{"id":1102,"date":"2020-11-09T22:52:26","date_gmt":"2020-11-09T22:52:26","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2020-11-9-staff-pix-best-of-the-2000s\/"},"modified":"2020-11-09T22:52:26","modified_gmt":"2020-11-09T22:52:26","slug":"2020-11-9-staff-pix-best-of-the-2000s","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2020-11-9-staff-pix-best-of-the-2000s\/","title":{"rendered":"Staff Pix: Best of the 2000s"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a CD release. Tune in Mondays from 7-9 EST to the Staff Pixx radio show.<\/p>\n<\/div>\n

\n
\n

Listen to Toxic on Spotify. Britney Spears \u00b7 Song \u00b7 2003.<\/p>\n<\/div>\n<\/div>\n

\n

Natalia Szczepanski<\/h1>\n

Toxic – Britney Spears<\/h3>\n

Perhaps one of the most iconic songs of the 2000s, Britney Spears\u2019 \u201cToxic\u201d is still recognized today by its iconic opening hook. Originally the track was meant for Kylie Minogue, but she turned it down in favor of another song. Then eventually, it found its way to Spears: where she picked it over two other demos because of its up-beat nature. The track was released as a second single for her fourth studio album In the Zone (2003) and received critical acclaim, along with winning her a grammy. Today it\u2019s ingrained in pop culture, and without fail, will get you to dance and sing along.<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Replay on Spotify. SHINee \u00b7 Song \u00b7 2008.<\/p>\n<\/div>\n<\/div>\n

\n

Nia Tucker<\/h1>\n

Replay – SHINee<\/strong><\/h3>\n

\u201cReplay\u201d by 2nd Gen K-Pop group, SHINee, is a classic to K-Pop fans everywhere, especially for Black K-pop fans who recognize the influence of Black American R&B in the song. This track is revered as one of the best, if not the best, debut songs from a group across the genre. The video and song follow that nostalgic formula of \u201cboy chases girl, girl pays him no mind,\u201d and is sweet enough to give you a toothache. Remaining as one of the few groups from the 2nd Generation of K-Pop having released their first song and album in 2008, SHINee has been known to set trends with their fashion and music. The group at the time was in their early twenties, and the youngest member and lead dancer, Taemin, was only 14, adding to the heartwarming sentimentality of the track. Their saccharine lyrics, beatbox-eqsue ad-libs featured from start to finish, and its descending melodies sprinkled throughout the chorus are how SHINee established themselves as one of the biggest, and most talented names in the K-Pop genre worldwide.  <\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Paper Planes on Spotify. M.I.A. \u00b7 Song \u00b7 2007.<\/p>\n<\/div>\n<\/div>\n

\n

Tatum Jenkins<\/h1>\n

Paper Planes – M.I.A<\/strong><\/h3>\n

M.I.A.\u2019s \u201cPaper Planes\u201d is the strangest, yet best party song you may ever encounter. Filled with weird sound effects and unintelligible lyrics, it\u2019s a song that won\u2019t ever quite leave your mind. This song draws upon memories from the first eleven years of M.I.A.\u2019s life when her family faced displacement as a result of the Sri Lankan Civil War. In fact, the gunshot sound effects are a direct reference to her experiences as a child refugee, with her commenting, \u201cIf you\u2019re an immigrant you left somewhere and most of the time you fled a war. Gun sounds are a part of our culture as an everyday thing…Look, I\u2019ve been shot at so I\u2019m quite comfortable with gunshot sounds. If you have a problem with it, go and talk to the people who were shooting at me.\u201d It\u2019s a bold statement, but it\u2019s perfect for a bold song such as \u201cPaper Planes.\u201d<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to I’m with You on Spotify. Avril Lavigne \u00b7 Song \u00b7 2002.<\/p>\n<\/div>\n<\/div>\n

\n

Annie Wojnarowski<\/h1>\n

I\u2019m With You – Avril Lavigne<\/strong><\/h3>\n

I\u2019m going to proclaim right here, right now, that Avril Lavigne is the blueprint for pop today. Her 2002 album, Let Go<\/em>, has become a foundation for artists like Billie Eilish, whose dark pop is emblematic of the genre\u2019s norm. One of the greatest pop songs of all time, \u201cI\u2019m With You\u201d is also one of the most earnest ballads put to paper. In it, Lavigne talks about wanting the answers to life when you\u2019re still too young to understand that it\u2019ll never be that easy. Lavigne\u2019s tank top, loose tie, and camo pants combined with her songwriting ability created a new wave for teenagers in the early to mid aughts. Although many called her a poser, and making fake punk, I really hope those guilty of doing so pay an apology. A seventeen year old prodigy like this should\u2019ve been celebrated, and I really hope we can make up for lost time now. <\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Zero on Spotify. Yeah Yeah Yeahs \u00b7 Song \u00b7 2009.<\/p>\n<\/div>\n<\/div>\n

\n

Kyle Woolery<\/h1>\n

Zero – Yeah Yeah Yeahs<\/strong><\/h3>\n

Karen O, the ostentatiously fierce frontwoman of New York City dance-punk trio Yeah Yeah Yeahs, is one of the most idiosyncratic personalities to emerge from the post-punk revival of the early aughts. With her eccentric fashion, outrageous stage persona, and dynamic vocal style harking back to genre greats like Siouxsie Sioux and Chrissie Hynde, she practically oozes coolness. Her fiery attitude is on full display in \u201cZero,\u201d the lead single from the Yeah Yeah Yeahs\u2019 third studio album, It\u2019s Blitz!<\/em> (2009). \u201cZero,\u201d a glorious and glittering dance floor anthem for the misfits and the outcasts, is basically the best song Blondie never recorded. Throughout its four-minute runtime, the synth-driven, new wave-influenced track gradually builds up to a spectacularly explosive climax where Karen O turns her all-consuming feelings of self-resentment and insecurity into a euphoric and cathartic fireworks show. Her joyous, carefree energy is infectious, and the song\u2019s replay-ability is endless.<\/p>\n

\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Classifieds on Spotify. The Academy Is… \u00b7 Song \u00b7 2005.<\/p>\n<\/div>\n<\/div>\n

\n

Erin Christie<\/h1>\n

Classifieds – The Academy Is\u2026<\/strong><\/h3>\n

I would be lying if I said I didn\u2019t have a huge crush on the frontman of the Fueled By Ramen staple, The Academy Is\u2026 during their heyday, and perhaps that\u2019s part of the reason why I was so hooked on them. Regardless, over the course of their career, William Beckett and the rest of his Chicago cohort crafted heartfelt, sugary sweet alt anthems that really defined a lot of my adolescence (as a huge supporter of bands <\/strong>such as Panic!, Fall Out Boy, Paramore, and countless of their other label mates). Within that niche genre, though, TAI\u2019s songs stood out for their catchy hooks, witty lyricism, and playful energy. \u201cClassifieds\u201d (and the whole Almost Here<\/em> album) is a great example of their greatness, as a track that plays on the idea of stardom as a commodity, and how perception and appearances can affect relationships. \u201cSo take him up for just $9.95, he\u2019ll sing the songs you like, he\u2019ll keep you warm at night,\u201d William sings of himself. <\/p>\n

<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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