{"id":1212,"date":"2020-02-14T21:18:44","date_gmt":"2020-02-14T21:18:44","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/uncut-gems-score\/"},"modified":"2020-02-14T21:18:44","modified_gmt":"2020-02-14T21:18:44","slug":"uncut-gems-score","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/uncut-gems-score\/","title":{"rendered":"Daniel Lopatin\u2019s \u2018Uncut Gems\u2019 Score Deserved Oscar Recognition"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2500px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:56.23999786376953%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/UncutGems.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/UncutGems.jpg\" data-image-dimensions=\"2500x1406\" data-image-focal-point=\"0.5,0.5\" alt=\"Uncut Gems.jpg\" data-load=\"false\" width=\"2500\" height=\"1406\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"><strong>by Kyle Bray<\/strong><\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The Safdie brothers\u2019 2019 film \u201cUncut Gems\u201d got snubbed by the Oscars in multiple categories, but one of the more egregious snubs came for Best Original Score. Daniel Lopatin, who is more commonly known by his stage name Oneohtrix Point Never, produced and composed the score for \u201cUncut Gems\u201d and was able to perfectly capture the essence of this chaotic film.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">For those unfamiliar with the movie, here\u2019s a somewhat spoilerless summary\u2014but be warned, there will be more spoilers ahead. \u201cUncut Gems\u201d follows a New York jeweler and degenerate gambler named Howard Rattler, played by Adam Sandler, who risks his life and the lives of those around on him two big scores\u2014a parlay bet on Kevin Garnett and the Celtics in the 2012 NBA Playoffs and a rare uncut black opal gem.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The function of any film score is to be intertwined with the movie it features in, but of the many scores from last year\u2019s powerhouse selection, the score for \u201cUncut Gems\u201d accomplishes that the best. The score blends with the feelings of the characters well and does a great job unsettling the viewer during some of the more hectic scenes.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The film opens with a musical cue not featured on the subsequent soundtrack album, that for the sake of clarity we will call \u201cThe Gem Theme.\u201d \u201cThe Gem Theme\u201d isn\u2019t long enough to be its own track, but it is a theme that plays pretty much anytime the opal is on screen or when a character stares at it. It\u2019s a long droning synth bass that adds to the mystery and ethos of the opal itself, as Kevin Garnnett, one of the main characters, believes that the stone possesses some magical power that helps him play basketball better.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The first song on the soundtrack, \u201cThe Ballad of Howie Bling,\u201d begins when two Ethiopian miners discover the gem and the camera takes a deep dive into the opal. The score for \u201cUncut Gems\u201d pulls from many influences, particularly synth scores of the \u201870s and \u201880s. These influences are on full display as the camera dives through the opal. Luscious synth leads dance back and forth and guide the viewer through the vast landscape of the gem\u2019s interior, eventually emerging in the real world through Howard Rattler\u2019s colon.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Once the camera emerges into the real world, a set of low and high pitched vocals take over and guide the viewer into the bedlam of Howard\u2019s life. \u201cUncut Gems\u201d is a film that thrives off of chaos. The story is dense with many interlocking storylines, people are often shouting over each other and swearing. The sound mixing is incredibly deep with small conversations and sounds sprinkled in all throughout the dialog scenes.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">These vocal synth pads only add the intensity and anxiety of each scene, especially the first one, when Howard is trying to sell jewelry to a young rapper while also dealing with two debt collectors pestering him about an unpaid debt. The shots are tight, the voices are loud, and the action and cuts are rapid. When combined with all the incessant voices creeping up in the score, the viewer witnesses a perfectly crafted environment of tension and adrenaline.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Another moment in the film where the chaos of Lopatin\u2019s score syncs up with the movie is when Howard confronts the debt collectors at his daughter\u2019s school play. The song in the scene, appropriately titled \u201cSchool Play\u201d, mirrors the anxiety and panic that Howard feels as he attempts to flee from the collectors.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The song itself is driven by intense arpeggios that almost chase Howard through the school as he frantically looks for an escape. The closer the collectors get to him, the louder and faster the score is brought into the mix. When Howard is eventually captured, the scene mimics the opening scene in the shop, but with heightened stakes. The cuts are tighter, everyone in the car is shouting, everything is dark, and the ascending scales get even more intense to build up the panic Howard is feeling at the moment.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Since Howard is a degenerate gambler, his life rides on the highest of highs and the lowest of lows. The score does an excellent job of highlighting his rollercoaster of a life. Songs like \u201cThe Bet Hits\u201d and \u201cHighlife\u201d both come immediately after he wins his first parlay. Instead of the heartracing arpeggios and loud vocal bites, Lopatin uses light, fun, and high pitched synth pads with fluttering flute passages. During songs like \u201cBack to Roslyn\u201d and \u201cThe Fountain\u201d, which find Howard sulking at rock bottom, the dark vocal synths return and the bright synth leads are replaced with low thundering synth bass.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Lopatin\u2019s immense score is not only great on its own, but is incredibly intertwined with the film. No other score could have done a film like \u201cUncut Gems\u201d justice and for that, it truly did deserve a nod for the Best Original Score. Lopatin even used his actual name for the score, which he said in an interview with <a href=\"https:\/\/www.youtube.com\/watch?v=pIAvmtNIx9I\">Moog Music Inc<\/a> was because he was so excited to make this score. At the end of the day, the Oscars aren\u2019t the be-all-end-all of music criticism, but it is unfortunate that such a great score got overlooked, because of course, John Williams needs to prove that he can in fact make an Oscar-worthy score\u2026 for the 52nd time.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">The Safdie brothers\u2019 2019 film \u201cUncut Gems\u201d got snubbed by the Oscars in multiple categories, but one of the\u2026<\/p>\n","protected":false},"author":1,"featured_media":1213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[31],"class_list":["post-1212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-opinion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Daniel Lopatin\u2019s \u2018Uncut Gems\u2019 Score Deserved Oscar Recognition - 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