{"id":1198,"date":"2020-02-20T16:05:20","date_gmt":"2020-02-20T16:05:20","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2020-2-20-staff-pixx\/"},"modified":"2020-02-20T16:05:20","modified_gmt":"2020-02-20T16:05:20","slug":"2020-2-20-staff-pixx","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2020-2-20-staff-pixx\/","title":{"rendered":"Staff Pixx 2\/20"},"content":{"rendered":"
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Looking for new tunes? The Music Staff submits their favorite songs of each week for the Staff Pixx radio show. If you can\u2019t tune in Thursdays at 9 am, find WECB on Spotify for a full playlist, and read below for notes from each of our writers!<\/p>\n<\/div>\n

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Lily Hartenstein<\/h3>\n

Haunted Candlewax by The Crudes<\/p>\n

Independent Los Angeles band the Crudes switches their sound every so often, as the group of young punks tries to find an auditory identity. Their latest double-single release exemplifies this, with a grungey rock ballad that transitions abruptly into a west-coast style rap song. Frankly, rap might not be their calling, but the first track \u201cHaunted Candlewax\u201d is an eerie, alluring tune which showcases the group\u2019s specialty- 70\u2019s-inspired, organ-heavy, slow and angry rock-n-roll. Their frontman\u2019s gravelly, emotional voice is unlike any other, and can be summed up with the title of their recent release: haunting.<\/p>\n<\/div>\n

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Kyle Bray<\/h3>\n

After Hours by The Weeknd<\/p>\n

After the adrenaline rush of his last single \u201cBlinding Lights\u201d, The Weeknd has come down from his high on his latest single \u201cAfter Hours\u201d. Where as \u201cBlinding Lights\u201d sees The Weeknd on a fast paced lust filled bender chasing after a woman he loves, on this latest single, he\u2019s stuck in his feelings. All throughout \u201cAfter Hours\u201d, The Weeknd begs his lover to not leave him, stressing that he needs her to live. The pivotal moment of the track comes in the balladesque bridge where he admits his faults in the relationship and tells his lover that \u201cthis house is not a home without my baby\u201d. \u201cAfter Hours\u201d is the third single for his recently announced album of the same name and if the singles are any indicator, The Weeknd is ready to burst back onto the scene. <\/p>\n<\/div>\n

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Mateo Rispoli<\/h3>\n

Gospel for a New Century by Yves Tumor<\/p>\n

Yves Tumor thrives on ambiguity. 2018\u2019s mercurial and genre-less Safe in the Hands of Love <\/em>cemented him as one of the top innovative voices in experimental music. Yves applied the percussive barrages and atmosphere building field recordings and electronic noise that comprise 2016\u2019s Serpent Music<\/em> in a more traditionally pop and R&B setting, and he takes a step closer on \u201cGospel for a New Century.\u201d The first single and album opener for his new record Heaven to a Tortured Mind<\/em>, the sharply sampled horns parallel \u201cFaith in Nothing Except Salvation,\u201d the royal announcement of an opener from Safe. <\/em>While that track sounded like the onset of some inescapable downward spiral, this one sounds like an ascension. Underscored by a 4\/4 drum beat and a wave of guitars, Yves writhes on the floor, throws a tantrum, and announces his welcome return and continual resistance to most any classification. <\/p>\n<\/div>\n

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Maximo Aguilar Lawlor<\/h3>\n

I\u2019m Enough by Early Eyes<\/p>\n

Early Eyes released their new single \u201cI\u2019m Enough\u201d in order to address the anxiety, stress, and melancholy that goes into just getting yourself to go outside and have fun. With similar sounds to COIN, Early Eyes\u2019 music can make you stand up and dance around; \u201cI\u2019m Enough\u201d is no exception. For anyone who needs some self-love and reassurance that you\u2019re can and should have fun, this song is for you. According to an interview<\/a> with Substream Magazine,<\/em> Jake Berglove, the Early Eyes vocalist said, \u201cAs somebody who struggles with body dysmorphia and gender dysphoria, preparing for a night out can be comparable to watching a season\u2019s worth of Grey\u2019s Anatomy in terms of the emotional undertaking.\u201d<\/p>\n<\/div>\n

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J. Faith Malicdem<\/h3>\n

Eagletown by Orange Guava Passion<\/p>\n

Disco, funk, and Latin jazz multi-instrumentalist Tom Misch has joined forces with Yussef Dayes, an up-and-coming drummer to release \u201cWhat Kinda Music.\u201d Dayes\u2019s unmatched shuffle-syncopated drumming carries  \u201cWhat Kinda Music,\u201d while Misch\u2019s signature incorporation of strings hovers its rhythmic synth basslines. The song melds each contributor\u2019s style, as Misch gravitates toward making upbeat and lyrical-focused music, while Dayes tends to lean on the experimental side of smooth jazz. \u201cWhat Kinda Music\u201d preludes the duo\u2019s upcoming joint album, set to come out in spring 2020. <\/p>\n<\/div>\n

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Erin Christie<\/h3>\n

White Rooms and People by Working Men\u2019s Club<\/p>\n

Reminiscent of predecessors Wire, Suicide, and Soft Cell, West Yorkshire-based Working Men\u2019s Club exists in a world all its own. Through twisting heavenly guitars and adding mesmerizing synth, their latest single, \u201cWhite Rooms and People,\u201d is an immediate toe-tapper. In finding a way to mesh new wave instrumentation with post-punk bass lines in a 21st-century context, the band has managed to hone in on a musical sweet spot; a mid-point between dance and darkness. About their intentions as a band (in an interview with The Guardian<\/em><\/a>), frontman Sydney Minsky-Sargeant says \u201cwe just want to confuse the fuck out of people, in a good way.\u201d For their ability to pump out ear worm after ear worm, they\u2019re definitely a band you\u2019ll want to pay attention to.<\/p>\n<\/div>\n

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Kate Mettetal<\/h3>\n

The Process by Chastity Belt<\/p>\n

Seattle-based rock troupe, Chastity Belt, matures from their alternative girl pop sound of their previous albums in their most recent release \u201cThe Process\u201d. Their self-titled album released in September foreshadowed a paradigm shift in both the band\u2019s lyricism and sound that comes full-circle in the new single. While still maintaining the post-Sonic Youth and My Bloody Valentine charm that shot Chastity Belt to fame in 2012, lead guitarist and songwriter Lydia Lund curates an electric atmosphere with her gleaming reverb-laden riffs that seem to perfectly suit Julia Shapiro\u2019s melancholic vocals. A manifesto about the compounding detriments of self-criticism that every artist faces at one point or another, \u201cThe Process\u201d is not only ideal for dancing in the pit with your friends but also reassurance that young creatives need today.<\/p>\n<\/div>\n

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Caleb Peck<\/h3>\n

Blood Rainbow by Built to Spill<\/p>\n

After backing band on his final tour, you\u2019d be hard-pressed to find another band more qualified to release a Daniel Johnston tribute album than Built to Spill. On Bloody Rainbow, the 90\u2019s alt-rock group adopts Johnston\u2019s pacing but rejects his low fi sound, creating an uncharacteristically smooth and quiet track. The band softly sings over an easy, jangling guitar riff, creating an arguably more accessible track than the original. This is the lead single off of the tribute album, set to feature plenty of lesser-known songs, pay respects to one of the greatest outsider artists ever.<\/p>\n<\/div>\n

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Isaiah Anthony<\/h3>\n

PEOPLE (ft. FIDLAR) by SWMRS<\/p>\n

On their first track since a car accident prematurely ended their 2019 tour, Oakland punk rock band SWMRS are back and haven\u2019t missed a step with their new single, PEOPLE, a cover of British rockers The 1975\u2019s \u2018People\u2019 from last year. Cole Beckers\u2019 hectic, manic vocals, paired with a laid back, bemoaned refrain, emulate the spirit of the original while spicing in original and new energy on the track. The track is a positive sign for what\u2019s to come from the young band who are quickly establishing an exciting and unique sound.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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