio<\/strong> <\/p>\n<\/div>\n

\n

\u201cSoft Landing\u201d by billy woods and Kenny Segal <\/h2>\n

Is Billy Woods the best currently active MC? Probably. And is Maps<\/em> \u2013 his evocative, wanderlust-stricken 2023 collab with LA producer Kenny Segal \u2013 one of the best hip-hop releases of the 2020s so far? Almost definitely. Across a series of seventeen tracks that range from bite-sized vignettes to five-star rhapsodical meals and to the rhythm of Segal\u2019s scuzzy, beautiful, occasionally frightening beats, Woods looks inward while seeking solace during a particularly exhausting tour, finding pathos in everything from the purring of an old cat to the glow of fireflies in the night sky during a wildfire. On \u201cSoft Landing,\u201d the NYC rapper racks his brain while on a flight to who-knows-where, invoking the political in one moment (\u201cFree political dissidents from they cages\/ But leave \u2018em open, we got lists of names, pages and pages\/ Wouldn\u2019t want to waste the space the previous regime gave us\u201d), and the psychological in another (\u201cMaybe suicidal thoughts was the everyday struggle\u201d), moving from one disparate topic to the next with startling ease, before the plane thoughts all melt away into an Impressionistic brush stroke; \u201cFor a brief, sweet moment it was nothing in the thoughts bubble\/ From up here the lakes is puddles\/ The land unfold brown and green, it\u2019s a quiet puzzle.\u201d \u2014Lucca Swain<\/strong><\/p>\n<\/div>\n

\n

\u201cGunz N Butter\u201d by A$AP Rocky and Juicy J <\/h2>\n

A$AP Rocky\u2019s Testing <\/em>has most definitely stood the test of time as one of his most personal and experimental creations. The album pulls inspiration from a wide array of different places, through sampling, production, and Rocky\u2019s performance. One of my favorite tracks, \u201cGunz N Butter\u201d exemplifies the scrapbook-eque production that makes his creative process so accessible to his audience. Plus, it helps when you collaborate with UK\u2019s most elusive producer Dean Blunt and a legend of the Memphis rap scene, Juicy J (founding member of Three 6 Mafia). The Memphis influence gives the song that distinctive distorted, low-fi sound, yet it cleverly falls behind A$AP\u2019s performance, feeling as if Rocky is listening to Juicy J through a radio. Dean Blunt\u2019s off-kilter production ties everything together so well – creating something eerie, raunchy, yet cleverly cohesive. \u2014Adelaide Russell<\/strong><\/p>\n<\/div>\n

\n

\u201cSuck My Dick\u201d by Lil\u2019 Kim <\/h2>\n

The nastiest girl you know just got nastier. \u201cSuck My Dick\u201d is an emancipatory gender-bent anthem from Lil\u2019 Kim\u2019s classic The Notorious K.I.M<\/em>. Jumping right in with a pumping, assertive beat, Kim lays down her rhymes: \u201cComing through like bulldozers, \/ No, we ain\u2019t sober \/ Bum bitches no better than to start shit.\u201d Lil\u2019 Kim, as with many other misunderstood pioneers, seems a bit too strong on first listen, everything is about sex and the hook of the song is just Kim and a disgruntled lover shooting \u201cFUCK YOU\u201d back and forth. Kim\u2019s femininity crystalizes and sharpens into the same assertive, powerful rhymes of any other male musician. In her very own words, \u201cIf I was a dude I\u2019d tell y\u2019all to suck my dick.\u201d \u2014Nathan Hilyard<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

This week\u2019s Staff Pix celebrates RAP! Tune in form 3-4pm on WECB to hear these pix live! \u201cYeah Right\u201d by Vince Staples Vince Staples\u2019 \u201cYeah Right\u201d is a legendary collaboration between Ku\u010dka, Kendrick Lamar, Flume, aaaand the one, the only SOPHIE. Throughout the track, Staples, Ku\u010dka, and Kendrick address the fabrication of lifestyles and their…<\/p>\n","protected":false},"author":1,"featured_media":123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 11\/22: Rap Crate! - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 11\/22: Rap Crate! - wecb\" \/>\n<meta property=\"og:description\" content=\"This week\u2019s Staff Pix celebrates RAP! Tune in form 3-4pm on WECB to hear these pix live! \u201cYeah Right\u201d by Vince Staples Vince Staples\u2019 \u201cYeah Right\u201d is a legendary collaboration between Ku\u010dka, Kendrick Lamar, Flume, aaaand the one, the only SOPHIE. 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