{"id":1100,"date":"2018-02-15T08:00:43","date_gmt":"2018-02-15T08:00:43","guid":{"rendered":"https:\/\/websites.emerson.edu\/undergrad-students-publishing\/?p=1100"},"modified":"2020-11-09T20:19:24","modified_gmt":"2020-11-09T20:19:24","slug":"review-junot-diaz-explores-contemporary-love-in-this-is-how-you-lose-her","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/2018\/02\/15\/review-junot-diaz-explores-contemporary-love-in-this-is-how-you-lose-her\/","title":{"rendered":"Review: Junot D\u00edaz Explores Contemporary Love in <i>This Is How You Lose Her<\/i>"},"content":{"rendered":"<p>Jonathan Smith\/\/Blog Writer<\/p>\n<figure id=\"attachment_1101\" aria-describedby=\"caption-attachment-1101\" style=\"width: 174px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1101 \" src=\"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/this-is-how-you-lose-her-189x300.jpg\" alt=\"\" width=\"174\" height=\"277\" srcset=\"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/this-is-how-you-lose-her-189x300.jpg 189w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/this-is-how-you-lose-her-260x413.jpg 260w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/this-is-how-you-lose-her-160x254.jpg 160w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/this-is-how-you-lose-her.jpg 314w\" sizes=\"auto, (max-width: 174px) 100vw, 174px\" \/><figcaption id=\"caption-attachment-1101\" class=\"wp-caption-text\"><em>This Is How You Lose Her<\/em> by Junot D\u00edaz<\/figcaption><\/figure>\n<p>Pulitzer Prize winning author Junot D\u00edaz published <em>This Is How You Lose Her<\/em>, his second short story collection, in August of 2012. The compendium consists of nine interconnected short stories, with Yunior, a fan-favorite from D\u00edaz\u2019s previous works, earning the role of narrator in most of these stories. The collection includes work previously published in <em>The New Yorker<\/em>, <em>Story<\/em>, and <em>Glimmer Train<\/em>. It received overwhelmingly positive response from readers and critics alike, placing it in the top ten books of 2012 for many publications, including <em>Time<\/em>. If these accolades aren\u2019t reason enough to read this collection, rest assured that it has my stamp of approval as well.<\/p>\n<p>D\u00edaz, who currently works as a creative writing professor at the Massachusetts Institute of Technology, typically writes characters with verve and an element of anger. Yunior, the protagonist for much of this collection, narrates his experiences in much the same way. A major component of what makes an excellent short story is how well the author crafts the opening paragraph as it truly sets the tone for the rest of the piece. It forces the reader to question what is to come, why we should care, and how it should be resolved. Perhaps my favorite short story in the collection, \u201cThe Sun, the Moon, the Stars,\u201d offers such a paragraph. \u201cI\u2019m not a bad guy,\u201d it begins. \u201cI know how that sounds\u2014defensive, unscrupulous\u2014but it\u2019s true. I\u2019m like everybody else: weak, full of mistakes, but basically good\u201d (3). Upon reading this, one must question why the narrator has to tell us he is not a bad person and to whom he is pleading the case.<\/p>\n<p>A point of contention in the writing community is whether one should remove quotations from dialogue. For some readers it can be truly confusing as to which character is speaking or whether the narrator is speaking, especially when there are multiple exchanges of dialogue within the same paragraph. For D\u00edaz, however, most of his work lives by the concept that quotations are optional. In fact, there is not a single quotation mark used in this collection for dialogue. It is a true testament of the strength of D\u00edaz\u2019s writing style when I say that I had virtually no difficulty understanding who was speaking or narrating on my initial read. And I find myself yearning to write a story in this same manner.<\/p>\n<figure id=\"attachment_1102\" aria-describedby=\"caption-attachment-1102\" style=\"width: 192px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1102\" src=\"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-192x300.jpg 192w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-656x1024.jpg 656w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-768x1199.jpg 768w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-984x1536.jpg 984w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-560x874.jpg 560w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-260x406.jpg 260w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown-160x250.jpg 160w, https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-content\/uploads\/sites\/14\/2018\/02\/drown.jpg 1000w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><figcaption id=\"caption-attachment-1102\" class=\"wp-caption-text\"><em>Drown<\/em> by Junot D\u00edaz<\/figcaption><\/figure>\n<p>There is a decent variety of stories here, with most focusing on Yunior\u2019s romantic relationships, his brother Rafa\u2019s relationships and cancer diagnosis, and life in low-income communities. This collection is able to work well in a non-linear order because of the nuances of the characters. For example, the first story, \u201cThe Sun, the Moon, the Stars,\u201d presents Yunior in his twenties or thirties trying to win back Magda\u2019s heart after cheating on her. But the next story, \u201cNilda,\u201d presents Yunior as a young teenager who is interested in comic books and Nilda, who was Rafa\u2019s girlfriend at the time. The reader is able to identify, in some sense, with the complexity of Yunior\u2019s relationships and come to understand his sometimes-immoral decisions as more background unravels throughout the stories.<\/p>\n<p>It must be said that there is a fair amount of adult content in this collection. There are many sexist assertions cast throughout the collection as well, especially toward the female characters and the way they are physically described. But that is not to say there are no strong female characters. In fact, one of my favorite characters is Yunior and Rafa\u2019s mother, who raises her two sons as a single parent.<\/p>\n<p><em>This Is How You Lose Her<\/em> will leave the reader wanting more, as every good compendium should. This is an excellent collection of D\u00edaz\u2019s work, and is accessible even for those like me who have not yet read his first short story collection, <em>Drown<\/em>, or the Pulitzer Prize winning <em>The Brief Wondrous Life of Oscar Wao<\/em>.<\/p>\n<p>Rating: 9\/10<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jonathan Smith\/\/Blog Writer Pulitzer Prize winning author Junot D\u00edaz published This Is How You Lose Her, his second short story collection, in August of 2012. The compendium consists of nine&#8230;<\/p>\n","protected":false},"author":62,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[6,10],"tags":[],"class_list":["post-1100","post","type-post","status-publish","format-standard","hentry","category-opinion","category-reviews"],"_links":{"self":[{"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/posts\/1100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/comments?post=1100"}],"version-history":[{"count":1,"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/posts\/1100\/revisions"}],"predecessor-version":[{"id":1505,"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/posts\/1100\/revisions\/1505"}],"wp:attachment":[{"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/media?parent=1100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/categories?post=1100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orgs.emerson.edu\/undergraduate-students-publishing\/wp-json\/wp\/v2\/tags?post=1100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}