{"id":1184,"date":"2020-02-25T16:19:44","date_gmt":"2020-02-25T16:19:44","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/angel-olsen-amsterdam\/"},"modified":"2020-02-25T16:19:44","modified_gmt":"2020-02-25T16:19:44","slug":"angel-olsen-amsterdam","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/","title":{"rendered":"Angel Olsen Enchants Amsterdam at the Paradiso"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2500px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:56.23999786376953%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/AngelOlsenShow.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/AngelOlsenShow.jpg\" data-image-dimensions=\"2500x1406\" data-image-focal-point=\"0.5,0.5\" alt=\"Angel Olsen Show.jpg\" data-load=\"false\" width=\"2500\" height=\"1406\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"><strong>by Kenneth Cox<\/strong><\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The name Angel Olsen is practically tethered to the celestial. The 33-year-old singer-songwriter\u2019s newest record, <em>All Mirrors<\/em> (released October 2019), is filled with indelible, heartbreaking tracks that sound as if they were made in a heavenly realm far away from ours. So, it\u2019s fitting that the Paradiso, a cavernous 19th-century church-turned-concert venue (since 1968), was Amsterdam\u2019s place to be as Angel Olsen took the stage on Thursday, February 6. With its towering stained glass windows, ancient wooden pews lining the balcony, and altar-esque stage facing it all, the Paradiso transformed into a house of worship for the patron saint of indie-rock heartbreak.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">As thousands packed into the Paradiso, the venue was bathed in a scarlet light emanating from the stage. The venue\u2019s twisting railings, gothic design, and expansive hall matched up with the ornate, spiral staircase featured on the stage\u2019s backdrop. As the time came for Olsen to take the stage, the crowd hollered and clapped before settling into a respectful silence as the opening notes of \u201cAll Mirrors\u201d rose out across the audience.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Olsen was joined onstage by a six-piece band, including a live string section, which managed to perfectly translate the lush, orchestral sound of Olsen\u2019s latest record into a live setting. The song\u2019s swelling, cinematic sound astounded the audience with Olsen\u2019s commanding voice acting as a shining beacon amidst the torrent of music onstage.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Much of the show was dedicated to playing Olsen\u2019s newest material. The first six songs of the set covered the emotional peaks and valleys of <em>All Mirrors<\/em>, all with fantastic results. Songs like \u201cSummer,\u201d a turn towards the wild-west country for Olsen, saw the stage soaked in orange light and projections of flames, all while Olsen lit up the stage with incredible energy.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Other points of her set, like her performance of \u201cImpasse,\u201d showcased the singer\u2019s unrivaled vocal power, pushing her voice to the extreme as the band around her broke out into crashing, overwhelmingly emotional melodies. For much of the set, these songs were played with a serious, determined cadence, matched by the audience\u2019s respectful applause and silence while they played.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">After the emotional heft of the show\u2019s first half, Olsen\u2019s gig came into a more lighthearted, exciting mood. \u201cYou guys wanna hear some older stuff?\u201d Olsen asked before breaking into \u201cSister,\u201d a \u201970s tinged rock epic from her 2016 record, <em>My Woman<\/em>. For over eight minutes, Olsen and her band tore through smooth riffs, dreamy choruses, and lengthy breakdowns before culminating in a shredding, cathartic guitar solo.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Later on, she surprised the audience by telling them she was to be playing a new track that night. \u201cI\u2019ve been writing this one while touring for a bit, and I think tonight\u2019s the time to play it,\u201d she said. This was just for a laugh though, as the \u201cnew track\u201d was her biggest hit, \u201cShut Up Kiss Me.\u201d \u201cLet my manager know if you like that one!\u201d she said once the song was over. This moment was a welcome change of pace, balancing the heaviness of the show\u2019s first half with a lighter conclusion.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">As Angel Olsen came out for her encore, singing the closing track from <em>All Mirrors<\/em>, \u201cChance,\u201d it felt like the soothing end to the emotional journey experienced by Olsen\u2019s entire audience. From shattering heartbreak to buzzing excitement, Angel Olsen\u2019s performance felt as if it spanned the spectrum of feeling, creating an unforgettable show from one of music\u2019s finest working artists.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">The name Angel Olsen is practically tethered to the celestial. The\u2026<\/p>\n","protected":false},"author":1,"featured_media":1185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[22],"class_list":["post-1184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-concert-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Angel Olsen Enchants Amsterdam at the Paradiso - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Angel Olsen Enchants Amsterdam at the Paradiso - wecb\" \/>\n<meta property=\"og:description\" content=\"The name Angel Olsen is practically tethered to the celestial. The\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/\" \/>\n<meta property=\"og:site_name\" content=\"wecb\" \/>\n<meta property=\"article:published_time\" content=\"2020-02-25T16:19:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2020\/02\/AngelOlsenSquare.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"2000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"webadmin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"webadmin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/\"},\"author\":{\"name\":\"webadmin\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/#\/schema\/person\/c46ba3f7f9fe9c03fa23354d226a97a9\"},\"headline\":\"Angel Olsen Enchants Amsterdam at the Paradiso\",\"datePublished\":\"2020-02-25T16:19:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/\"},\"wordCount\":601,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/#organization\"},\"image\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2020\/02\/AngelOlsenSquare.jpg\",\"keywords\":[\"Concert Review\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/\",\"url\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/angel-olsen-amsterdam\/\",\"name\":\"Angel Olsen Enchants Amsterdam at the Paradiso - 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