{"id":1034,"date":"2021-10-06T18:33:33","date_gmt":"2021-10-06T18:33:33","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-10-6-brandi-carlile-constructs-a\/"},"modified":"2021-10-06T18:33:33","modified_gmt":"2021-10-06T18:33:33","slug":"2021-10-6-brandi-carlile-constructs-a","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-10-6-brandi-carlile-constructs-a\/","title":{"rendered":"Brandi Carlile’s ‘In These Silent Days’ comes right on time"},"content":{"rendered":"
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By Maura Cowan<\/strong><\/p>\n<\/div>\n

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Veteran folk-rock artist Brandi Carlile will never claim to have reinvented the wheel over her 16 year career. But her seventh LP, In These Silent Days<\/em>, proves that she has forged something beautiful, raw, and entirely her own.<\/p>\n

Silent Days<\/em> appears mechanically fine-tuned to be the quintessential Carlile record. With long-time twin bandmates Tim and Phil Hanseroth, she has streamlined her style and structure to such a degree that this release feels instantly familiar. And the sound, of course, remains classically Carlile\u2014 a carefully woven balance of folk, rock, and blues tinged with her signature throaty intonation. <\/p>\n

The first track, \u201cRight On Time,\u201d is the type of musically intense, thematic lead single that has become a particular trademark of her records. \u201cIt\u2019s not too late\/ Either way, I lose you in these silent days,\u201d she cries out, half-comforting, half-pleading. \u201cIt wasn\u2019t right\/ But it was right on time.\u201d The struggle to connect, the feelings of regret and resolution and just a little bit of emptiness\u2014 it all rings true to the experience of the pandemic and serves perfectly to introduce her newest collection. <\/p>\n

It\u2019s difficult to look at this latest installment into Carlile\u2019s oeuvre without acknowledging its triumphant predecessor, By the Way, I Forgive You<\/em>. With politically-charged releases such as \u201cThe Joke\u201d and \u201cHold Out Your Hand,\u201d Carlile ventured into the realm of protest for the first time. Written and released in 2018, at the height of the Trump administration, it felt like a necessary statement from one of folk-rock\u2019s most established voices. Three years on, Silent Days<\/em> offers a natural evolution.<\/p>\n

But if By the Way<\/em> was a scream cutting through the noise of a crumbling world, In<\/em> These Silent Days<\/em> is a call into the rubble left behind. It is a quieter, more reflective body of work, serving less to motivate listeners into action and instead to inspire healing and resilience after the political and societal turbulence of the last half-decade. The album\u2019s highlights reflect this sense of tenderness, with gentle but powerful life lessons woven into stories.<\/p>\n

The intense, guitar-driven standout \u201cBroken Horses\u201d shares its title with Carlile\u2019s 2021 memoir, and speaks to her impoverished upbringing on the outskirts of Seattle with some of her most impactful lyrics to date. \u201cI wear my father’s leather on the inside of my skin,\u201d she calls, \u201cI’m a tried and weathered woman, but I won’t be tried again.\u201d<\/p>\n

\u201cYou and Me On The Rock,\u201d a jangly, upbeat love letter, shows the beauty in simplicity\u2014 the little life she has created with her wife and children in their corner of rural Washington. \u201cMama Werewolf\u201d and \u201cStay Gentle,” meanwhile, are tender messages to those children themselves, delivering life lessons of kindness and self-awareness through metaphor.<\/p>\n

In a signature nod to the political, \u201cSinners, Saints, and Fools\u201d is a snappy, high-energy musical parable about an upright Christian man who uses the scripture to defend bigotry and hostility, spending his life touting anti-immigrant sentiment. At the end of his life, he is barred from Heaven when God returns the same defense: \u201cThey said, \u2018We cannot let just anyone walk in here anymore\/ You didn’t do it by the book,\u2019 and then they pointed to the floor.\u201d<\/p>\n

Carlile may always find new ground to tread, but reflection and familiarity are imbued in every line of In These Silent Days<\/em>. During the album\u2019s fifth track, \u201cLetter to the Past,\u201d she delivers a gentle message to her younger self. \u201cFolks are gonna lean on you\/ And leave when th\u0435 cracks appear,\u201d she assures, \u201cBut, darlin\u2019, I\u2019ll be her\u0435\/ I’ll be the last\/ You\u2019re my letter to the past.\u201d In an age seemingly defined by uncertainty and instability, she reminds us all that we have strength and consistency within ourselves.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Veteran folk-rock artist Brandi Carlile will never claim to have reinvented the wheel over her 16 year career. 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