{"id":1100,"date":"2020-11-10T16:00:00","date_gmt":"2020-11-10T16:00:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2020-11-10-the-poetic-irreverence-of-cadderwall\/"},"modified":"2020-11-10T16:00:00","modified_gmt":"2020-11-10T16:00:00","slug":"2020-11-10-the-poetic-irreverence-of-cadderwall","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2020-11-10-the-poetic-irreverence-of-cadderwall\/","title":{"rendered":"The Poetic Irreverence of Cadderwall"},"content":{"rendered":"
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By Anna Wojnarowski<\/strong><\/p>\n

Clem Cahill has just skated home from their bi-weekly Covid test. They text me that they might run a little late. I have nowhere to be but home so it doesn\u2019t bother me too much. When we meet, fifteen minutes later via Zoom, they are in their wood-paneled room in Boston. \u201cHey, how\u2019s it going!\u201d<\/p>\n

Clem Cahill, also known by their band name, Cadderwall, is a 21-year-old Boston University student from New Jersey. They started making music in high school, posting demos and singles to Soundcloud. However, they say that their growth as an artist started to flourish when they enrolled at BU in January of 2018: \u201cI had to leave my hometown and start living my life to write meaningful music. Some people are introspective in themselves [but] I have to be stimulated, just get up to stuff because I mostly write from life and bad decisions.\u201d Cadderwall, who most recently came out with their song \u201cLunch Poems\u201d off the EP of the same name, showcases a departure from their discography\u2019s pattern of sonic strings to an electric beat sound, though Cadderwall makes it clear that this was never on purpose. \u201cI literally just made it because I didn\u2019t have my guitar\u201d, pausing, they run out of frame to show me the portable keyboard that they used. \u201cI just did this fucking arpeggio and added the bass,\u201d they say matter of factly. To them, the lyrics are the most important part of their songs: \u201cFor me, you can say more with poetry than you can with instrumental-only because I\u2019m not a musician\u2019s musician. I\u2019m not a math rock polyrhythm person or anything,\u201d they laugh offhandedly. <\/p>\n

Their poetry, which is first written in their journal before put to music, has an uncanniness to Catholic allusions. Cadderwall points out that this isn\u2019t something they go out of their way to do. However, they don\u2019t deny the comparisons: \u201cI think it\u2019s funny to talk about it\u2026 I don\u2019t want to pigeon-hole myself as a gay artist\u2026 but I guess I\u2019m gay so that makes it kind of like the devotion and ritualistic ways that religion has applied to these dumb little debaucherous and fruity activities that we get up to.\u201d These experiences that Cadderwall clings to as inspiration has been few and far inbetween since March. When I ask them how the pandemic has affected their touring schedule, Cadderwall decides to pitch me a tweet they\u2019ve been working on: \u201cI had a tour booked before Covid is like the musician\u2019s version of oh, I\u2019ve could\u2019ve gone pro but I rolled my ankle. But that is literally what happened to me, like, I have this notes app note in my phone right now that had, like, fifteen shows between May 2020 and December 2020 so that\u2019s kind of lame.\u201d <\/p>\n

These shows, including one at the now-defunct Great Scott venue in Allston, is especially crushing, \u201cGreat Scott closing was very very sad for me because I always wanted to play there, never got a chance to, I felt like it was the real nitty-gritty kind of Boston venue.\u201d Great Scott, which was a staple of the indie Boston music scene for over forty years, was also the place where Cadderwall witnessed Mannequin Pussy in concert, a performance that Cadderwall proclaims rocked their world: \u201cIt was the way she [Marisa Dabice] sang songs on stage like she was writing them in that second. She still felt the impact of the words even after two years of that song being out. I was like, oh shit okay that\u2019s punk rock and that\u2019s performance\u2026.that\u2019s the X factor to music, like that\u2019s why we\u2019re all doing it.\u201d This drive that Cadderwall explains so many local artists have is something that is also driving them to keep going during the pandemic. <\/p>\n

To Cadderwall, music will have to continue to find a way somehow, \u201cI think people are trying, I think maybe the novelty of doing online stuff has kind of worn off\u2026.But I mean I think that music survives no matter what, like, we all have an inherent need to do it so I\u2019m sure, I mean it\u2019s not gonna be profitable and it\u2019s probably not gonna be a career path for a while but I mean, I don\u2019t have the answers but I don\u2019t feel nihilistic about it at least.\u201d Cadderwall has not stopped making music, but they say that to make music about the pandemic is something that they definitely do not want to do. \u201cI don\u2019t think that\u2019s interesting. We all [quarantined] and we all know what it\u2019s like and if I think about it, I don\u2019t want to listen to a song about quarantine.\u201d Continuing, they say that \u201cyou can be reflective on the times without being literal. Attitudes and motifs can reflect current events without being like really on the nose.\u201d <\/p>\n

Citing Nina Simone, Cadderwall makes the point that music both needs to be about the now but should not be so current that it becomes unbearably corny. Cadderwall\u2019s music, which could not be more opposite to the songs that they find to be too theatrical, combines current cultural moments with their personal experiences in such specific subjectivity. Growth in songwriting and sound is very important to Cadderwall, however, at the end of the day, it\u2019s just something to do: \u201cI scrutinize myself [as an artist] but I\u2019m kind of just doing this for fun and catharsis. There are so many white cis dudes that are doing whatever they want and getting accolades anyway so I don\u2019t know, maybe we should just make music on the principle of making music as a human act.\u201d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Clem Cahill has just skated home from their bi-weekly Covid test. 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