{"id":114,"date":"2024-12-13T17:32:32","date_gmt":"2024-12-13T17:32:32","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-12-12-staff-pix-1213-songs-of-the-year\/"},"modified":"2024-12-13T17:32:32","modified_gmt":"2024-12-13T17:32:32","slug":"2024-12-12-staff-pix-1213-songs-of-the-year","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-12-12-staff-pix-1213-songs-of-the-year\/","title":{"rendered":"Staff Pix 12\/13: Songs of the Year!"},"content":{"rendered":"
\n

It\u2019s been quite the year here at Milk Crate. Love, loss, elections, eclipses, laughter, beach days, rain storms, the sun, the moon, and everything in between. To top it all off, there\u2019s been a whole lot of wonderful music to help us make it through. Here\u2019s to 2024, music and friendship and collegiate radio. And here\u2019s to doing it all again next year! <\/p>\n

\u201cmissy\u201d by packs<\/h2>\n

PACKS is a humble indie force with a dense catalog, and this year\u2019s Melt the Honey<\/em> brought their most sensible work yet with distorted guitars and fuzzy exclamations galore. The final single from the LP, \u201cMissy,\u201d is an utter delight in a perfect two-minute package. It\u2019s melodic and enchanting all the way through. Toeing the line between whimsical and heavy, the track has endless replay potential. Lyricism is guided by many satisfying \u201cahs\u201d until the bridge, delivered in Spanish by feature tormentatropica. Simply, it\u2019s impossible not to fall in love with this one. \u2014Sofia Giarrusso<\/strong><\/p>\n<\/div>\n

\n

\u201cSienna\u201d by the Mar\u00edas <\/h2>\n

\u201cSienna,\u201d the final track off The Mar\u00edas sophomore album, Submarine, <\/em>spits listeners out of the ethereal world the band created and throws them back into reality. Lead vocalist Mar\u00eda Zardoy disguises the sad lyrics behind her soft voice as she sings about an imagined life with her former partner crumbling before her eyes. Throughout the song, she reminisces about the times she\u2019s had with him, but realizes they\u2019ll never share those moments again. I find romanticizing a fictional world with someone you can never have extremely relatable, but maybe that\u2019s just me\u2026 \u2014Delaney Roberts<\/strong><\/p>\n<\/div>\n

\n

\u201cSadness as a gift\u201d by Adrianne lenker<\/h2>\n

Adrianne Lenker\u2019s profound songwriting in \u201cSadness As A Gift\u201d is heart-wrenching in the most beautiful way. It\u2019s a warm hug of a song that reassures you that the burden of sadness you may feel in a given moment is ultimately one of the greatest gifts. Appearing as the second track on her 2024 album, Bright Future<\/em>, the melody brightens the tracklist as Lenker describes her journey with heartbreak as something she wouldn\u2019t trade for the world. It takes a lot to dedicate true devotion to anything other than your own suffering and, in this track, Lenker speaks on the breaking of such cycles. In a song that shares the beauty of uncertainty, Lenker sings \u201cYou and I could see the same eternity \/ Every second brimming with a majesty.\u201d It\u2019s a beautiful sentiment to find comfort in sharing the universe with someone you love. \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

\n

\u201cif you hear me crying\u201d by cindy lee<\/h2>\n

\u201cIf You Hear Me Crying\u201d rips right from the gate with a jovial, \u201860s sock-hop swing. In my year of juvenile romantic strife, Cindy Lee\u2019s guitar has become the dearest of friends, her simple melancholic lyrics jabbing right at the simplicity of sometimes-it-just-sucks. \u201cIs this the love you\u2019re looking for?\u201d she croons, before sinking into a groove akin only to the complexity and playfulness of a medieval tapestry. The final minutes of the song break way to swooning guitar bends, jumping through and between the previous melody before bursting into heart-broken, ear-splitting fuzz. In those final moments that melody comes back, just off in the distance over the driving purr of the instrumental, it says with just as much clarity as her voice: \u201cLook right through me \/ Is this the love I\u2019m looking for?\u201d \u2014Nathan Hilyard<\/strong><\/p>\n<\/div>\n

Diamond Jubilee by Cindy Lee<\/a><\/p>\n

\n

\u201cdoves\u201d by Armand Hammer<\/h2>\n

Cold. Interminable steel towers. Urban decay that seeps through every nook and cranny, every leaky faucet and hole in the wall haplessly painted over by a landlord. Ennui infiltrates the mind, corrupts it from the inside out, turns life into a game of survival; \u201cI had to let it all go so I could live in my head, again \/ Ransacking my mind but something hiding in the vents, ductwork or worse \/ Something died in the walls like a church,\u201d raps New York MC Billy Woods, his words spoken, his tone one of tired frustration. He\u2019s been here before. On \u201cDoves,\u201d the monumental bonus track to Armand Hammer\u2019s 2023 record We Buy Diabetic Test Strips<\/em>, the producer-MC duo finds beauty in the apocalypse, and love in the revelation that time damns us all. The track is a nine minute post-industrial ambient fever dream, a ghostly concoction of half-hearted guitar strumming, unearthly groans, and suffocating bursts of noise that sees MC\u2019s Elucid and Billy Woods reckoning with love in the face of death and eternal damnation. \u201cPardon me \/ People are spilling out,\u201d quavers guest vocalist Benjamin Booker in the song\u2019s harrowing first act, his voice raspy, subdued, grieving. The days become a blur, signs of repentance manifest themselves in the trees, the world grows colder. \u201cThey called now like \u2018Come now, he doesn\u2019t have long to live\u2019 \/ I dress slowly \/ Came back and took my baby out the crib so I could hold him,\u201d lets loose Woods, in a brief moment of lucidity. But there is still hope. Even in its bleakest moments, \u201cDoves\u201d offers hope for the future, however small. \u201cDinner served, I wait for my guests, long table set,\u201d concludes Woods\u2019 verse, followed by nothing but a lengthy, punishing silence. It\u2019s all coming back, maybe. \u2014Lucca Swain<\/strong><\/p>\n<\/div>\n

\n

\u201cI guess time just makes fools of us all\u201d BY father john misty<\/h2>\n

I commonly call Mr. Tillman the greatest modern male lyricist. While I have been dodging talking about him out of fear of attempting to analyze the clever speech patterns in his writing, the day to spill my guts has arrived. Whether belting out \u201cAll Falls Down\u201d by Lizzy McAlpine in my car or pondering the story of Georgie Greep\u2019s \u201cThe Magician?\u201d, 2024 is an innovative year for music, so I can do both at once. Enter the phrase that kept digging into my mind since the back half of the summer\u2013\u201cI guess time just makes fools of us all.\u201d This lead single from Tillman\u2019s latest project Mahashmashana<\/em> opens like a western. An isolated horn leads into a ragging instrumental backing track that follows Tillman through the song as he directs the listener to his story. Tillman brings the listener through a dramatic series of lines within the song\u2019s eight minutes, such as, \u201cYours is easily the least famous \/ To turn down the cover of the Rolling Stone.\u201d This easily makes you twitch your head, making you think about each word spoken. As the curtains close on the movie shot into your years, it\u2019s not uncommon to click play again on the casual eight minute epic.  \u2014Sam Shipman<\/strong><\/p>\n<\/div>\n

\n

\u201cpon p\u00f3n\u201d by Khurangbin<\/h2>\n

Khruaungbin\u2019s fourth album, A LA SALA<\/em>, came out this year and it emits gooey warmth. When I needed a break from brat summer, I turned to A LA SALA<\/em>, and \u201cPon P\u00f3n\u201d quickly became one of my favorite tracks. Easy-going electric guitar and a bassline that is not only grounding, but is audible! The guitar riffs are having a conversation with the vocalist; a soft whisper emerges from the instrumental landscape. \u201cToma uno.\u201d The electric guitar responds with a short phrase. \u201cToma dos.\u201d The same phrase slightly higher. \u201cToma todo.\u201d The riff gets higher once more. \u201cPon P\u00f3n.\u201d This structure is followed for most of the song. \u201cPon P\u00f3n,\u201d and Khruangbin as a whole, feels like the sun on your arms and the wind in your hair as you drive down the highway with your friends. There is pure joy in the tune, which makes the repetitiveness addicting. There\u2019s no need for complexity, just guitars and whispers lapping over each other like the ebb and flow of waves. An orange glow washes over me when I listen to \u201cPon P\u00f3n\u201d and even on the coldest nights, warmth still creeps up my arms and holds me softly. \u2014Izzie Claudio <\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

It\u2019s been quite the year here at Milk Crate. Love, loss, elections, eclipses, laughter, beach days, rain storms, the sun, the moon, and everything in between. To top it all off, there\u2019s been a whole lot of wonderful music to help us make it through. Here\u2019s to 2024, music and friendship and collegiate radio. And…<\/p>\n","protected":false},"author":1,"featured_media":115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 12\/13: Songs of the Year! - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 12\/13: Songs of the Year! - wecb\" \/>\n<meta property=\"og:description\" content=\"It\u2019s been quite the year here at Milk Crate. 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