{"id":1040,"date":"2021-10-03T13:08:40","date_gmt":"2021-10-03T13:08:40","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-10-3-sugababes-celebrate-20-years-of-one-touch\/"},"modified":"2021-10-03T13:08:40","modified_gmt":"2021-10-03T13:08:40","slug":"2021-10-3-sugababes-celebrate-20-years-of-one-touch","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-10-3-sugababes-celebrate-20-years-of-one-touch\/","title":{"rendered":"Sugababes Celebrate 20 Years of \u2018One Touch\u2019"},"content":{"rendered":"
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By Kyle Woolery<\/strong><\/p>\n

When London teenagers Mutya Buena, Keisha Buchanan, and Siobh\u00e1n Donaghy released their debut single, <\/em>\u201cOverload,\u201d on September 11th, 2000, it was evident that they weren\u2019t your ordinary girl group. Equipped with an emotional maturity and vocal prowess well beyond their years, out-of-this-world harmonies that their peers would kill <\/em>for, and an effortlessly cool aura, the trio\u2014who called themselves the Sugababes\u2014redefined what it meant to be a girl group going into the new millennium. \u201cOverload\u201d was just the beginning of the Sugababes\u2019 decade-long imperial reign that would culminate in six UK #1\u2019s, millions of albums and singles sold, and an enduring impact on pop music that can still be felt to this day. Now, just over 20 years later, the trio is looking back on where it all began with a special anniversary repackaging of their debut album, One Touch<\/em>.<\/p>\n

Initially released on November 28th, 2000, One Touch<\/em> is a pop\/R&B album that incorporates elements of UK garage, two-step, and trip-hop, all with a groovy and soulful flair. Other girl groups often restricted themselves to the confines of bubblegum pop or saccharine R&B, but the Sugababes were unafraid to experiment. Through their meticulous blending of genres, their fusion of trendy underground aesthetics with the mainstream, and their lush vocal harmonies, the Sugababes crafted a distinct sound that was uniquely their own. It was perfectly aligned with their overall image as well. They were the \u201ctoo cool for school\u201d girls who came across a bit aloof and deliberately went against what was expected of a girl group\u2014matching outfits, elaborate choreography, and perpetually bubbly personalities. Out-of-touch critics perceived this as a \u201clack of enthusiasm,\u201d but fans were totally captivated by it. These girls were edgy, they were cool, and most importantly, they were real<\/em>. No one else was doing what they were doing at the time, and they stood out from the pack as a result. They represented a new kind of girl group: one that didn\u2019t need to follow the rules.<\/p>\n

At its core, One Touch<\/em> is a coming-of-age album. Mutya, Keisha, and Siobh\u00e1n guide listeners through tales of giddy adolescent love (\u201cOverload\u201d), romantic turmoil (\u201cSame Old Story\u201d), heartbreak (\u201cNew Year\u201d), and the difficulties and complexities of growing up (\u201cLook At Me\u201d), maintaining an introspective and almost conversational tone throughout. There is an undeniable youthfulness about One Touch,<\/em> but the way in which they approach the album\u2019s themes feels universally relatable, regardless of age. Some of their lyrical ruminations even sound as though they are coming from a place of bountiful wisdom and experience\u2014an astonishing feat considering the Sugababes themselves, who were in their early teens at the time of recording, were responsible for most of the songwriting on the album. The fact that they were capable of writing such poignant, resonant lyrics at such a young age is a clear indicator of their remarkable talent, and it played a huge role in setting them apart from the label-manufactured girl groups of the late \u201890s. They were refreshingly authentic.<\/p>\n

One Touch (20 Year Anniversary<\/em> Edition)<\/em>, released on October 1st, features remasters of the original album tracks and its B-sides, previously unreleased demos and alternate mixes, and brand new remixes from MNEK, Blood Orange, Metronomy, and Majestic. There are 41 tracks in total, making this repackaging a treat for any Sugababes fan, and the remastering makes the album sound better than ever, breathing new life into an already fantastic body of work and reaffirming just how timeless it is. Whether someone has listened to One Touch<\/em> one time or one-hundred times, listening to the remaster will feel like an entirely new experience, and if someone has never listened to the album before, then this is definitely the version to listen to.<\/p>\n

The previously unreleased demos and alternative mixes are a fascinating glimpse into what One Touch<\/em> could have been. \u201cAlways Be the One\u201d is a ballad evocative of \u201890s R&B songstresses like Mariah Carey and Brandy, whereas \u201cAll Around the World\u201d is a Kylie Minogue-esque slice of disco-pop. \u201cThis Is What You Need\u201d sounds like an early attempt at the more electronic sound that they would explore on their sophomore album, Angels With Dirty Faces<\/em> (2002), and \u201cOne Touch (Alternative Version)\u201d and \u201cReal Thing (Alternative Version)\u201d feel more in line with the sounds that other girl groups were pursuing at the turn of the century. While these are all great songs that demonstrate the sheer sonic versatility of the Sugababes, it is understandable why they were reworked (or abandoned altogether in some cases). They simply wouldn\u2019t have fit in with the rest of the album.<\/p>\n

That being said, there are also a few standout demos that could (and honestly should) have been included on the album. \u201cSoul Sound (Alternative Version)\u201d is a moment of cinematic trip-hop melodrama, and it really<\/em> works. It\u2019s a completely different vibe from the original\u2014a mellowed out pop-rock number\u2014but it might actually be the superior version of the song. The gradual buildup of \u201cPromises (Acoustic Version)\u201d is much more satisfying than the nonstop pure pop sugar rush of the original, and \u201cJust Let It Go (2001 Version)\u201d features some additional production flourishes that make the song more radio-friendly, suggesting that it might have been being geared up for a single release at some point. Another highlight is the original mix of \u201cLittle Lady Love,\u201d which was previously only available in a remixed form. The drum and bass influence and the orchestral strings present throughout the track elevate the girls\u2019 vocals and make the original mix feel grander than the remix; it sounds euphoric.<\/p>\n

The contemporary remixes offer fresh takes on a few of the songs that fans already know and love. Metronomy and Majestic took similar routes with their remixes of \u201cOverload\u201d. Both acts transform the funky, guitar-driven track into a club-ready UK garage banger straight out of the year 2000. Blood Orange\u2019s reimagining of \u201cSame Old Story\u201d begins as a downbeat, ethereal piano ballad before taking a turn into two-step territory. It would have been interesting to hear the first part of the remix fleshed out into a full song because the second part, while still enjoyable, doesn\u2019t sound too far off from the original. MNEK\u2019s remix is arguably the best and most adventurous of the bunch. He turns the brooding, ominous \u201cRun for Cover\u201d into a bouncy dance track\u2014a risk that pays off.<\/p>\n

This commemorative repackaging of One Touch<\/em> is a simultaneous reclamation and celebration of the Sugababes\u2019 legacy as well as a \u201cthank you\u201d to their fans for all the support over the years. One Touch<\/em> is the only Sugababes album to feature vocals from founding member Siobh\u00e1n, who departed the group in 2001 shortly after the release of the album and was replaced by former Atomic Kitten member Heidi Range. Mutya then left the group in 2005 and was replaced by Amelle Berrabah, and Keisha was ousted from the group in 2009 and replaced by Jade Ewen. By the end of the Sugababes\u2019 initial run, none of the founding members remained, and they had totally lost the unique identity that catapulted them to stardom in the first place. However, in 2012, the three original members reunited, performing and recording as Mutya Keisha Siobh\u00e1n before winning the rights to the Sugababes name in 2019. <\/p>\n

The release of One Touch (20 Year Anniversary Edition)<\/em> is quite a monumental moment as it is the first full-length release by the original Sugababes in over 20 years. This is Mutya, Keisha, and Siobh\u00e1n\u2019s way of formally reintroducing themselves to the world as the Sugababes and reminding everyone what incredible art they are capable of creating together. In the process, they are also satisfying the fans\u2019 desire for new music (for the time being, at least) by sharing old but never-before-heard songs from the One Touch<\/em> era. They are acknowledging their past so that they can move forward into the future and release completely new material as the Sugababes once again, finally picking up where they left off all those years ago.<\/p>\n

One Touch (20 Year Anniversary Edition)<\/em> is out now on all streaming platforms as well as on CD, vinyl, and cassette.<\/span><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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