{"id":1036,"date":"2021-10-06T14:28:41","date_gmt":"2021-10-06T14:28:41","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-10-6-mitski-is-working-for-the-knife-once-again\/"},"modified":"2021-10-06T14:28:41","modified_gmt":"2021-10-06T14:28:41","slug":"2021-10-6-mitski-is-working-for-the-knife-once-again","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-10-6-mitski-is-working-for-the-knife-once-again\/","title":{"rendered":"Mitski is Working for the Knife Once Again"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2100px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:47.619049072265625%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/7_mitskibanner.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/7_mitskibanner.png\" data-image-dimensions=\"2100x1000\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2100\" height=\"1000\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"><strong>By TJ Grant and Kate Mettetal <\/strong><\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">In early-June of 2019, Mitski announced that her Sept. 7 performance in Central Park would be her \u201clast show indefinitely\u201d. Soon after, she deleted her social media accounts \u2013&nbsp; going incognito \u2014 as the world transcended into the darkness of the Covid-19 pandemic.&nbsp; Eventually, the initial sadness and grief passed and her fans, once again, were filled with joy and anticipation.&nbsp;&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">&nbsp;On October 4th, her Instagram account \u2014 now run by her management \u2014posted a black silhouette of the artist in a cowboy hat and black leather pants, alongside \u201cOctober 5th, 2021. 10 a.m. ET\u201d. Over the past day, there has been promotion of her upcoming tour (the venue for her Boston show is still to be determined, but she is playing March 21st) The North American tour presale begins tomorrow at 10 am, and tickets for all of her shows are on Friday.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">At 10 am yesterday morning, the world had their first glimpse at a blurry outlining of our collective obsession and mysterious matriarchy herself in over two years. Sounds of cityscapes and opening elevator doors draw us into her own individual world \u2014 coming&nbsp; to a swift halt as fuzzy synths and off-kilter piano fill our hearts and minds with her new single, \u201cWorking for the Knife\u201d .&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cI used to think I\u2019d be done at 20,\u201d Mitski sings. \u201cBut now at 29 I feel just the same.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">It seems as though Mitski has new perceptions of where she is as an artist and a human being. Perhaps the knife is a metaphor for the music industry as a whole and her relationship to it.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cMaybe at 30, I\u2019ll see a way to change,\u201d she sings over squealing horns and punchy drums.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">As the spotlight dodges all around her, Mitski begins some kind of revolt against the stage that provided her with an outlet during her coming-of-age. The thing that is responsible for her fame and notoriety is being abused and tormented by her fists and body. It doesn\u2019t get much clearer than that. She <em>is<\/em> working for the knife.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">In less than a day, Mitski\u2019s \u201cWorking for the Knife\u201d has earned a second spot on YouTube\u2019s \u201ctrending\u201d with over 174,000 views as the world awaits what will come next.&nbsp;&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">At 10 am this morning, the world had their first glimpse at a blurry outlining of our collective obsession and mysterious matriarchy herself in over two years.<\/p>\n","protected":false},"author":1,"featured_media":1037,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[37],"class_list":["post-1036","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-single-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mitski is Working for the Knife Once Again - wecb<\/title>\n<meta name=\"robots\" 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