{"id":1138,"date":"2020-10-09T21:44:14","date_gmt":"2020-10-09T21:44:14","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2020-10-9-staff-pixx-109-1\/"},"modified":"2020-10-09T21:44:14","modified_gmt":"2020-10-09T21:44:14","slug":"2020-10-9-staff-pixx-109-1","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2020-10-9-staff-pixx-109-1\/","title":{"rendered":"Staff Pixx 10\/9\/20"},"content":{"rendered":"
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The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a CD release (the kind Emerson kids peel off and plaster their laptop shells with). Tune in Mondays from 7-9 EST to the Staff Pixx radio show.<\/p>\n<\/div>\n

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Listen to In the End (Demo) – LPU Rarities on Spotify. Linkin Park \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n

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Eric Shifman<\/h1>\n

In the End (Demo) by Linkin Park<\/p>\n

\u201cIt starts with one\/thing, I don\u2019t know why,\u201d: these are, of course, the omnipresent traded vocals between the late Chester Bennington and Mike Shinoda of Linkin Park, which kick off their introspective and devastating single \u201cIn The End.\u201d Now, the world discovers that the lyrics were  almost \u201cIt starts with one\/and multiplies \u2018til you can taste the sun\/and burned by the sky you try to take it from,\u201d with the release of \u201cIn the End (Demo).\u201d Putting this track out ahead of the 20th anniversary of Hybrid Theory,<\/em> (2000) Linkin Park reveals the focus on Shinoda\u2019s rapping during the verses and Bennington\u2019s vocals during the choruses was more pronounced in the demo. The rhymes remain as esoteric and vague as the ones above (perhaps why they were changed for the single version) and create a vastly different track than the heartbreaking alt-metal onslaught that made the final cut. What didn\u2019t change however, was the emotional gut-punch of hearing a song with never-before-heard vocals from Chester Bennington, whom all Linkin Park fans wish was still here with us to celebrate the 20th anniversary of his first album. <\/p>\n

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Listen to Sad Cowboy on Spotify. Goat Girl \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n

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Erin Christie<\/h1>\n

Sad Cowboy by Goat Girl<\/p>\n

South London post-punk group Goat Girl is back after what feels like an eternity (but is, realistically, two years) with a comeback single of epic proportions. Alongside accompanying the official announcement of their forthcoming sophomore record, On All Fours<\/em> (due January 29, after having been produced by Speedy Wunderground\u2019s Dan Carey), \u201cSad Cowboy\u201d is a massive sci-fi synth-heavy track accompanied by gritty, entrancing guitar that tackles the idea of disillusionment and detachment from reality. As vocalist Clottie Cream stated, it channels how you might feel \u201cwhen you\u2019re within a world that constantly makes you feel as though you\u2019re living out of a really bad dream.\u201d Considering our current reality and what it\u2019s hosted recently, feeling disassociated, or at least wanting to be, is all too normal.<\/p>\n

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Listen to R\/Edgelord on Spotify. JER \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n

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Natalia Szczepanski<\/h1>\n

R\/Edgelord by JER<\/p>\n

Who said ska was dead? According to Jeremy Hunter of both Skatune Network and We Are the Union, it is anything but that. They prove as much with the recent release of the first official single \u201cR\/Edgelord\u201d off a future 2021 debut LP\u2014already hitting over 11,000 listens on Spotify. JER hits back at the internet trolls with flashy guitars, hard hitting drums, and a crisp walking bass line. Their voice roars above all: beckoning you to join the mosh pit to rage about the edgelords. Lyrics such as \u201cSo what have we learned today? \/ Not shit from you anyway \/ Your lack of empathy \/ It fucking sickens me\u201d encapsulate the frustration that comes with existing on the world wide web. Supporting brass and saxophones, a staple of ska, also make an appearance on what would otherwise already be a catchy alternative song. Put simply, the fourth wave of ska is alive and well.<\/p>\n

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Listen to Earthquake – Audiotree Live Version on Spotify. Tenci \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n

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Nia Tucker<\/h1>\n

Earthquake (Audiotree Live Version) – Tenci<\/p>\n

Tenci is a rare soulful folk unit that creates music reminiscent of night drives through unknown expanses of land. Their recent Audiotree session is a gift during lockdown where intimate concert sessions are a part of our distant memory. Lead singer Jess Shoman\u2019s undulating vocals over the sparse drums and lonely guitar are the perfect background to anyone\u2019s growing autumn blues.<\/p>\n<\/div>\n

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Listen to dragon eyes on Spotify. Adrianne Lenker \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n

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Annie Wojnarowski<\/h1>\n

dragon eyes – Adrianne Lenker<\/p>\n

Releasing the second single off her upcoming album, songs<\/em>, Adrianne Lenker only uses the bare necessities. \u201cdragon eyes\u201d lets Lenker\u2019s soft voice lead with light guitar strings only close behind. Muses about nature and a loved one that she wants to spend the rest of her life with, it\u2019s a beautiful ode to a moment in time that is as serene as the sound of the drummer\u2019s taps on the record. Lyrics that sound like they\u2019re describing a still life, Lenker\u2019s vivid descriptions of a chilly summer day turns into a proposal: \u201cStars bloom on a warm summer night \/ They have a clear view without the bedroom light \/ I just want a place with you, I just want a place.\u201d Setting the tone for the record (one of two!) that she recorded in quarantine, Lenker sets the scene for a moment of peace in the middle of chaos. <\/p>\n

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