{"id":1178,"date":"2020-02-27T14:21:27","date_gmt":"2020-02-27T14:21:27","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2020-2-27-staff-pixx-227\/"},"modified":"2020-02-27T14:21:27","modified_gmt":"2020-02-27T14:21:27","slug":"2020-2-27-staff-pixx-227","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2020-2-27-staff-pixx-227\/","title":{"rendered":"Staff Pixx 2\/27"},"content":{"rendered":"
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Looking for new tunes? The Music Staff submits their favorite songs of each week for the Staff Pixx radio show. If you can\u2019t tune in Thursdays at 9 am, find WECB on Spotify for a full playlist, and read below for notes from each of our writers!<\/p>\n<\/div>\n

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Mateo Rispoli<\/h3>\n

BALD! by JPEGMAFIA<\/p>\n

JPEG\u2019s ode to baldness is a cascade of shimmering hi-hats and arpeggios. His characteristically insightful observations on the industry and the media surrounding it are as scathing as ever. He accuses fans of misquoting his lyrics on the public \u2018authority\u2019 of Genius, and condemns unscrupulous critics for proliferating them; he makes sense of his unfortunate hairline as God\u2019s way of balancing out his gift for rapping; he looks like Ray Allen. He\u2019s Peggy, and bald or not, the light reflecting off his finely polished dome only makes him shine brighter.<\/p>\n<\/div>\n

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Owen Murray<\/h3>\n

Can\u2019t Cool Me Down by Car Seat Headrest<\/p>\n

For Car Seat Headrest, one time is never enough. Will Toledo and co. are always reinventing their old music in new compilations (Teens of Style), <\/em>reimagining entire albums (Twin Fantasy)<\/em> or recycling and repurposing lyrics for new songs. Their upcoming album Making a Door Less Open <\/em>is entirely yet-to-be-released but has a head start on re-imagination. It was recorded in its entirety twice; once as a traditional rock band and once entirely synthetic instrumentation. In the end, the two versions were combined for the final product. The lead single \u201cCan\u2019t Cool Me Down\u201d leans towards the synthetic side, and we only hear fleeting hints and the distorted electric guitars we know Car Seat for. It\u2019s a new direction for a band that has reinvented itself numerous times without straying from their garage rock sound. <\/p>\n<\/div>\n

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Lily Hartenstein<\/h3>\n

The Funkshipz Captain by Funkadelic<\/p>\n

I often talk about my love of music and how it comes from my childhood, because to me music is so deeply connected to emotion and one of the most important emotional experiences we have with music are our first ones. Funkadelic is one of the bands I associate with growing up; it was one of the first bands I ever registered as \u201ccool\u201d. Their hypnotic jams with dark, spacey spoken voice lyrics and soulful runs oozed a certain power I adored listening to. It wasn\u2019t until school that I realized Funkadelic isn\u2019t universally understood as the GOAT, and it was just the group of hippies I was raised by. Still, they\u2019re absolute legends, and so to get to witness the sort of underground revival of George Clinton and company is unbelievably exciting. This collaborative album shows that they still know exactly all the right points to hit to create great funk. Instead of being stuck in a sense of nostalgia for the past, like so many musicians as old as the members of Funkadelic are, they\u2019re still having fun and making music that fits just as well in modern funk as it did in the 70\u2019s. May the gods of funk reign forevermore. <\/p>\n<\/div>\n

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J. Faith Malicdem<\/h3>\n

Midnight by WINEHOUSE<\/p>\n

Washington state six-piece collective WINEHOUSE establishes their alt-pop takeover with debut EP Hanover Drive<\/em>, <\/em>propelling their aim to \u201cbridge the gap between the stage and audience.\u201d As today\u2019s music ventures into the unexplored and experimental, WINEHOUSE distinguishes themselves by instead bringing forth a timeless style to their sound. The fourth track on Hanover Drive, <\/em>\u201cMidnight,\u201d is about the freedom that comes with nightfall and the lack of self-control that comes with one\u2019s youth. WINEHOUSE has upcoming spring and summer shows all over Washington state, so be sure to check out their website to witness the up-and-coming group for yourself.<\/p>\n<\/div>\n

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Marissa Cardenas<\/h3>\n

Ringtone (Remix) by 100 gecs (feat. Charli XCX, Kero Kero Bonito, Rico Nasty)<\/p>\n

The original song came out late last year, using the same chorus that is used in the remix where each feature takes their spin at. By taking the risk of adding three other perspectives with the original 100 Gecs\u2019s bassy-poppy \u201cRingtone,\u201d it ended up working in the duo\u2019s favour. The five performers interest in having electronic elements in their music while allowing their different personalities mesh together is what made this piece work. Each personality is truly accented throughout this remix which is cool to see considering none of them water it down. Charli, taking the role of power while being very much in tune with her body and what she wants, says \u201che likes me ’cause I’m wild, camera phone in the shower…sounds so good, wanna turn it up loud.\u201d Rico Nasty, comparing herself to cartoons or childlike references (and honestly, rhyming anything together like she did in her AMPD freestyle Wednesday night). Bonito takes the style of talking almost robotic-like, similar to her pop-electronic pieces.<\/p>\n<\/div>\n

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Maximo Lawlor<\/h3>\n

Movement by Attom & Frye<\/p>\n

Attom & Frye is a fairly new artist, and they are releasing singles like no other. \u201cMovement\u201d has a Chillstep EDM vibe, and it captivates your mind when listening to it. Similar to Odesza\u2019s discography and sound, Attom & Frye definitely know how to compose a catchy tune. Even though there are no lyrics, the composition creates an environment in your head that makes you believe you\u2019re on a tropical vacation. I\u2019ve only known of Attom & Frye for a few weeks now, but believe me, this song has been permanently placed in my study session playlist. If you need a new Chillstep song that can help you feel relaxed, \u201cMovement\u201d is the song for you.<\/p>\n<\/div>\n

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Angelee Gonzalez<\/h3>\n

Toking, Dozing by Feng Suave<\/p>\n

Dutch duo Feng Suave has an indie-soul sound like no other. On their first release since 2018, \u201cToking, Dozing\u201d ponders the problems of our world and people\u2019s lack of interest in greater issues. In a high haze, Feng Suave\u2019s vocalist Daniel de Jong reflects on our indifference to environmental crises, singing \u201cSurely when we die we\u2019ll go someplace \/ But what about the dolphins?\u201d The activist message is nearly concealed by the song\u2019s sunny, sweet guitar rhythms and de Jong\u2019s soaring, melodic vocals. \u201cToking, Dozing\u201d is the first single on Feng Suave\u2019s upcoming EP \u201cWarping Youth,\u201d to be released on June 26.<\/p>\n<\/div>\n

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\n

Erin Christie<\/h3>\n

Container by The Wants<\/p>\n

On February 26, Brooklyn three-piece The Wants unveiled that their debut record, Container<\/em>, is coming out on March 13th; with that announcement comes the release of a track that shares the record\u2019s name. <\/p>\n

As \u201cContainer\u201d begins, I find myself immediately hyper-fixated on the stoic, almost deadpan vocals of frontman Madison Velding-VanDam. In using the speak-singing style mastered by post-punk frontrunners of the early days (i.e. The Fall), \u201cContainer\u201d immediately stands out for all the right reasons. The track\u2019s minimal instrumentation allows the combination of buzzing synths, elements of techno, hypnotic basslines, and occasional snare hits to stand out profoundly against the vocal backdrop. Generally speaking, seconds in, you\u2019ll find yourself rolling your shoulders along with the melody and absolutely consumed by Velding-VanDam\u2019s intoxicating cadence. <\/p>\n

The face of dance music is changing, and thankfully, it\u2019s moving in a direction that can appeal to those of us who want to go absolutely feral on the dance floor. Though this is only the fourth track on The Wants\u2019 repertoire, I\u2019m already certain that 2020 is theirs for the taking.<\/p>\n<\/div>\n

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Mara Tatevosian<\/h3>\n

Flowers by Habibi<\/p>\n

Off their latest album, Anywhere But Here, <\/em>Habibi\u2019s \u201cFlower\u201d is the most underrated of their songs. The song subtly reflects Habibi\u2019s ability to blend cultures and musical influences. Frontwoman Rahill Jamalifard\u2019s Iranian roots partnered with the band\u2019s 60s garage rock sound makes for a fun time. Jamalifard\u2019s vocals evoke a similar essence to the Iranian songstresses of the early ’70s and take the song in a different direction \u2013 stepping away from the album\u2019s original instrumental themes. As one of the longer songs on the album, it gives the band time to tell an intimate story of reconciliation. The lilting melody is backed with soft tambourines and tombak, hinting at the Middle Eastern influences of the band.<\/p>\n<\/div>\n

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Mica Kendall<\/h3>\n

Garden Song by Phoebe Bridgers<\/p>\n

After her recent tour announcements about opening for inspiring big acts like The 1975 and The National, the Queen of emo folk music, Phoebe Bridgers, is back with her refreshing new single \u201cA Garden Song.\u201d  Released only just yesterday Phoebe\u2019s newest single reaffirms why her growing influx of fans fell in love with her for heartbreaking but poetic songwriting. \u201cA Garden Song\u201d mirrors her recent dreamscape music video blending in a fever dream memory of the past to ignite nostalgia in the listener. Combined with Phoebe\u2019s soft vocals as she sings \u201cEverything\u2019s growing in our garden\/ you don\u2019t have to know that it’s haunted\u201d alongside a dancing cowboy, Phoebe Bridgers knows how to keep her fans both sad and entertained.<\/p>\n<\/div>\n

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Isaiah Anthony<\/h3>\n

We Will Always Love You by The Avalanches (feat. Blood Orange)<\/p>\n

In this rare single from the Australian electronic music group, The Avalanches team up with English singer\/songwriter Dev Hynes, a.k.a. Blood Orange, to create a moody, dreamy track that bridges contemporary with classic, pulling vocals from Motown legend Smokey Robinson and the Irish-American folk centerpieces The Roches. \u201cWe Will Always Love You\u201d is the first new track from the Avalanches since their sophomore album, Wildflower<\/em>, was released in 2016. If the single heralds the beginning of an album cycle, it is an astonishing turnaround for the group, who took sixteen years between their debut album, Since I Left You <\/em>(2000), and its follow up. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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