{"id":1052,"date":"2021-04-04T22:04:15","date_gmt":"2021-04-04T22:04:15","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-4-4-staff-pix-44\/"},"modified":"2021-04-04T22:04:15","modified_gmt":"2021-04-04T22:04:15","slug":"2021-4-4-staff-pix-44","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-4-4-staff-pix-44\/","title":{"rendered":"Staff Pix 4\/4"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Sundays from 5-7 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

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Listen to Succession (Main Title Theme) on Spotify. Nicholas Britell \u00b7 Song \u00b7 2019.<\/p>\n<\/div>\n<\/div>\n

\n

Nia Tucker<\/h1>\n

Succession (Main Title Theme) – Nicholas Britell (Succession)<\/h3>\n

If you haven\u2019t watched HBO original Succession<\/em> yet this is your sign to start. It\u2019s an expert satire on capitalism, corporation and the control of a family patriarch. From the first discordant notes that strike over the opening credits of the show, you get a sense that this is a family that is harmonious in their chaos and sharky behavior. Nicholas Britell is a master at painting an entire story just with a few notes, as seen in his other scores for Moonlight<\/em> and If Beale Street Could Talk<\/em>, also known for their emotional strife and intimate family portraits. Aside from the astuteness of the short opening track, it\u2019s also just groovy above all. It has become a cult fan favorite, appearing in a few of my friends top songs of 2020\u2014it\u2019s clear that even outside of the context of the show, Britell knows how to make music that intrigues people and has a moving feel to it. <\/p>\n<\/div>\n

 <\/p>\n

\n
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Listen to Perfect Day on Spotify. Hoku \u00b7 Song \u00b7 2005.<\/p>\n<\/div>\n<\/div>\n

\n

Nat Szczepanski<\/h1>\n

Perfect Day – Hoku (Legally Blonde)<\/h3>\n

This song perfectly encapsulates that early 2000s feel in my opinion: a rebellious nature mixed with a sort of sickenly sweet optimism. \u201cPerfect Day\u201d also serves as the intro song to the classic movie Legally Blonde<\/em> (2001). There\u2019s an ungodly amount of pink and and college frat culture on display but isn\u2019t that just was going on at the time? We get a feel for what exactly the movie will entail, as it seeks to define its main character Elle Woods in this nostalgia-driven establishing shot. The song also surprisingly makes use of some distorted guitar and classic pop riffs, while having a steady rhythm section. It sits perfectly in that sweet spot of Pop Rock songs. In my opinion, the only way to listen to this song would be to drive down a sunny road with your top down in some bright red Volkswagen beetle. <\/p>\n<\/div>\n

 <\/p>\n

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Listen to Life’s a Bitch (feat. AZ & Olu Dara) on Spotify. Nas \u00b7 Song \u00b7 1994.<\/p>\n<\/div>\n<\/div>\n

\n

Annie Wojnarowski<\/h1>\n

Life\u2019s a Bitch – Nas (Fish Tank)<\/strong><\/h3>\n

A song used in one of the best fight scenes without actual fighting, the legendary Nas narrates a voiceless dance between mother and daughter in Andrea Arnold\u2019s Fish Tank. <\/em>Line dancing to the music from one end of the room to the other, staring at each other as Nas raps: \u201cLife\u2019s a bitch and then you die\u201d, the film\u2019s conclusion showcases a greatly earned mutual understanding that succeeds without anyone saying a word. One of the best movies of all time, at least to me, Fish Tank <\/em>takes the prize for one of the best needle drops put to film.<\/p>\n<\/div>\n

 <\/p>\n

\n
\n

Listen to Space Jam on Spotify. Quad City DJ’s \u00b7 Song \u00b7 1996.<\/p>\n<\/div>\n<\/div>\n

\n

Sarah Fournell<\/h1>\n

Space Jam – Quad City DJs (Space Jam)<\/h3>\n

One of my favorite Saturday morning activities is going to yard sales. A few years ago, while I was scouring the streets for sales, I stumbled upon the house of a record collector. His driveway was covered from top to bottom in crates. I was there for about two hours, looking through each crate to find records to add to my collection. In one of the last few crates I struck gold. I found the Space Jam <\/em>soundtrack on vinyl. I love Space Jam<\/em>, I think it is so bad and so good at the same time. However, when I flipped the vinyl over, I realized that it was not the soundtrack, but six different edits of the title song \u201cSpace Jam.\u201d Never in my wildest dreams would I have thought of this becoming my most prized possession, and it was only 50 cents. \u201cSpace Jam\u201d by the Quad City DJ\u2019s is the ultimate pump up song.<\/p>\n<\/div>\n

 <\/p>\n

\n
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Listen to Everytime on Spotify. Britney Spears \u00b7 Song \u00b7 2003.<\/p>\n<\/div>\n<\/div>\n

\n

Kyle Woolery<\/h1>\n

Everytime – Britney Spears (Spring Breakers)<\/h3>\n

Spring Breakers<\/em> contains one of the most memorable and unexpected needle drops in modern cinema. Vanessa Hudgens, Ashley Benson, and Rachel Korine\u2014all wielding rifles and wearing matching hot pink balaclavas, tiger print monokinis, and sweatpants with \u201cDTF\u201d printed on the back\u2014stand around a piano. \u201cPlay something inspiring,\u201d they instruct a tattoo-covered, grill-wearing James Franco. He begins playing the opening notes of Britney\u2019s quintessential ballad, \u201cEverytime.\u201d The girls sing along and dance around as the sun sets in the background. What begins as a beautiful, heartfelt serenade quickly transitions into a disturbing montage of senseless violence. Scenes of armed robbery and aggravated assault flash before the audience\u2019s eyes as Britney\u2019s angelic voice continues singing. This juxtaposition is just as peculiar as it is powerful, and it perfectly captures the essence of Spring Breakers<\/em>.<\/p>\n<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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