{"id":1066,"date":"2021-03-07T23:57:18","date_gmt":"2021-03-07T23:57:18","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-3-7-i1latdq4m0dqspxe0g2256bm66t3ag\/"},"modified":"2021-03-07T23:57:18","modified_gmt":"2021-03-07T23:57:18","slug":"2021-3-7-i1latdq4m0dqspxe0g2256bm66t3ag","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-3-7-i1latdq4m0dqspxe0g2256bm66t3ag\/","title":{"rendered":"Staff Pix 3\/7"},"content":{"rendered":"<div class=\"sqs-html-content\">\n<p style=\"text-align:center;white-space:pre-wrap\" class=\"\">The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Sundays from 5-7 EST to the Staff Pix radio show.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to Garden on Spotify. Meet Me @ The Altar \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Nat Szczepanski<\/h1>\n<h3 style=\"white-space:pre-wrap\">Garden &#8211; Meet Me @ the Altar<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">Without \u201cGarden\u201d by Meet Me @ the Altar, I wouldn\u2019t have gotten through quarantine. It captures this distinctly older pop punk feel while still remaining modern: most likely due to T\u00e9a Campbell\u2019s insanely catchy guitar riffs. The song\u2019s message itself is uplifting, as lead singer Edith Johnson tells us she \u201cwon\u2019t ever drop you like you are old news.\u201d The single garnered the attention of fan-favorite record label Fueled By Ramen\u2014representatives of other alternative bands such as Paramore, All Time Low, and The Front Bottoms. This marks the label\u2019s signing of an all-female Black and Latina band for the first time. The single\u2019s infectious mosh-inducing qualities (thank drummer Ada Juarez for that) was enough to get me up and about dancing about my room, imagining that live shows are still a thing. Obviously I cannot recommend this song enough. \u201cGarden\u201d is just the beginning of Meet Me @ the Altar\u2019s great legacy.&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to Get Happy\/Happy Days Are Here Again (feat. Judy Garland) on Spotify. Barbra Streisand \u00b7 Song \u00b7 2002.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Mara tatevosian<\/h1>\n<h3 style=\"white-space:pre-wrap\">Get Happy\/Happy Days Are Here Again &#8211; Barbra Streisand and Judy Garland<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">It\u2019s 1963, Streisand is barely twenty-one and a nobody from Brooklyn with hair as high as it goes. Judy Garland is, well, Judy Garland \u2013 established, exploited, adored, loathed, disposed of, then finally deemed camp. She would be dead only 6 years later. But on October 4th of 1963, it wasn\u2019t the <em>ingenue<\/em> and the <em>hag<\/em>, it was just two powerful voices singing for the television screen, reveling in each other&#8217;s genius. The outcome is difficult to put into perspective because it\u2019s no use describing a moment so ethereal, so religious. The best I can do is compare it to WALL-E\u2019s unrequited love affair with <em>Hello Dolly! <\/em>That\u2019s what this duet feels like to me \u2013 it\u2019s the comfort of a moment so distant yet so pertinent. When the world around me was crumbling and nothing made sense, I\u2019d listen to two women sing about happier days and happier times \u2013 and for those four minutes, I\u2019d be right there with them.&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to A Trip Through Space to Clear My Mind on Spotify. Taner\u00e9lle \u00b7 Song \u00b7 2019.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Reina Garcia<\/h1>\n<h3 style=\"white-space:pre-wrap\">A Trip Through Space To Clear My Mind &#8211; Tanerelle<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">Hailing from the black mecca that is Atlanta, Georgia, Tanerelle is a goddess walking the earth whose voice will have you transcend time and space. Hence the title \u2018A Trip Through Space To Clear My Mind,\u2019 a beautiful song choice to get you acquainted with this artist. On days that I wanted to escape the confines of my room, I would play Tanerelle and find myself in a whole new world. She does a good job of connecting with the listener while painting the lyrics of her journey. <\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to party 4 u on Spotify. Charli XCX \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Kyle Woolery<\/h1>\n<h3 style=\"white-space:pre-wrap\">party 4 u &#8211; Charli XCX<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">For me, the highlight of the entire quarantine experience was undoubtedly the six week stretch from April 6th to May 15th when Charli XCX recorded and released her fourth album, <em>How I\u2019m Feeling Now<\/em>, broadcasting basically every step in the process via a series of Instagram Lives and Zoom calls. It truly gave me something to look forward to everyday. The entire <em>How I\u2019m Feeling Now<\/em> album is pop perfection, and it\u2019s incredibly difficult to pick a favorite song. However, it is safe to say that one of the tracks almost universally regarded as a standout is \u201cparty 4 u,\u201d a melancholic and wistful electropop number evoking a sense of nostalgia for a time when we could still get together and, as the title suggests, <em>party<\/em>. Fans had long been demanding an official release of this particular track ever since she premiered it in an early demo form at a concert in 2017. Thus, as an easter egg to her devoted followers\u2014and as a callback to an era when we could actually experience live music\u2014Charli includes a sample of the audience cheering at this aforementioned show in the outro of \u201cparty 4 u.\u201d It\u2019s brilliant, but I expected nothing less from one of pop\u2019s greatest innovators.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to seven on Spotify. Taylor Swift \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Annie Wojnarowski<\/h1>\n<h3 style=\"white-space:pre-wrap\">seven &#8211; Taylor Swift<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">When Taylor Swift surprise released her eighth studio album, <em>Folklore,<\/em> never in my wildest dreams did I think she would go full indie folk. Because Swift knew she wouldn\u2019t be touring with this album anytime soon, she decided to make something that wasn\u2019t for the stadiums that she sold out. Soft, simple, and full of childhood reflection, this song levitated me through the summer months of quarantine. There would be mornings where before I even spoke, I would put this on like muscle memory. A short escape from our version of groundhog day, Swift created a small woodland world lightyears away from the childhood bedroom I was sat at.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to I Know Alone on Spotify. HAIM \u00b7 Song \u00b7 2020.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Nia Tucker<\/h1>\n<h3 style=\"white-space:pre-wrap\">I Know Alone- HAIM<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">At the start of 2020 I moved to a new city to go to a new school and I felt more like a fish out of water. I felt as if I was a defromed meteorite that had crash landed from space and broke the whole atmosphere. So, when quarantine came around, the loneliness of newness was exacerbated, I felt like a prisoner in limbo without any real anchors where I lived and would be staying for years to come. Then, in April, HAIM dropped \u201cI Know Alone,\u201d a gorgeous, minimal track saturated with the visceral sadness that a lot of us were feeling in those moments of complete isolation. There\u2019s truth and a sense of feeling seen in every verse from \u201cBeen a couple days since I&#8217;ve been out \/ Calling all my friends but they won&#8217;t pick up \/ Found another room in a different place,\u201d to \u201cDays get slow \/ Like counting cell towers on the road \/ I know alone \/ And I don&#8217;t wanna talk about it.\u201d And, at the start of the song, a sound reminiscent of an old door creaking open plays, and I can\u2019t help but compare it to my oft-closed bedroom door during that time, dusting up wanting to be opened and wanting to let me out. HAIM has a firm grasp on the ability to express the dynamism, and specificity of being a woman, and being someone cast aside\u2014their emotions forgotten.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to What Makes You Beautiful on Spotify. One Direction \u00b7 Song \u00b7 2012.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Sarah Fournell<\/h1>\n<h3 style=\"white-space:pre-wrap\">What Makes You Beautiful- One Direction<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">Instead of going back to school in the fall, I became a nanny for the sweetest 1 year old boy. His name is Emmett and he absolutely loves music videos. Instead of watching tv, he would sit in front of the screen, dancing to country music videos. I eventually got tired of the same country songs on repeat everyday so I slowly weaned him off of it. I started slowly, with country Taylor Swift. He took the bait. Country Taylor Swift turned into modern Taylor. He loved the bright colors of \u201cWe are Never Getting Back Together\u201d and the catchiness of \u201cBad Blood.\u201d The suggested videos section on Youtube slowly became full of One Direction. He became absolutely obsessed. This new obsession came at a pivotal point of his growth, when he was beginning to talk. One of his first words beside \u201cmama\u201d and \u201cdada\u201d was \u201cbeautiful.\u201d His vocabulary became full of words like \u201ceyes,\u201d \u201cboys,\u201d and even \u201cbad blood.\u201d Being with him everyday got me through quarantine, and seeing my impact on him taught me so much about life and love. Watching him grow was amazing, and seeing him become the biggest One Direction fan was even better.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"video-caption-wrapper\">\n<div class=\"video-caption\">\n<p>Listen to Taking Up Space on Spotify. Mustard Service \u00b7 Song \u00b7 2017.<\/p>\n<\/div>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Kate Mettetal&nbsp;<\/h1>\n<h3 style=\"white-space:pre-wrap\">Taking Up Space \u2014 Mustard Service<\/h3>\n<p class=\"\" style=\"white-space:pre-wrap\">Quarantine was an unrivaled mental feat for all of us. For the first time in our lives, the playing field was somewhat neutralized \u2014 society, as we all knew it, was ending and we were all forced to grapple with our existential dread without any distractions, entirely alone. Days blended into weeks and weeks felt like years. I can\u2019t say that I remember much of that time or that any of it entailed profound silver lining. But, I can distinctly remember that each one of my early-spring joy rides around Chicago, listening to the wave-like, springy-reverb sounds of <em>Taking Up Space <\/em>by Miami-based group, Mustard Service, always felt like a good day. Guitarist Gabriel Marinuchi incorporates rubbery surf rock chords with smoothe jazz melodies that only bolster the authenticity of frontman Marco Rivero\u2019s eighties-new-wave-style vocals. <em>Taking Up Space <\/em>was, ultimately, a remedy for my COVID-19 despair. It provides listeners with an impressive and satisfying blend of jazz, surf rock, indie, new wave, and even some elements of 60\u2019s pop \u2014 a genre Mustard Service calls \u201czest pop\u201d \u2014 all while communicating a friendly reminder to find the joy and humor within life\u2019s stress.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel 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