{"id":116,"date":"2024-12-06T19:08:12","date_gmt":"2024-12-06T19:08:12","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-12-6-staff-pix-126-new-releases\/"},"modified":"2024-12-06T19:08:12","modified_gmt":"2024-12-06T19:08:12","slug":"2024-12-6-staff-pix-126-new-releases","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-12-6-staff-pix-126-new-releases\/","title":{"rendered":"Staff Pix 12\/6: New Releases"},"content":{"rendered":"
\n

As the semester winds to a close, the Milk Crate crew shares a few final new favorites of the year. <\/p>\n

\u201cThe Sweet Life\u201d by TV girl & George Clanton <\/h2>\n

Time is incapable of slowing down, the clock ticks even when we beg it to stop. Within the hour of this release, I didn’t know if I wanted to savor every song or crush the synths to ingest the sound faster. I get overwhelmed with how one person can create something that makes my heart rate increase without moving. When it is two people I admire, that’s when I have no choice but to let sound take over. With TV Girl and George Clanton collaborating on their anticipated silly putty-sound album Fauxllennium,<\/em> I didn’t know what to expect, only that it heightened my heart rate. The urge to get up out of my seat was inevitable. \u201cThe Sweet Life\u201d is the after taste of pixie sticks at the graduation party. Being out past your expired curfew and watching the minute hand speed up. \u2014Salem Ross<\/strong><\/p>\n<\/div>\n

\n

\u201cThrills of the Family Man\u201d by Good Morning<\/h2>\n

These Aussies just keep delivering. Fresh from The Accident<\/em>, their second LP of this year alone, “Thrills Of The Family Man\u201d is a weird track\u2013much like the rest of Good Morning\u2019s discography. Pulling from what I can only imagine is every inspiration humanly possible, this duo is about as Pitckforkian as you can get. I say that lovingly and with so much respect. They\u2019re constantly quirked up and ready to rumble. See, \u201cThrills Of The Family Man\u201d is kind of like if you took a Vampire Weekend song and interpolated it on one of those Jimmy Fallon classroom instrument sketches<\/span><\/a>, then handed it to a Bushwick producer with a mean mustache and a gluttonous collection of Carhartt (completely unironic). So yeah, this track\u2019s good, but mostly because I am so confused by it, and therefore ignorant and blissful. \u2014Sofia Giarrusso<\/strong> <\/p>\n<\/div>\n

\n

\u201cU&ME\u201d by six sex <\/h2>\n

For the last few years, I\u2019ve been enamored with Six Sex\u2019s music. For the most part, she makes pounding, computerized reggaeton that sounds like a mating call in the sweatiest club of all time. Her newest single, \u201cU&ME,\u201d gets at the core of what the Six Sex project has been about since the beginning: hedonism infused with deeply tongue-in-cheek humor. When she chants, \u201cMY NAME IS SIX SEX! MY ASS IS TOO BIG!,\u201d it sounds like a battle cry. The breakdown that mostly consists of a chopped up \u201cMy boyfriend is gay!<\/em>\u201d is just the cherry on top. Essential listening. \u2014Bennett Himmel <\/strong><\/p>\n<\/div>\n

\n

\u201c2468\u201d by Horsegirl <\/h2>\n

I have never heard a procession of tin toys sound so cool. The new single from Horsegirl, my favorite DIY band from Chicago, is an exciting hop, skip, and jump in a new sonic direction. It sounds like a cross between playful folk, upbeat indie-jangle, and punk nonchalance. I remember seeing Horsegirl\u2019s first performances in high school at local house shows organized by TACO (Teen Arts Collective O\u2026f Chicago?). Their sound was shoegazey then, with hints of Sonic Youth and even Belle and Sebastian. By the release of their first album, Versions of Modern Performance<\/em>, their polished sound reverberated many of the \u201890s greats: Yo La Tengo, the Breeders, Interpol. \u201c2468\u201d feels very uniquely Horsegirl, and after seeing them perform at a street-fest this past summer, five years after those houseshows, I am stoked to see what they do next. \u2014Christian Jones<\/strong><\/p>\n<\/div>\n

\n

\u201c\u00a71\u201d by Opeth<\/h2>\n

Maybe I\u2019m bad at being a metal fan, but I like my instruments heavy and my vocals yelling. I\u2019m not into growling into a microphone, but with Opeth I am always willing to meet them halfway\u2013especially when they\u2019re bringing growl vocals back after 16 years. This opening track \u201c\u00a71\u201d off their new project The Last Will and Testament<\/em> bounces between angelic vocals, aggravated growling, and complicated progressive instrumentals which makes an exciting modern sampler for the group. \u2014Sam Shipman<\/strong><\/p>\n<\/div>\n

\n

\u201cAll Star Breakfast (feat. Field Medic)\u201d by Odie Leigh<\/h2>\n

Odie Leigh and Field Medic\u2019s \u201cAll Star Breakfast\u201d comes just in time for the approach of this typically reflective holiday season. Telling the story of inanimate objects and happy accidents, the unexpected, yet harmonic duo, evokes reminiscence of hazy, child-like memories. The soft melody of the pair feels like a warm hug and hands held. With mentions of winter holidays and the reflection that follows, the track is a gentle reassurance of the beauty that accompanies the passage of time. It\u2019s uncertain and daunting, but within the disarray there\u2019s something even more frighteningly beautiful and it’s all around! \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

\n

\u201cFor Sale Sign (feat. Lizzy McAlpine)\u201d by Tiny Habits<\/h2>\n

Oh, what a beautiful song. Tiny Habits does not disappoint with this new song, layers upon layers of beautiful harmonies warm enough to keep us toasty this winter. In between cozy melodies and melancholy lyrics, we follow a house and its inhabitant, we follow the intimacy of two strangers that continually see each other on each other\u2019s land. What a perfect tune to mourn the potential of knowing a stranger and the sadness of no one living forever. Like trading looks with someone across the room but even more hopeful, more personal, more sweet. By the end, my heart aches and I wish the song would go on for a little bit more. \u2014Ari Mei-Dan<\/strong><\/p>\n<\/div>\n

\n

\u201cMa Meilleure Ennemie\u201d by Stromae and Pomme<\/h2>\n

Have I watched any of Arcane<\/em> with the exception of a particular scene that occurs in a prison cell? No. Do I plan on watching it? Maybe. Here\u2019s what I do know: when I was 13 and learning French and closeted, I would listen to Pomme and yearn for something \u2014someone\u2014 I didn\u2019t know I wanted yet. So, when I saw this song appear on my Spotify recommended, of course I had to listen to it. Every French student is familiar with Stromae\u2019s Papaoutai <\/em>and Pomme\u2019s je sais pas danser<\/em>, and their combined forces are nothing short of an absolute TREAT! C\u2019est la meilleure et la pire chose qui puisse m\u2019arriver\u2026 so, will I watch Arcane<\/em>? You know what, for the killer soundtrack, I just might. \u2014Monika Krueger<\/strong><\/p>\n<\/div>\n

\n

\u201cFamous Girl\u201d by venturing<\/h2>\n

Released under Jane Remover\u2019s new alias, venturing, \u201cFamous Girl\u201d is the latest single off the project’s upcoming album, Ghostriding<\/em>. With snapping, ornamental guitars and bone-deep bass, Jane moves farther from the choppy water of Census Designated<\/em>, and into smoother, crashing indie-rock riffs and heartbreak. Jane Remover can really do no wrong in my eyes, and anything remotely reminiscent of Census Designated<\/em> has my vote, so imagine my excitement when I found an EP and a few rogue singles mysteriously distanced from the Jane Remover name. She\u2019s tapped into a digital sound that spares none of the harshness and hedonism of a good rock song, now mellowing out with venturing, softening the sharp edges of her past work, but still never allowing her sound to reach anywhere near dull. \u2014Nathan Hilyard<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

As the semester winds to a close, the Milk Crate crew shares a few final new favorites of the year. \u201cThe Sweet Life\u201d by TV girl & George Clanton Time is incapable of slowing down, the clock ticks even when we beg it to stop. Within the hour of this release, I didn’t know if…<\/p>\n","protected":false},"author":1,"featured_media":117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 12\/6: New Releases - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 12\/6: New Releases - wecb\" \/>\n<meta property=\"og:description\" content=\"As the semester winds to a close, the Milk Crate crew shares a few final new favorites of the year. \u201cThe Sweet Life\u201d by TV girl & George Clanton Time is incapable of slowing down, the clock ticks even when we beg it to stop. 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