{"id":1070,"date":"2021-03-01T00:24:37","date_gmt":"2021-03-01T00:24:37","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-2-28-staff-pix-228\/"},"modified":"2021-03-01T00:24:37","modified_gmt":"2021-03-01T00:24:37","slug":"2021-2-28-staff-pix-228","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-2-28-staff-pix-228\/","title":{"rendered":"Staff Pix 2\/28"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewelcase. Tune in Mondays from 7-9 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Missing Out on Spotify. Syd \u00b7 Song \u00b7 2021.<\/p>\n<\/div>\n<\/div>\n

\n

Lily Hartenstein<\/h1>\n

Missing Out- Syd <\/strong><\/h3>\n

Her first solo release since 2017, Syd is in full-force on her self-described \u201canti-Valentine\u2019s Day ode\u201d, singing her classic fuckboy-esque lyrics with her gentle, euphonious voice.  \u201cShe\u2019s fasho single\u201d, my friend texted me as soon as it dropped, proved wrong the next day as Syd posed with her girlfriend for Valentine\u2019s day. It\u2019s not the first time her art misaligned with her public persona: about a year ago, she said she was done with singing entirely. She certainly has many projects to fill her time: producing, filmmaking, collaborating on a fashion line, and fixing up old cars in the pandemic. No matter what she touches, there is a raw beauty in her work, but the vulnerability of her solo music is something I\u2019m glad we will continue to get more of. Her music thrives within the tension between steeled independence and soft emotionality, an honest reflection of how Syd navigates this world. <\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Just A Lover on Spotify. Hayley Williams \u00b7 Song \u00b7 2021.<\/p>\n<\/div>\n<\/div>\n

\n

Sarah Fournell<\/h1>\n

Just a Lover- Hayley Williams<\/strong><\/h3>\n

The closing track on her sophomore album, Flowers for Vases\/descansos<\/em>, \u201cJust a Lover\u201d perfectly sums up the energy of Hayley Williams\u2019 new sound. It starts off with a muted piano melody, and slowly crescendos into an energetic release of emotions. Though the rest of the album is relatively somber in tone, she uses this song to break back into her old pop-punk sound.<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to 80\/20 on Spotify. Chloe x Halle \u00b7 Song \u00b7 2021.<\/p>\n<\/div>\n<\/div>\n

\n

Nia tucker<\/h1>\n

80\/20- Chloe x Halle <\/strong><\/h3>\n

In their \u201cChrome Edition\u201d of their GRAMMY-nominated album Ungodly Hour<\/em>, Chloe and Halle take on a dark track suitable for their underwritten theme of women using their power, desirability and wit to cast spells on men. It\u2019s reminiscent of Aaliyah (note: pronounced AH-lee-yah) in her prime in the slick nature that they sing-rap over the beat heavy with looming basslines and futuristic percussion. The song reads in acts with the third act being the most interesting. Halle starts off close to the 2 minute mark in a gravelly, eerily beautiful tone singing \u201cI\u2019m a good girl but you make me bad\u201d and it repeats into this reinvented reprise of the chorus with the vocals isolated until it all flourishes back with the sisters\u2019 iconic melodic, siren-esque harmonies.<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Play Cool on Spotify. Future Teens \u00b7 Song \u00b7 2021.<\/p>\n<\/div>\n<\/div>\n

\n

Natalia Szczepanski<\/h1>\n

Play Cool – Future Teens<\/strong><\/h3>\n

Coming off their last LP, Breakup Season (2019), Future Teens\u2019 latest single \u201cPlay Cool\u201d is a continuation of their uniquely catchy brand of bummer pop. The song\u2019s opening, with lone vocals from Daniel Radin, is marked with a simplistic down strum: a change from their other work which usually features complex guitar patterns. But soon this gives way to a chorus that has an all too familiar indie-pop sound\u2014something the quartet is especially known for. No doubt that this dreamy chorus is carried by fellow vocalist\/guitarist Amy Hoffman and their unique combination of jazz-inspired chord progressions. The drums and bass in this song, while subtler compared to the previously released single \u201cGuest Room,\u201d do well to uplift the vocals and form a steady foundation. \u201cPlay Cool\u201d is just the song to put on in the background during a good cry or sway to while acting out severely missed basement shows. And just to be safe, grab a box of tissues before you become obsessed with this Boston band.<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Clouds on Spotify. Slayyyter \u00b7 Song \u00b7 2021.<\/p>\n<\/div>\n<\/div>\n

\n

Kyle Woolery<\/h1>\n

Clouds – Slayyyter<\/strong><\/h3>\n

\u201cClouds,\u201d the latest offering from rising popstar and queen of the internet Slayyyter\u2019s forthcoming debut album, Troubled Paradise<\/em>, is a slice of ethereal, club-ready dance-pop and a solid entry into the ever-growing \u201ccrying on the dance floor\u201d canon. Thematically, \u201cClouds\u201d is an anomaly in Slayyyter\u2019s discography, featuring deceptively darker and more personal lyrics than what has come to be expected from the singer known for fun, glittery pop tracks like \u201cBFF\u201d and \u201cMine.\u201d The song finds Slayyyter grappling with her intrusive, self-deprecating thoughts that prevent her from fully relishing in her newfound success as a musician. ; think \u201cLucky\u201d by Britney Spears with a modern, more danceable edge.\u201cI\u2019m unhappier than I\u2019ve ever been,\u201d she sings, contradicting the common belief that money, fame, and success equates to happiness. She continues, \u201cI never thought I\u2019d know what it\u2019s like to win.\u201d This song is a glimpse behind the curtain; we are seeing Slayyyter not as the confident popstar but as Catherine Slater, an ordinary girl from Missouri who struck it big simply by doing what she loves most: singing.<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to bundle of hyacinths (feat. Samia) on Spotify. Field Medic \u00b7 Song \u00b7 2021.<\/p>\n<\/div>\n<\/div>\n

\n

Annie Wojnarowski<\/h1>\n

bundle of hyacinths (feat. Samia) – Field Medic<\/strong><\/h3>\n

Coming off of his 2020 album release, \u201cFloral Prince\u201d, Field Medic\u2019s newest single release is a re-recording of track 4 from the critically acclaimed LP. With heavenly melodies from Samia, the 24 year old indie newcomer,, the harmonies between the two creates new life for an already swoon worthy love song. Carefully placed piano keys sneak up on you as the simple yet effective lyrics are picked up by waves of louder piano chords, strings, until it crescendos with calming vocal echoes that repeat the title with assurance and reprieve. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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