{"id":1018,"date":"2021-10-18T12:47:16","date_gmt":"2021-10-18T12:47:16","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-10-18-lucy-dacus-takes-house-of-blues-down-memory-lane-on-her-home-video-tour\/"},"modified":"2021-10-18T12:47:16","modified_gmt":"2021-10-18T12:47:16","slug":"2021-10-18-lucy-dacus-takes-house-of-blues-down-memory-lane-on-her-home-video-tour","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-10-18-lucy-dacus-takes-house-of-blues-down-memory-lane-on-her-home-video-tour\/","title":{"rendered":"Lucy Dacus takes House of Blues down memory lane on her Home Video tour"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2100px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:47.619049072265625%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/dacusbanner.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/dacusbanner.png\" data-image-dimensions=\"2100x1000\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2100\" height=\"1000\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"><strong>By Maura Cowan<\/strong><\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Lucy Dacus arrived in Boston on a gust of sparkling autumn wind\u2013 there is that sort of quality about her that makes her presence anywhere just a little bit magic. As the sun set over the city, that enchantment began to settle into the corners of the Fenway district\u2019s House of Blues.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Dacus is far from a novice performer, but touring her third album <em>Home Video<\/em> has brought her to new heights. With a shy grin and a nod to the crowd, she announced that House of Blues is the biggest venue she\u2019s ever headlined. The size of the house, however, could never infringe upon the intimacy of the night.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Opener Bartees Strange kicked off the evening with selections from his first LP, <em>Live Forever<\/em> (2020). Despite just beginning to emerge in the indie rock scene, he has contributed a style that is distinctly his own, combining elements of rock, soul, blues, and hip-hop and delivering a bouncy, energetic performance. By the time he closed his set with the celebratory, up-tempo track \u201cBoomer,\u201d the crowd was humming with anticipation that crescendoed into a roar as Dacus took the stage.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">In a satisfying act of balance, Dacus chose to open the night with <em>Home Video<\/em>\u2019s closing track, \u201cTriple Dog Dare\u201d. It was an ambitious choice\u2013&nbsp; the song is over eight minutes long and remains musically understated until it bursts to life in the final verse. With this quiet, though, she did exactly what she needed to do, utterly captivating the house. Framed in a wash of light with a simple animated camcorder cycling behind her, standing in a flowing blue gown with cloud-puff sleeves, it seemed as though an angel had appeared before the crowd.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Dacus is not a loud or boisterous presence, but onstage, she carried a sweet and commanding dignity that gripped the audience\u2019s attention even during the quieter periods. Throughout the night, she made each moment her own with little touches of perfection: clips of herself as a child broadcasted above the stage, a cover of \u201cLa Vie En Rose\u201d with a rocker\u2019s flair, brief interludes between songs wherein she chatted to the crowd with familiarity and sipped her nightly cup of Throat Coat tea.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The crowd reacted to her grace in kind, weaving intense lyric-screaming enthusiasm with moments of calm and even stillness. Twice, the entire audience seemed to hold its breath, letting her voice ring out into the hall alone; once during the gut-wrenching plea for life, \u201cPlease Stay,\u201d and again during the visceral, quiet fury of \u201cThumbs,\u201d where Dacus fantasizes about killing a friend\u2019s abusive father.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Despite the heavy themes present in some of Dacus\u2019 work, most of the night was filled with far more joy than tears. As the show drew near its close, she brought the whole band up front and called out the Bartees Strange crew for a rendition of self-described \u201ccampfire sing-along\u201d favorite \u201cGoing, Going, Gone.\u201d With the performers laughing together and calling to the audience in a perfect sort of warmth, it was easy to imagine that everyone in the room was the best of friends, getting ready to turn in after a comfortable evening.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Really, though, there was only ever one way Dacus could have finished the night. A wave of catharsis overtook the crowd as the opening bars of her 2018 hit \u201cNight Shift\u201d rang out into the house, and for perhaps the only time in the evening, every single note was amplified in a glorious chorus: \u201cYou\u2019ve got a nine to five, so I\u2019ll take the night shift\/ and I\u2019ll never see you again if I can help it\/ In five years, I hope the songs feel like covers\/ dedicated to new lovers.\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">There was the palpable feeling that those words meant something deeply and uniquely personal to everyone in the crowd. By her last refrain, the years of car-radio screams and breakup breakdowns seemed to swirl in the air with the audience\u2019s cries.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cWow,\u201d she remarked in between the final dregs of her tea, \u201cThat was amazing. Y\u2019all were feral.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">After a brief moment off stage, she returned for an encore with a rousing cover of Bruce Springsteen\u2019s \u201cDancing in the Dark,\u201d a favorite of the fathers and New Jerseyans in the audience. The night, however, was not over yet. When she toured her sophomore album, <em>Historian<\/em>, Dacus introduced an as-yet-untitled song (which later became \u201cThumbs\u201d), with the simple request that no one record the performance and release it to the Wild West of the internet. Secure in that venture\u2019s success, she decided to entrust the crowd once again with a new piece.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cIf you see someone else recording, feel free to bully them,\u201d she quipped with half a smile at the shuffle of the audience tucking away phones and cameras. For a final time, the entire house held one collective breath. In the warmth of the room and the company of hundreds of strangers in harmony, they gave her every bit of air.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">Lucy Dacus arrived in Boston on a gust of sparkling autumn wind\u2013 there is that sort of quality about her that makes her presence anywhere just a little bit magic.<\/p>\n","protected":false},"author":1,"featured_media":1019,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-1018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lucy Dacus takes House of Blues down memory lane on her Home Video tour - 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